Mellers, Wilfrid
Year: 1975
Complete Citation:
Mellers, Wilfrid. “The Sound of Democracy.” The Times Literary Supplement (January 24, 1975): 81.Source: Journal
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
Meyer, Felix
Complete Citation:
Meyer, Felix. “Anmerkungen zu Ives’ Sprach- und Denkstil.” In Charles Ives, Ausgewählte Texte, edited by Werner Bärtschi, 19-26. Zurich, Switzerland: Atlantis Musikbuch Verlag, 1993.Source: Chapter in Book
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
Year: 1985
Complete Citation:
Meyer, Felix. “Anmerkungen zu Ives’ Sprach- und Denkstil.” In Charles Ives: Ausgewählte Texte, edited by Werner Bärtschi, 19-26. Zürich, Switzerland: Atlantis Musikbuch-Verlag, 1985.Notes: [Thoughts on Ives’ Writing and Thinking Style]
Source: Chapter in Book
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
Meyer, Leonard B.
Year: 1957
Complete Citation:
Meyer, Leonard B. Emotion and Meaning in Music. Chicago, Illinois: The University of Chicago Press, 1957.Source: Book
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
Miller, Fred
Year: 1969
Complete Citation:
Miller, Fred. “Ives was a Salesman.” The New York Times, September 28, 1969, D40.Source: Newspaper
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
Mitchell, Charles P.
Year: 2004
Complete Citation:
Mitchell, Charles P. The great composers portrayed on film, 1913 through 2002. Jefferson, NC: McFarland, 2004.Source: Book
II. Reference Materials
F. Selected Archival Materials
Monelle, Raymond and Robert Hatten
Year: 2000
Complete Citation:
Monelle, Raymond and Robert Hatten. “Allegory and Deconstruction.” In The Sense of Music: Semiotic Essays, 196-226. Princeton, NJ: Princeton University Press, 2000.Source: Chapter in Book
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
Morgan, Robert P.
Year: 1974
Complete Citation:
Morgan, Robert P. “The Recordings of Charles Ives’s Music.” High Fidelity 24/10, October 1974, 70-76.Source: Magazine
II. Reference Materials
D. Discographies
Morris, William J.
Year: 1966
Complete Citation:
Morris, William J. “The Danbury Scott-Fanton Museum and Historical Society.” History News, vol. 21, no. 6 (1966): 128-131.Source: Magazine
II. Reference Materials
C. Library and Institutional Collections
Myers, Kurtz
Year: 1978
Complete Citation:
Myers, Kurtz. Index to Record Reviews, 74-78. Vol. 2. Boston, MA: G. K. Hall, 1978.Notes: Later Supplements include idem, <i>Index to Record Reviews, 1978-1983</i>, 165. Boston, MA: G.K. Hall and Co., 1985; and idem, <i>Index to Record Reviews,</i> <i>1984-1987</i>, 98. Boston, MA: G.K. Hall and Co., 1989.
Source: Book
II. Reference Materials
D. Discographies
Nattiez, Jean-Jacques
Year: 1990
Complete Citation:
Nattiez, Jean-Jacques. 1990. “Can One Speak of Narrativity in Music?” Translated by Katharine Ellis. Journal of the Royal Musical Association 115/2 (1990): 240--257.Source: Journal
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
Neumann, Friedrich
Year: 2010
Complete Citation:
Neumann, Friedrich. “Short Music Story: Charles Ives: Eine Frage ist besser als eine Antwort.” Musik and Bildung: Praxis Musikerziehung, Vol. 42, No. 2 (2010): 64-67.Source: Journal
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
Niermann, Franz
Year: 1999
Complete Citation:
Niermann, Franz. “Dunkelheit—Musik—Störung.” Musikerziehung 53 (October 1999): 27-32.Notes: Discusses Central Park in the Dark.
Source: Journal
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
Nieuwstadt, Jacques van
Year: 1991
Complete Citation:
van Nieuwstadt, Jacques. “Charles Ives: realisme en pragmatisme (I): Muzikale citaten and Charles Ives, realisme en pragmatisme (II): Vernieuwende nostalgie.” Mens & Melodie 46 (November-December 1991): 601-605 and 47 (January 1992): 13-17.Source: Journal
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
Norman, Gertrude and Miriam Shrifte, eds.
Year: 2010
Complete Citation:
Norman, Gertrude and Miriam Shrifte, eds. “Charles Ives.” In Letters of composers: an anthology. Whitefish, Montana: Kessinger Legacy Reprints, 2010.Source: Book
II. Reference Materials
E. Correspondence
Oja, Carol J. (editor)
Year: 1982
Complete Citation:
Oja, Carol J., ed. “Charles Ives.” In American Music Recordings: A Discography of 20th-Century U.S. Composers, 171-180. Institute for Studies in American Music. Brooklyn, NY: Brooklyn College of the City University of New York, 1982.Source: Chapter in Book
II. Reference Materials
D. Discographies
Ormandy, Eugene, David Ewen and F. Warren O’Reilly
Year: 1973
Complete Citation:
Ormandy, Eugene, David Ewen and F. Warren O’Reilly. Letters. “Correspondence: with Eugene Ormandy, 1973,” 1973, Eugene Ormandy Papers, Kislak Center for Special Collection, Rare Books and Manuscripts, University of Pennsylvania, Philadelphia, Pennsylvania.Notes: Correspondence related to Ives
Source: Archival Material
II. Reference Materials
E. Correspondence
Orrey, Leslie
Year: 1975
Complete Citation:
Orrey, Leslie. Programme Music: A Brief Survey from the Sixteenth Century to the Present Day. London, United Kingdom: Davis-Poynter, 1975.Source: Book
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
Owens, Tom C., editor
Year: 2007
Complete Citation:
Owens, Tom C., ed. Selected Correspondence of Charles Ives. Berkeley: University of California Press, 2007.Source: Book
II. Reference Materials
E. Correspondence
Owens, Tom (editor)
Year: 1996
Complete Citation:
Owens, Tom, ed. “Selected Correspondence 1881-1954.” In Charles Ives and His World, 199-270. Princeton, NJ: Princeton University Press, 1996.Source: Chapter in Book
II. Reference Materials
F. Selected Archival Materials