Ahn, Eun G. [안은지]
    Complete Citation: 
Ahn, Eun G. “논문 : 아이브스의  바이올린  소나타 2번과 4번에  나타난  음악적  특징.” 음악과  민족, vol. 49 (2015): 201.Notes: Translates to “Thesis: Musical Characteristics of Ives’ Violin Sonata  Nos. 2 and 4”<br>
 IV. Individual Studies by Genre
B. Chamber Works
Ahn, Eunji
    Year: 2015
Complete Citation: 
Ahn, Eunji. “아이브스의 바이올린 소나타 2번과 4번에 나타난 음악적  특징.” 음악과 민족, no. 49 (2015): 201-225.Notes: Translates to “Distinctive Features in the Second and Fourth Violin  Sonatas of Charles Ives”
 Source: Journal
IV. Individual Studies by Genre
B. Chamber Works
Bader, Yvette
    Year: 1972
Complete Citation: 
Bader, Yvette. The Music Review 33, Vol. 1, No. 4. (November 1972): 292-299.Source: Journal
IV. Individual Studies by Genre
B. Chamber Works
Baldwin, Philip
    Year: 1996
Complete Citation: 
Baldwin, Philip. “An Analysis of three violin sonatas by William  Bolcom.” Ph.D. diss., Ohio State University, 1996.Source: Ph.D. Dissertation
IV. Individual Studies by Genre
B. Chamber Works
Berger, Melvin
    Year: 1991
Complete Citation: 
Berger, Melvin. Ives, Charles: Piano sonatas; violin sonatas. In Guide to sonatas: music for one or two instruments. New York, NY: Anchor Books, 1991.Source: Chapter in Book
IV. Individual Studies by Genre
B. Chamber Works
Year: 2001
Complete Citation: 
Berger, Melvin. “Ives, Charles.” In Guide to chamber music. Mineola, New York: Dover Publications, 2001.Source: Book
IV. Individual Studies by Genre
B. Chamber Works
Blasch, Robert
    Year: 1991
Complete Citation: 
Blasch, Robert. “Charles Ives: Study No. 20.” Paper presented at Contemporary Music Festival: The Life and Works of Charles Ives. Longwood College, Department of Music, Farmville, Virginia, October 24-25, 1991.Source: Conference paper
IV. Individual Studies by Genre
B. Chamber Works
Blitzstein, Marc
    Year: 1932
Complete Citation: 
Blitzstein, Marc. “Premieres and Experiments-1932: Chamber Music.” Modern Music IX, 3 (March-April 1932): 124.Source: Journal
IV. Individual Studies by Genre
B. Chamber Works
Budde, Elmar
    Year: 1971
Complete Citation: 
Budde, Elmar. “Anmerkungen zum Streichquartett Nr. 2 von Charles E. Ives.” “Bericht über den internationalen Kongreß” Bonn 1970, edited by Carl Dahlhaus, 303-307. Stuttgart, Germany: Bärenreiter, 1971.Source: Book
IV. Individual Studies by Genre
B. Chamber Works
Budiansky, Stephen
    Year: 2013
Complete Citation: 
Budiansky, Stephen. “Ives, Diabetes, and His ‘Exhausted Vein’ of Composition.” American Music 31.1 (Spring 2013): 1-25.Source: Journal
VI. Topical Studies
I. Compositional Process
Carlson, Michael
    Year: 1996
Complete Citation: 
Carlson, Michael. “The Discomposing Composer.” Specta-tor 277/8781 (November 2, 1996): 44.Notes: “[H]is marvelous 'From Hanover Square North' ranks with  Nielsen's Fifth as the most moving reactions to the Great War.”
 Source: Journal
VI. Topical Studies
I. Compositional Process
Cave II, Lawrence Harold
    Year: 1984
Complete Citation: 
Cave II, Lawrence Harold. “Abstract: The Role of the Organ in Ives’ Develop-ment as Composer.” Sonneck Society for American Music Bulletin 10 (Fall 1984): 62.Source: Journal
VI. Topical Studies
I. Compositional Process
Denahan, Donal
    Year: 1982
Complete Citation: 
Henahan, Donal. “When the Music Ceases to Sound: Ego, Morale or Changing Times Can Cause Composers to Quit at Their Peak.” Kansas City Star. April 25, sec. K, 10.Notes: “In 1916 he finished Symphony No. 4, and that was it: for the next 40  years, until his death in 1954 at the age of 79, Ives sat silent in  Con-necticut.”
 Source: Newspaper
VI. Topical Studies
I. Compositional Process
Echols, Paul
    Year: 1974
Complete Citation: 
Echols, Paul. Liner notes for Sonatas for Violin and Piano. Paul Zukofsky and Gilbert Kalish. Nonesuch HB-73025, 1974, 33.3 RPM.Source: Liner notes
IV. Individual Studies by Genre
B. Chamber Works
Epstein, Paul
    Year: 1996
Complete Citation: 
Epstein, Paul. “A Performer’s Note on Ives's First Sonata for Violin and Piano.” In Charles Ives and His World Festival, edited by J. Peter Burkholder, 27-28. Annandale-on-Hudson, New York; Bard College, August 9-11, 16-18, 1996.Source: [Chapter in] Festival Publication
IV. Individual Studies by Genre
B. Chamber Works
Farberman, Harold
    Year: 1963
Complete Citation: 
Farberman, Harold. Liner notes for Pieces for Chamber Orchestra and Songs. Cambridge CRS 1804, 1963, 33.3 RPM.Source: Liner notes
IV. Individual Studies by Genre
B. Chamber Works
Feder, Stuart
    Year: 1989
Complete Citation: 
Feder, Stuart. “‘Calcium Light Night’ and Other Early Memories of Charles Ives.” In Fathers and Their Families, 307-326, edited by Stanley H. Cath, Alan Gurwitt, et al. Hillsdale, NJ: Analytic Press, 1989.Source: Chapter in Book
IV. Individual Studies by Genre
B. Chamber Works
Year: 1999
Complete Citation: 
Feder, Stuart. “This Scherzo is [not] a Joke.” In Humor and Psyche: Psy-choanalytic Perspectives, edited by James W. Barron, 203-217. Hillsdale, NJ: Ana-lytic Press, 1999.Source: Chapter in Book
IV. Individual Studies by Genre
B. Chamber Works
Fenner, Lucie
    Year: 2001
Complete Citation: 
Fenner, Lucie. “Amerikanismen im Werk von Charles Ives: Studien zu  Klaviertrio und 2. Klaviersonate.” Thesis, München, Hochschule für  Musik und Theater, Zulassungsarbeit, 2001.Source: Thesis
IV. Individual Studies by Genre
B. Chamber Works
Year: 2004
Complete Citation: 
Fenner, Lucie. “Einnerung an die College--Jahre. Musikalische Entlehnung in Calcium Light Night und TSIAJ von Charles Ives.” Musik-Konzepte 123: Charles Ives (January 2004): 25-49.Notes: Title translates to “Memories of the College Years: Musical Borrowing  in Calcium Light Night and TSIAJ by Charles Ives”
 Source: Journal
IV. Individual Studies by Genre
B. Chamber Works