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Bibliography

Acton, Charles

Year: 1968
Complete Citation:
Acton, Charles. “The Charles Ives Enigma.” The Irish Times, 1968.
Source: Newspaper
VI. Topical Studies
S. Reception Studies and Related Scholarship

Albright, Valerie

Year: 1997
Complete Citation:
Albright, Valerie. “Contribuçiones de a Temporary Mimeographed Catalogue of the Music Manuscripts and Related Materials of Charles Edward Ives, 1874-1954 e Memos á nom eva de Pesquisa sobre Charles Ives.” Arte Unsep [Brazil] 13 (1997): 239--240.
Source: Journal
II. Reference Materials
B. Catalogues

Andriessen, Louis

Year: 1974
Complete Citation:
Andriessen, Louis, “Anachrony and Charles Ives.” In An Ives Celebration: Papers and Panels of the Charles Ives Centennial Festival-Conference, edited by H. Wiley Hitchcock and Vivian Perlis, 227. Music in American Life. Urbana, Illinois: University of Illinois Press, 1977.
Source: Chapter in Book
VI. Topical Studies
S. Reception Studies and Related Scholarship

Anonymous

Year: 2008
Complete Citation:
“Yale University Library Announces Grant from Andrew W. Mellon Foundation to Support Oral History American Music Project.” The Bulletin of the Society for American Music 34, no. 3 (Fall 2008): 59.
Source: Journal
II. Reference Materials
C. Library and Institutional Collections

Austin, William

Year: 1971
Complete Citation:
Austin, William. “Ives and Histories.” In Bericht über den internationalen musikwissenschaftlichen Kongress Bonn 1970, edited by Carl Dahlhaus et al., 299-303. Kassel, Germany: Barenreiter, 1971.
Source: Book
VI. Topical Studies
S. Reception Studies and Related Scholarship

Austin, William W.

Year: 1982
Complete Citation:
Austin, William W. “Studies of Music in the Twentieth Century.” The Journal of Musicology, vol. 1, no. 1 (1982): 63-66.
Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship

Baggiani, Guido

Year: 1974
Complete Citation:
Baggiani, Guido, “Ives and Our Music Today.” In An Ives Celebration: Papers and Panels of the Charles Ives Centennial Festival-Conference, edited by H. Wiley Hitchcock and Vivian Perlis, 228-230. Music in American Life. Urbana, Illinois: University of Illinois Press, 1977.
Source: Chapter in Book
VI. Topical Studies
S. Reception Studies and Related Scholarship

Bardi, Aloma

Year: 2004
Complete Citation:
Bardi, Aloma. “Ives in Ascolto, in Ascolto di Ives.” Musica 156 (May 2004): 46--50.
Notes:

[How Ives Listened, How to Listen to Ives].

Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship

Barker, John W.

Year: 1976
Complete Citation:
Barker, John W. “Who Owns Charles Ives?” Reviews in American History 4, no. 3 (September 1976): 442-450.
Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship

Baron, Carol K.

Year: 1992
Complete Citation:
Baron, Carol K. “George Ives’s Essay in Music Theory: An Introduction and Annotated Edition.” American Music 10/3 (Fall 1992): 239-288.
Source: Journal
II. Reference Materials
F. Selected Archival Materials
Year: 1993
Complete Citation:
Baron, Carol K. “In the Premises, What Would He Do?: Charles Ives’s Challenge to Conservative Critics.” Paper presented at International Kongress der Gesellschaft für Musikforschung. Freiburg, Germany, September, 1993.
Source: Conference paper
VI. Topical Studies
S. Reception Studies and Related Scholarship
Year: 2000
Complete Citation:
Baron, Carol K. “New Ives Sources.” Institute for Studies in American Music Newsletter 29/2 (Spring 2000).
Source: Journal
II. Reference Materials
F. Selected Archival Materials

Battisti, Frank

Year: 1998
Complete Citation:
Battisti, Frank. “The Legacy of Charles Ives.” Instrumentalist 52/7 (Febru-ary 1998): 68-74.
Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship

Beal, Amy

Year: 2003
Complete Citation:
Beal, Amy. “The Army, the Airwaves, and the Avant-Garde: American Classical Music in Postwar West Germany.” American Music 21, no. 4 (Winter 2003): 474-513.
Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship

Beal, Amy C.

Year: 2000
Complete Citation:
Beal, Amy C. “Negotiating Cultural Allies: American Music in Darmstadt, 1946-1956.” Journal of the American Musicological Society (Spring 2000) 53/1: 105-135.
Notes:

Translation by Amy C. Beal, p. 128-135.

Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship
Year: 2000
Complete Citation:
Beal, Amy C. “Negotiating Cultural Allies: American Music in Darmstadt, 1946-1956.” Journal of the American Musicological Society, vol. 53, no. 1 (2000): 105-139.
Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship
Year: 2003
Complete Citation:
Beal, Amy C. 2003. “The Army, the Airwaves, and the Avant-Garde: American Classical Music in Postwar West Germany.” American Music 21, no.4 (Winter): 474-513.
Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship
Year: 2006
Complete Citation:
Beal, Amy. New Music, New Allies: American Experimental Music in West Germany from the Zero Hour to Reunification. Berkeley, CA: University of California Press, 2006.
Source: Book
VI. Topical Studies
S. Reception Studies and Related Scholarship

Bechert, Tilmann

Year: 1987
Complete Citation:
Bechert, Tilmann. “Charles Ives und die amerikanische Musik bis zur Gegenwart: Begleitschrift zur Ausstellung, Niederrheinisches Museum der Stadt Duisburg, 13. September bis 1. November 1987.”
Source: Catalogue
II. Reference Materials
B. Catalogues

Beck, Nora M.

Year: 1993
Complete Citation:
Beck, Nora M. “An Examination of Gender in Selected Writ-ings and Music of Charles Ives.” Paper presented at Feminist Theory and Music: Toward a Common Language. Minneapolis, Minnesota, June, 1991.
Source: Conference Paper
VI. Topical Studies
S. Reception Studies and Related Scholarship