Beckwith, John
Year: 1977
Complete Citation:
Beckwith, John. “Reflections on Ives.” In An Ives Celebration: Papers and Panels of the Charles Ives Centennial Festival-Conference, edited by H. Wiley Hitchock and Vivan Perlis, 230-232. Urbana, IL: University of Illinois Press, 1977.Source: Chapter in Book
VI. Topical Studies
S. Reception Studies and Related Scholarship
Bellamann, Henry
Year: 1927
Complete Citation:
Bellamann, Henry. 1927. “Program Notes.” Pro Musica Concert, January 29. Charles Ives Pa-pers, Mss.14, folder 2, Box 50. Irving S. Gilmore Music Library, Yale University. New Haven.Source: Program Notes
II. Reference Materials
F. Selected Archival Materials
Berger, Arthur
Year: 1933
Complete Citation:
Berger, Arthur. “Charles Ives,” June 4, 1933. Typescript for Pan American Concert. Charles Ives Papers. Mss. 14, folder 2, box 56. Irving S. Gilmore Music Library, Yale University. New Haven.Source: Journal
II. Reference Materials
F. Selected Archival Materials
Bernstein, Leonard
Year: 1958
Complete Citation:
Bernstein, Leonard. “Thursday Evening Preview Scripts: Opening of the New York Philharmonic Season of 1958-1959,” October 2, 1958. Leonard Bernstein Collection, folder 13, box 75. Music Division, Library of Congress, Washington D.C.Source: Preview Script
II. Reference Materials
F. Selected Archival Materials
Year: 1967
Complete Citation:
Bernstein, Leonard. “Young People’s Concerts Scripts: Charles Ives: American Pioneer,” 1967. February 23. Leonard Bernstein Collection, folder 04, box 111. Music Division, Library of Congress, Washington D.C.Source: Program Script
II. Reference Materials
F. Selected Archival Materials
Year: 1982
Complete Citation:
Bernstein, Leonard. “Speech to die National Press Club.” In Findings, 160-162. New York, NY: Doubleday, 1982.Source: Book
V. General Music Studies
S. Reception Studies and Related Scholarship
Block, Geoffrey
Year: 1988
Complete Citation:
Block, Geoffrey. Charles Ives: A Bio-Bibliography. New York: Greenwood Press, 1988.Source: Book
II. Reference Materials
A. Bibliographies
Block, Geoffrey and J. Peter Burkholder, eds.
Year: 1996
Complete Citation:
Block, Geoffrey, and J. Peter Burkholder, eds. “Contemporary Views of Ives and His Music: Profiles 1932-1955.” In Charles Ives and His World, 363-442. Princeton, NJ: Princeton University Press, 1996.Source: Chapter in Book
VI. Topical Studies
S. Reception Studies and Related Scholarship
Blum, Robert Stephen
Year: 1977
Complete Citation:
Blum, Robert Stephen. “Ives’s Position in Social and Musical History.” The Musical Quarterly 63 (1977): 459-482.Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship
Blum, Stephen
Year: 1985
Complete Citation:
Blum, Stephen. “Charles Ives and American Ethnomusicology.” Paper presented at Joint annual meeting of AMS and SEM. Vancouver, Canada, 1985.Source: Conference paper
VI. Topical Studies
S. Reception Studies and Related Scholarship
Bolcom, William
Year: 1976
Complete Citation:
Bolcom, William. “The Old Curmudgeon’s Corner.” Musical Newsletter 4/4 (1976): 20-21.Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship
Borum, Poul
Year: 1996
Complete Citation:
Borum, Poul. “Musikkens Borum.” Dansk Musik Tidsskrift, Vol. 70, No. 5 (1996): 160-166.Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship
Bowen, Meirion
Year: 1979
Complete Citation:
Bowen, Meirion. “On the long misunderstanding of Charles Ives.” The Guardian, April 17, 1979, 8.Source: Newspaper
VI. Topical Studies
S. Reception Studies and Related Scholarship
Brady, Tim
Year: 1995
Complete Citation:
Brady, Tim. “Death of the Masterpiece: The Changing Social Context for Creative Music.” Musicworks: The Journal of Sound Exploration 61 (Spring 1995): 29-33.Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship
Year: 1995
Complete Citation:
Brady, Tim. “Death of a Masterpiece: The Changing Social Context for Creative Music.” Musicworks: The Journal of Sound Exploration 61 (Spring 1995): 29-33.Notes: Closes with a quotation from the “Epilogue” of Essays Before a Sonata.
Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship
Brooks, Tim
Year: 2011
Complete Citation:
Brooks, Tim. “Current Bibliography.” ARSC Journal 42 no. 2 (Fall 2011): 302-323.Source: Journal
II. Reference Materials
A. Bibliographies
Brooks, William and Burkholder, J. Peter
Year: 1982
Complete Citation:
Brooks, William, and Burkholder, J. Peter. Typescript. “Books in Bigelow Ives’ Library and Identified by Him as Belonging to Charles Ives or His family.” Spring 1982, revised March 1984.Source: Unpublished, 1982
II. Reference Materials
F. Selected Archival Materials
Brooks, William, et. al.
Year: 2019
Complete Citation:
Brooks, William, et al. “Postlude: Not an End.” In Over Here, Over There: Transatlantic Conversations on the Music of World War I, edited by William Brooks et. al., 241-244. Urbana, IL: University of Illinois Press, 2019.Source: Chapter in Book
VI. Topical Studies
S. Reception Studies and Related Scholarship
Brown, Earle and Vivian Perlis, Co-Chairs
Year: 1977
Complete Citation:
Brown, Earle and Vivian Perlis, Panel Co-Chairs. “Ives Viewed From Abroad.” In An Ives Celebration: Papers and Panels of the Charles Ives Centennial Festival-Conference, edited by H. Wiley Hitchcock and Vivian Perlis, 45-63. Music in American Life. Urbana, Illinois: University of Illinois Press, 1977.Source: Chapter in Book
VI. Topical Studies
S. Reception Studies and Related Scholarship
Bukoff, Ronald N.
Year: 1988
Complete Citation:
Bukoff, Ronald N. “Charles Ives: A History and Bibliography of Criticism (1920-1939), and Ives’ Influence (to 1947) on Bernard Herrmann, Elie Siegmeister, and Robert Palmer.” Ph.D. diss., Cornell University, 1988.Source: Ph.D. Dissertation
II. Reference Materials
A. Bibliographies
