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Bibliography

Genres

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I. Ives as Author
(-) II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Fisher, Fred

Year: 1976
Complete Citation:
Fisher, Fred. “What’s the Music of Charles Ives All About?” Cimarron Review 37 (October 1976): 58-63.
Source: Journal
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions

Freedman, F., and J. Burk

Complete Citation:
Freedman, F., and J. Burk. A Charles Ives Bibliography.
Source: Book
II. Reference Materials
A. Bibliographies

Freedman, Frederick

Year: Year unlisted
Complete Citation:
Freedman, Frederick. Charles E. Ives: A Preliminary Bibliography of the Literature. Bibliographies in American Music. Detroit, MI: Information Coordinators, Inc., for the College Music Society.
Source: Book
II. Reference Materials
A. Bibliographies

Gibbens, John Jeffrey

Year: 1989
Complete Citation:
Gibbens, John Jeffrey. “Debussy, counterpart and rejected model: an essay on Charles Ives.” Unpublished Manuscript, 1989.
Notes:

Originally commissioned for a collection of essays edited by Geoffrey Block

Source: Unpublished Manuscript
II. Reference Materials
F. Selected Archival Materials

Glafcke, Patricia

Year: 2004
Complete Citation:
Glafcke, Patricia. “Auswahl—Diskographie.” In Charles Ives 1874-1954: Amerikanischer Pionier der Neuen Musik, edited by Hanns-Werner Heister and Werner Kremp, 204-206. Atlantische Texte, Vol. 23. Trier, Germany: Wissenschaftlicher Verlag Trier, 2004.
Source: Chapter in Book
II. Reference Materials
D. Discographies
Year: 2004
Complete Citation:
Glafcke, Patricia. “Answahl—Bibliographic.” In Charles Ives 1874-1954: Amerikanischer Pionier der Neuen Musik, edited by Hanns-Werner Heister and Werner Kremp, 201-203. Atlantische Texte, Vol. 23. Trier, Germany: Wissenschaftlicher Verlag Trier, 2004.
Source: Chapter in Book
II. Reference Materials
A. Bibliographies
Year: 2004
Complete Citation:
Glafcke, Patricia. “Kommentiertes Werkverzeichnis (Auswahl).” In Charles Ives 1874-1954: Amerikanischer Pionier der Neuen Musik, edited by Hanns-Werner Heister and Werner Kremp, 188-200. Atlantische Texte, Vol. 23. Trier, Germany: Wissenschaftlicher Verlag Trier, 2004.
Source: Chapter in Book
II. Reference Materials
B. Catalogues

Gligo, Niksa

Year: 1971
Complete Citation:
Gligo, Niksa. “Prostornost i pokret u imanenciji glazbe.” [Space and Movement in the Immanence of Music.] Zvuk — Jugoslovenska Ruzicka Revija 111-112 (1971): 1-20.
Source: Journal
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions

Gruhn, Wilfried

Year: 1989
Complete Citation:
Gruhn, Wilfried. “Die Bedeutungskonstitution in textgebundener Musik: Ansatze zu einer strukturellen Hermeneutik präsentativer Symbole.” In Wort und Ton im Europaischen Raum: Gedenkschrift fur Robert Scholium, 23-40. Edited by Hartmut Krones. Wien, Austria: Böhlau Verlag, 1989.
Source: Journal
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions

Haefeli, Toni

Year: 1998
Complete Citation:
Haefeli, Toni. “Berichte: Opernbetrieb versus Absolute Musik.” Dissonanz (1998): 30-31.
Source: Journal
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions

Hall, David

Year: 1964
Complete Citation:
Hall, David. “Charles Ives: A Discography.” In three parts. HiFi/Stereo Review 13/4, October 1964, 142-45; 13/5, November 1964, 102-106; 13/6, December 1964, 92-96.
Source: Magazine
II. Reference Materials
D. Discographies

Helms, Hans G.

Year: 1970
Complete Citation:
Helms, Hans G. “Ives and Politics.” Seminar, Ives at Minnesota, University of Minnesota, Minneapolis, Minnesota, April 24 1970.
Source: Seminar
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
Year: 1978
Complete Citation:
Helms, Hans G. “Berichte: Charles Edward Ives-idealer Amerikaner oder Sozialkritiker? Zum Ives-Jahr.” Beiträge zur Musikwissenschaft, Vol. 20, No. 1 (1978): 16.
Source: Journal
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions

Henck, Herbert

Year: 1980
Complete Citation:
Henck, Herbert. “Bibliographie zu Charles Ives (299 Titel).” Neuland 1 (1980): 25-27, 46 52; Neuland 2 (1981/82): 208 and 268; Neuland 3 (1982/83): 243-246.
Source: Journal
II. Reference Materials
A. Bibliographies
Year: 1980, 1981-82, 1983-84
Complete Citation:
Henck, Herbert. “Literatur zu Charles Ives.” Neuland 1 (1980): 25-27, 46, and 52; 2 (1981-1982): 208 and 268-69; 3 (1983-1984): 243-46.
Source: Journal
II. Reference Materials
A. Bibliographies
Year: 1983
Complete Citation:
Henck, Herbert. “Literatur zu Charles Ives. 129 Neuaufnahmen.” In Neuland: Ansätze zur Musik der Gegenwart: Jahrbuch. Band 3. Cologne, Germany: Neuland Musikverlag, 1983.
Source: Chapter in Book
II. Reference Materials
D. Discographies

Holloway, Robin

Year: 1996
Complete Citation:
Holloway, Robin. “‘Use Your Ears like a Man.’” Spectator 276/8740 (January 20, 1996): 42.
Source: Magazine
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions

Hurley, Frank H.

Year: 1969
Complete Citation:
Hurley, Frank H. “Freedom: Enterprise and Charles Ives.” Lecture, Music and the American Heritage, Cleveland Institute of Music, Cleveland, Ohio, November 14, 1969.
Notes:

Musical illustrations were per-formed by Donald Payne, piano, Mary Michael Earl, soprano, and the Cleveland Quartet.

Source: Lecture
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions

Ives, Charles

Year: 2004
Complete Citation:
Ives, Charles. “Charles Ives.” In Modernism and Music: An Anthology of Sources, edited by Daniel Albright, 155-162. New York, NY: Schirmer Books, 2004.
Notes:

Reprints excerpts from Ives’s writings: Essays Before a Sonata, Postface to 114 Songs, and Music and Its Future.

Source: Chapter in Book
II. Reference Materials
F. Selected Archival Materials

Ives, Charles, Harmony Twitchell Ives, and Anton Rovinsky

Year: 1928, 1951
Complete Citation:
Correspondence from Charles and Harmony Twitchell Ives to Anton Rovinsky, 1928, 1951. General Manuscript Collection, Northwestern University Music Library, Evanston, Illinois.
Source: Manuscript Collection
II. Reference Materials
E. Correspondence