Image
Complete Citation:
Fisher, Fred. “What’s the Music of Charles Ives All About?” Cimarron Review 37 (October 1976): 58-63.
Bibliography
Genres
Fisher, Fred
Year: 1976
Source: Journal
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
J. Extra-Musical Themes in Ives’s Compositions
Fletcher, Lucille.
Complete Citation:
Fletcher, Lucille. “A Connecticut Yankee in Music.” Charles Ives Papers. Box 56. Irving S. Gilmore Music Library, Yale University.Notes:
Unpublished article for the New Yorker Magazine, Charles Ives Papers at Yale University, Box 56. Nearly every page has additions and corrections in Ives’s hand, and some passages were actually written by Ives.<br>
Source: Unpublished article
VI. Topical Studies
L. Ives and America
L. Ives and America
Forte, Allen
Year: 1992
Complete Citation:
Forte, Allen. “The Diatonic Looking Glass, or An Ivesian Metamorphosis.” Musical Quarterly 16/3 (Fall 1992): 355-382.Source: Journal
VI. Topical Studies
G. Music Theory Analyses
G. Music Theory Analyses
Fosler-Lussier, Danielle
Year: 2019
Complete Citation:
Fosler-Lussier, Danielle. “Classical Music as Development Aid.” In Music in America’s Cold War Diplomacy. Berkeley, California: University of California Press, 2015.Source: Chapter in Book
VI. Topical Studies
S. Reception Studies and Related Scholarship
S. Reception Studies and Related Scholarship
Frankenstein, Alfred
Year: 1960
Complete Citation:
1960 - Alfred Frankenstein. “Charles Ives: A Musical Transcendentalist.” In The Unforgettable Americans, edited by John A. Garraty, 323-326. Great Neck, NY: Channel Press, 1960.Source: Chapter in Book
VI. Topical Studies
A. Transcendentalism or Philosophy
A. Transcendentalism or Philosophy
Freer, Patrick K.
Year: 2014
Complete Citation:
Freer, Patrick K. “From the Academic Editor: ‘Years of Progress’—‘Music Educators Journal’ from 1964 to 1989 (Volumes 51-75).” Music Educators Journal, vol. 100, no. 3 (2014): 18-19.Source: Journal
VI. Topical Studies
T. Ives in Music Education
T. Ives in Music Education
Fricke, Stefan, and Hans G. Helms
Year: 2001
Complete Citation:
Fricke, Stefan, and Hans G. Helms. “Von Ives Lernen... Stefan Fricke Im Gespräch Mit Hans G. Helms.” Neue Zeitschrift Für Musik, vol. 162, no. 5 (2001): 22-25.Source: Magazine/Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Friesen, Eric
Year: 2005
Complete Citation:
Friesen, Eric. “The artist as a child.” Queen’s Quarterly 112 (Fall 2005): 458-465.VI. Topical Studies
N. Ives’ Childhood
N. Ives’ Childhood
Friskin, James and Irwin Freundlich
Year: 1954
Complete Citation:
Friskin, James and Irwin Freundlich. Music for Piano: A Handbook of Concert and Teaching Material from 1580 to 1952. The Field of Music, Volume 5. New York, NY: Rinehart & Company, 1954.Source: Book
VI. Topical Studies
T. Ives in Music Education
T. Ives in Music Education
Fürst-Heidtmann, Monika
Year: 2002
Complete Citation:
Fürst-Heidtmann, Monika. “Reflektierte Eigenständigkeit: Der Pianist, Musikschriftsteller Und -Forscher Herbert Henck.” Neue Zeitschrift Für Musik, vol. 163, no. 6 (2002): 30-33.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Gail, Dorothea
Year: 2013
Complete Citation:
Gail, Dorothea. “Charles Ives: la musique comme fabrique de l’existence.” In Théories de la composition musicale au XXe siècle. Lyon, France: Symétrie Publisher, 2013.Source: Chapter in Book
VI. Topical Studies
A. Transcendentalism or Philosophy
A. Transcendentalism or Philosophy
Galt, Martha Caroline
Year: 1943
Complete Citation:
Galt, Martha Caroline. Know Your American Music: A Handbook. Augusta, ME: Kennebee Journal Print Shop, 1943.Source: Book
Reprints:
Ithaca, NY: National Federation of Music Clubs, 1945.
VI. Topical Studies
L. Ives and America
L. Ives and America
Gann, Kyle
Year: 1991
Complete Citation:
Gann, Kyle. “Pulitzer Hacks: Amateur Composers versus the Profes-sionals.” Village Voice, July 30, 1991.Notes:
Cites the story from Milton Babbitt that Ives was not a professional composer.
Source: Newspaper
VI. Topical Studies
V. Awards
V. Awards
Year: 1992
Complete Citation:
Gann, Kyle. “Composer’s Clearing House: The Pulitzer Prize.” Village Voice, May 5, 1992.Notes:
Claims Lou Harrison urged Ives to “expunge the 'ex-perimental' parts of the Third Symphony” [i.e., “shadow parts”].
Source: Newspaper
VI. Topical Studies
V. Awards
V. Awards
Year: 1997
Complete Citation:
Gann, Kyle. American Music in the Twentieth Century. New York, NY: Prentice Hall International, 1997.Source: Book
VI. Topical Studies
L. Ives and America
L. Ives and America
Year: 2004
Complete Citation:
Gann, Kyle. “Music: “Call It Special - American Influences Advance on the European Continent.”” The Village Voice, Vol. 49, No. 18 (2004): 93.Source: Newspaper
VI. Topical Studies
S. Reception Studies and Related Scholarship
S. Reception Studies and Related Scholarship
Year: 2019
Complete Citation:
Gann, Kyle. “Interlude M: Some Quarter-Tone Impressions (Hába, Ives, Wyschnegradsky).” In The Arithmetic of Listening: Tuning Theory and History for the Impractical Musician, 218-225. Urbana, IL: University of Illinois Press, 2019.Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 2019
Complete Citation:
Gann, Kyle. “The Eleven Limit and the Fourth Dimension.” In The Arithmetic of Listening: Tuning Theory and History for the Impractical Musician, 138-140. Urbana, IL: University of Illinois Press, 2019.Source: Chapter in Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
H. Ives, 20th Century Music, and Experimental Styles
Garber, J. Ryan
Year: 1996
Complete Citation:
Garber, J. Ryan. “The Influence of George Ives on His Son Charles.” Clas-sical Music Pages Quarterly (June 1996).Notes:
<a target="_blank" href="http://www.ryangarber.com/ives.html">Available at http://www.ryangarber.com/ives.html. </a>
Source: Journal
VI. Topical Studies
N. Ives’ Childhood
N. Ives’ Childhood
Garda, Michela
Year: 2011
Complete Citation:
Garda, Michela. “Gregor Herzfeld: “Zeit als Prozess und Epiphanie in der experimentellen amerikanischen Musik: Charles Ives bis La Monte Young.”” Il Saggiatore Musicale, Vol. 18, No. 1-2 (2011): 385-387, 392.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers