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Bibliography

Genres

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(-) I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Sterne, Colin

Year: 1971
Complete Citation:
Sterne, Colin. “The Quotations in Charles Ives’s Second Symphony.” Music and Letters 52 (1971): 39-45.
Source: Journal
VI. Topical Studies
B. Musical Quotation or Borrowing

Streller, Friedbert

Year: 1997
Complete Citation:
Streller, Friedbert. “Besprechungen: “‘Jazz’ in der Kunstmusik. Studien zur Funktion afro-amerikansicher Muisk in Kompositionen des 20. Jahrhunderts,” von Peter W. Schatt.” Die Musikforschung, Vol. 50, No. 2 (1997): 256-257.
Source: Journal
VI. Topical Studies
B. Musical Quotation or Borrowing

Thurmaier, David

Year: 2014
Complete Citation:
Thurmaier, David. “‘When Borne by the Red, White, and Blue’: Charles Ives and Patriotic Quotation.” American Music 32.1 (Spring 2014): 46-81.
Source: Journal
VI. Topical Studies
B. Musical Quotation or Borrowing

Tick, Judith

Year: 1974
Complete Citation:
Tick, Judith. “Ragtime and the Music of Charles Ives.” Current Musicology 18 (1974): 105-13
Source: Journal
VI. Topical Studies
B. Musical Quotation or Borrowing

Tryon, Winthrop P.

Year: 1924
Complete Citation:
Winthrop P. Tryon. “Folk Song and Hymn Tunes of America.” Christian Science Monitor, November 29, 1924, 18.
Source: Newspaper
VI. Topical Studies
B. Musical Quotation or Borrowing

Warburton, Thomas

Year: 1982
Complete Citation:
Thomas, Warburton,. “Abstract: Ives’s Modular Rags and a Skit for Danbury Fair.” Sonneck Society for American Music Bulletin (Spring) 9: 18.
Notes:

A paper read at the American Musicological Society meeting (November 7: Ann Arbor, MI).

Source: Conference Paper
VI. Topical Studies
B. Musical Quotation or Borrowing
Year: 1999
Complete Citation:
Warburton, Thomas. “Charles Ives and the Ragtime.” Studi Musicali 27/1 (1999): 209-238.
Source: Journal
VI. Topical Studies
B. Musical Quotation or Borrowing

Ward, Charles

Year: 1969
Complete Citation:
Ward, Charles. “The Use of Hymn Tunes as an Expression of ‘Substance’ and ‘Manner’ in the Music of Charles E. Ives.” Master’s Essay, University of Texas at Austin, 1969.
Notes:

Unpublished Master’s Thesis

Source: Master’s Thesis
VI. Topical Studies
B. Musical Quotation or Borrowing

Zobel, Mark Alan

Year: 2005
Complete Citation:
Zobel, Mark Alan. ““Music close to the soil and deeply felt”: the use of American hymn tunes in Charles Ives's Third symphony.”
Source: Ph.D. dissertation
VI. Topical Studies
B. Musical Quotation or Borrowing

no author listed

Year: 1922, 1998
Complete Citation:
Ives, Charles. “Postface to 114 Songs / Charles Ives (1874-1954).” In Contemporary composers on contemporary music, edited by Eliot Schwartz, Barney Childs, and Jim Fox. New York, NY: Da Capo Press, 1998.
Source: Chapter in Book
I. Ives as Author
Year: 1991
Complete Citation:
“Charles Ives, by.” Musical America 111 (1991): 15.
Source: Journal
I. Ives as Author
Year: 1996
Complete Citation:
“Between the Bandstand and the Concert Hall: Ives and His Sources.” In Charles Ives and His World Festival, edited by J. Peter Burkholder, 49-52. Annandale-on-Hudson, New York; Bard College, August 9-11, 16-18, 1996.
Notes:

Selections of marching band music, choral music, and solo songs from turn-of-the-century America (selected works of Ives drawn from these categories).

Source: [Chapter in] Festival Publication
VI. Topical Studies
B. Musical Quotation or Borrowing