Ives, Charles E.
Year: 1929
Complete Citation:
Ives, Charles E. “The Fourth Symphony for Large Orchestra.” New Music, Vol. 2, No. 2 (January, 1929).Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 1973
Complete Citation:
Charles E. Ives. “Note.” In Central Park in the Dark, edited by Jacques-Louis Monod, 31. Hillsdale, NY: Boelke-Bomart, 1973.Source: Score
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 1997
Complete Citation:
Ives, Charles E. Prima della Sonate. Translated to Italian by Aloma Bardi. Venice, Italy: Marsilio Editori, 1997.Source: Book
I. Ives as Author
Ives, Charles; Felix Meyer, translator
Complete Citation:
Ives, Charles. “Music and Its Future.”German translation by Felix Meyer.Source: (B1142: 201--205).
I. Ives as Author
Ives, Charles; J. Bernlef, trans.
Year: 1969
Complete Citation:
Ives, Charles. “Music and Its Future [Muziek en haar Toekomst].” Translated to Dutch by J. Bernlef. In Charles Ives, 104--111. Amsterdam, Netherlands: De Bezige Bij, 1969.I. Ives as Author
Ives, Charles; Jan Bernlef, translator
Complete Citation:
Ives, Charles. “Music and Its Future.” Dutch translation by Jan Bernlef.Source: [B0534: 104--111).
I. Ives as Author
Ives, Charles; Julian A. Ripley, editor
Year: 1925
Complete Citation:
Quarter- Century Record of the Class of 1898, Yale College, edited by Julien A. Ripley (Class Steward). New York: The Class Secre-tary Bureau, 1925: 142--143.Source: University Publication
I. Ives as Author
Ives, Charles / Meyer, Felix translator
Complete Citation:
German by Felix MeyerSource: [B1079: 27-131}.
I. Ives as Author
Ives, Charles; Meyer, Felix, translator
Complete Citation:
Ives, Charles. “Postface.” German translation by Felix Meyer.Source: {B1079: 133-14}.
I. Ives as Author
Ives, Charles; Viviana Aliberti, translator
Complete Citation:
Ives, Charles. “Music and Its Future.” French translation by Viviana AlibertiSource: {B1107: 176--180}.
I. Ives as Author
Iverson, Jennifer
Year: 2006
Complete Citation:
Iverson, Jennifer. “Spatial Structures of the Collage: the Case of Charles Ives’s Putnam's Camp.” Paper presented at Joint Meeting of Amer-ican Musicological Society and Society for Music Theory. November 3, 2006.Source: Conference paper
IV. Individual Studies by Genre
A. Orchestral and Band Works
James Ripley, Philip Lambert, Jonathan Elkus, and James Sinclair
Year: 2001
Complete Citation:
James Ripley, Philip Lambert, Jonathan Elkus, and James Sinclair. “Ives and His Use of Theater Transformation.” Lecture, Fiftieth anniversary of the East-man Wind Ensemble, Eastman School of Music, Rochester, New York, February 7, 2001.Notes: Musical selections performed in Kilborn Hall: Over the Pavements, Calcium Light Night, edited by Kenneth Singleton (chamber ensemble, Brad Lubman, con-ductor); and Overture and March “1776” and Country Band March (Eastman Dryden Orchestra, James Sinclair, conductor). Parts of this seminar were recorded and are available from the Eastman School.
Source: Lecture
IV. Individual Studies by Genre
A. Orchestral and Band Works
Janicka-Slysz, M.
Year: 1988
Complete Citation:
Janicka-Slysz, Małgorzata. “IV Symfonia Charlesa Edwarda Ivesa.” Zeszyty naukowe: Akademia Muzyczna im. Stastawa moniuszki w Gdansku 27: 75-94.Notes: Regarding Symphony No. 4
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
Jenkins, David and Mark Visocchi
Year: 1979
Complete Citation:
Jenkins, David and Mark Visocchi. “Washington's birthday / by Charles Ives.” In Portraits in music. London, United Kingdom: Oxford University Press, 1979.Source: Chapter in Book
IV. Individual Studies by Genre
A. Orchestral and Band Works
John Heiss, Jona-than Elkas, Charles Peltz, Gunther Schuller, and James Sinclair
Year: 2005
Complete Citation:
John Heiss, Jona-than Elkas, Charles Peltz, Gunther Schuller, and James Sinclair. “Conducting Ives [Panel]. Panel at at Charles Ives and His World, as Tribute to Iconoclastic American Com-poser. New England Conservatory of Music, Jordan Hall and Williams Hall, Boston, Massachusetts, March 13--17, 2005.Source: Conference paper
IV. Individual Studies by Genre
A. Orchestral and Band Works
Johnson (Swafford), Jan
Year: 1968
Complete Citation:
Johnson (Swafford), Jan. “The Second Phase: Compositional Techniques and Form in Ives’ Fourth Symphony.” Senior Thesis, Harvard College, 1968.Source: Senior Thesis
IV. Individual Studies by Genre
A. Orchestral and Band Works
Johnson [Swafford], Jan L.
Year: 1968
Complete Citation:
Johnson [Swafford], Jan L. “The Second Phase Compositional Tech-niques and Form in Ives’ Fourth Symphony.” B.A. senior honors essay, Harvard College, Harvard University, 1968.Source: B.A. senior honors essay
IV. Individual Studies by Genre
A. Orchestral and Band Works
Jolas, Betsy
Year: 1970
Complete Citation:
Jolas, Betsy. “Sur Ives: ‘The Unanswered Question,’” Musique en Jeu, No. 1 (1970).Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 1970
Complete Citation:
Jolas, Betsy. “Introduction a la Musique Americaine: Sur The Unanswered Question.” Musique en Jeu 1 (November 1970): 13-16.Source: Magazine
IV. Individual Studies by Genre
A. Orchestral and Band Works
Josephson, Nors S.
Year: 1974
Complete Citation:
Josephson, Nors S. “Zur Formalen Struktur Einiger Später Orchesterwerke Von Charles Ives (1874-1954).” Die Musikforschung, vol. 27, no. 1 (1974): 57-64.Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works