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Bibliography

Genres

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I. Ives as Author
(-) II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Schoffman, Nachum

Year: 1981
Complete Citation:
Schoffman, Nachum. “Serialism in the Works of Charles Ives.” Tempo: A Quarterly Review of Modern Music, no. 138 (September 1981): 21-32.
Source: Journal
VI. Topical Studies
G. Music Theory Analyses
Year: 1986
Complete Citation:
Schoffman, Nachum. “Ives: un exemple de polyphonie complexe.” Contrechamps 7 (1986): 155-171.
Source: Journal
VI. Topical Studies
G. Music Theory Analyses

Schuller, Gunther

Year: 1986
Complete Citation:
Schuller, Gunther. “Form, Content, and Symbol.” In Musings: The Musical Worlds of Gunther Schuller, 275-276. New York, NY: Oxford University Press, 1986.
Notes:

Discusses absolute music and program music.

Source: Chapter in Book
VI. Topical Studies
G. Music Theory Analyses

Schultz, Gordon A.

Year: 1975-76
Complete Citation:
Schultz, Gordon A. “A Selected Bibliography of Charles Ives’ Insurance Writings.” Student Musicologists at Minnesota 6 (1975-76): 272-279.
Source: Journal
II. Reference Materials
A. Bibliographies

Scott, Ann Besser

Year: 1994
Complete Citation:
Scott, Ann Besser. “Medieval and Renaissance Techniques in the Music of Charles Ives: Horatio at the Bridge?” Musical Quarterly 78/3 (Fall 1994): 448-478.
Source: Journal
VI. Topical Studies
G. Music Theory Analyses

Searle, Humphrey

Year: 1954
Complete Citation:
Searle, Humphrey. Twentieth Century Counterpoint, 124-126, 133. London, United Kingdom: Ernest Benn Limited, 1954.
Source: Book
VI. Topical Studies
G. Music Theory Analyses

Shirley, Wayne D., comp.

Year: 1976
Complete Citation:
Shirley, Wayne D., comp. Modern Music, Published by the League of Composers, 1924-1946: An Analytic Index, edited by William and Carolyn Lichtenwanger. New York, NY: AMS Press, 1976.
Source: Book
II. Reference Materials
B. Catalogues

Sinclair, James

Year: 1999
Complete Citation:
Sinclair, James. A Descriptive Catalogue of the Music of Charles Ives. New Haven, CT: Yale University Press, 1999.
Source: Book
II. Reference Materials
B. Catalogues

Sinclair, James and John Kirkpatrick

Year: 1976
Complete Citation:
Sinclair, James and John Kirkpatrick. Microfilm. “Microfilm concordance to JK catalogue,” Charles Ives Collection, 1976, Yale University, New Haven, Connecticut.
Source: Book
II. Reference Materials
B. Catalogues

Sinclair, James B.

Year: 2000
Complete Citation:
Sinclair, James B. Ives: Charles Ives Society 2000 Catalog. Bloomington, IN: The Charles Ives Society, Inc., 2000.
Source: Book
II. Reference Materials
B. Catalogues

Sinclair, James B. and Jan Swafford

Year: 2003
Complete Citation:
Sinclair, James B. and Jan Swafford. Charles Ives + 50: Catalog. Bloomington, IN: Charles Ives Society, 2003.
Source: Book
II. Reference Materials
B. Catalogues

Sinclair, James B., comp.

Year: 1993
Complete Citation:
Sinclair, James B., comp. The John Kirkpatrick Papers. MSS 56. Yale University Music Library Archival Collection, Yale University, New Haven, Connecticut.
Notes:

Register of Kirkpatrick’s correspondence, programs, reviews, date books, music, research materials, and writings. Many entries apply to Kirkpatrick’s work with Ives’s music.

Source: Archive Collection
II. Reference Materials
B. Catalogues

Sites, Michael

Year: 1993
Complete Citation:
Sites, Michael. “Spatiality Revisited in the Music of Charles Ives.” Paper presented at Ives-Copland Festival. University of Northern Colorado, Hensel-Phelps Auditorium and Theater, Greeley, Colorado, October 28-30, 1993.
Source: Conference paper
VI. Topical Studies
G. Music Theory Analyses

Slominsky, Nicolas and Thomas Bertonneau

Year: 1979
Complete Citation:
Slominsky, Nicolas and Thomas Bertonneau. Muses and lexicons. Oral history transcript. Oral History Program, University of California, Los Angeles, Los Angeles, California, 1979.
Source: Book
II. Reference Materials
F. Selected Archival Materials

Slonimsky, Nicolas

Year: 1931
Complete Citation:
Slonimsky, Nicolas. Program Notes. New Music Society Concert. September 3, 1931.
Source: Program Notes
II. Reference Materials
F. Selected Archival Materials

Smith, Kenneth M.

Year: 2011
Complete Citation:
Smith, Kenneth M. “The Tonic Chord and Lacan's Object a in Selected Songs by Charles Ives.” Journal of the Royal Musical Association, vol. 136, no. 2 (2011): 353-398.
Source: Journal
VI. Topical Studies
G. Music Theory Analyses

Starr, Larry

Year: 1977
Complete Citation:
Starr, Larry. “Charles Ives: The Next Hundred Years — Towards a Method of Analyzing the Music.” The Music Review, Vol. 38, No. 2 (May 1977): 101-111.
Source: Journal
VI. Topical Studies
G. Music Theory Analyses

Stepanich, Greg

Year: 2007
Complete Citation:
Stepanich, Greg. “Illumination from Letters of a Misunderstood Genius.” The Palm Beach Post, October 14, 2007, 7.
Source: Newspaper
II. Reference Materials
E. Correspondence

Stokowski, Leopold and Brooks Shepard

Year: 1964-1964
Complete Citation:
Stokowski, Leopold and Brooks Shepard. Lettters. “Correspondence with Leopold Stokowski, 1963-1964,” 1963-1964, Edwin A. Fleisher Music Collection, Irving S. Gilmore Music Library, Yale University, New Haven, Connecticut.
Notes:

Comprises 2 letters from Stokowski to Brooks Shepard, Librarian, concerning Charles Ives’ Fourth Symphony.

Source: Archival Material
II. Reference Materials
E. Correspondence

Taruskin, Richard

Year: 2009
Complete Citation:
Taruskin, Richard. “Hearing Cycles.” In On Russian Music, 1st ed., 340-356. Berkeley, CA: University of California Press, 2009.
Source: Chapter in Book
VI. Topical Studies
G. Music Theory Analyses