Dickinson, Peter
Year: 1974
Complete Citation:
Dickinson, Peter. “A New Perspective for Ives.” The Musical Times 115 (September 1974): 836-8-38.Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship
Year: 1974
Complete Citation:
Dickinson, Peter. “A New Perspective for Ives.” Musical Times 115/1580 (October 1974): 836-838.Source: Journal
V. General Music Studies
S. Reception Studies and Related Scholarship
Downes, Olin
Year: 1925
Complete Citation:
Olin Downes. “Placing the Critics.” The League of Composers’ Review II, 2 (April 1925): 33-35.Notes: <i>The League of Composers’ Review</i> was succeeded by <i>Modern Music</i>
Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship
Year: 1946
Complete Citation:
Downes, Olin. “Tardy Recognition.” The New York Times, April 14, 1946, sec. 2, 5.Source: Newspaper
Reprints: In <i>Charles Ives and His World</i>, 276-277. Edited by J. Peter Burkholder. Princeton, NJ: Princeton University Press, 1996.
VI. Topical Studies
S. Reception Studies and Related Scholarship
Year: 1955
Complete Citation:
Downes, Olin. “Ives Memorial: His Scores and Papers Given to Yale.” The New York Times. June 5, 1955, sec. 2: 9.Source: Newspaper
II. Reference Materials
C. Library and Institutional Collections
Year: 1957 (writings from 1955 and before)
Complete Citation:
Downes, Olin. “The tardy recognition of Charles Ives.” In Olin Downes on music: a selection from his writings during the half-century 1906 to 1955, edited by Irene Downes. New York, NY: Simon and Schuster, 1957.Source: Book
VI. Topical Studies
S. Reception Studies and Related Scholarship
Dwinell, Paul
Year: 1964
Complete Citation:
Dwinell, Paul. “The Resurrection of Charles Edward Ives.” Listen 5 (Sep-tember-October 1964): 15-16.Source: Journal
II. Reference Materials
D. Discographies
Year: 1964
Complete Citation:
Dwinell, Paul. “The Resurrection of Charles E. Ives.” Listen 1/5 (Septem-ber-October): 15--16.Source: Magazine
VI. Topical Studies
S. Reception Studies and Related Scholarship
Eagon, Angelo
Year: 1964
Complete Citation:
Eagon, Angelo. Catalog of Published Concert Music by American Composers. Second Edition. Washington, D.C.: United States Information Agency, 1964.Notes: A handy guide that provides basic information (29--33, et passim) for most of Ives’s published music (title, publisher, instrumentation, author of text, duration of orchestral works).
Source: Book
II. Reference Materials
B. Catalogues
Echols, Paul C., ed.
Year: 1988
Complete Citation:
Echols, Paul C., ed. Charles Ives: [Catalogue of the Works of Charles E. Ives]. New York, NY: BMI, 1988.Source: Book
II. Reference Materials
B. Catalogues
Edmunds, John and Gordon Boelzner
Year: 1959
Complete Citation:
Edmunds, John and Gordon Boelzner. Some twentieth century American composers, v. 1-2: a selective bibliography. New York, NY: New York Public Library, 1959.Source: Book
II. Reference Materials
A. Bibliographies
Eidenbenz, Michael
Year: 2004
Complete Citation:
Eidenbenz, Michael. “Zum ernsthaften Komponisten geweiht.” Dissonanz (2004): 55-56.Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship
Elliott Schwartz and Barney Childs, eds.
Year: 1967
Complete Citation:
Elliott Schwartz and Barney Childs, eds. Contemporary Composers on Contemporary Music. New York, NY: Holt, Rinehart and Winston, 1967.Source: Book
VI. Topical Studies
S. Reception Studies and Related Scholarship
Ewen, David
Year: 1950
Complete Citation:
Ewen, David. “The Belated Discovery of Charles Ives.” Tomorrow 9/9 (May 1950): 10-14.Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship
Feder, Stuart
Year: 2001
Complete Citation:
Feder, Stuart. “Coloquy: Heard Maladies Are Sweet (‘But Those Unheard Are Sweeter’): A Response to Gayle Sherwood.” Journal of the American Musicological Society 54, no. 3 (Fall 2001): 627--641.Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship
Fiender, Reinhard
Year: 2004
Complete Citation:
Flender, Reinhard. “Charles E. Ives: Genie oder Maverick? Anmerk-ungen zum Schaffensprozeß und zur Rezeptionsgeschichte.” In Charles Ives 1874-1954: Amerikanischer Pionier der Neuen Musik, edited by Hanns-Werner Heister and Werner Kremp, 25-34. Atlantische Texte, Vol. 23. Trier, Germany: Wissenschaftlicher Verlag Trier, 2004.Source: Chapter in Book
VI. Topical Studies
S. Reception Studies and Related Scholarship
Finn, Geraldine
Year: 2001
Complete Citation:
Finn, Geraldine. “Music, Identity, and Difference in the Case of Charles Ives.” New Sound 18 [Yugoslavia]: 49-62.Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship
Year: 2001
Complete Citation:
Finn, Geraldine. “Music, Identity, and Difference. In the Case of Charles Ives.” New Sound, Vol. 18 (2001): 49-62.Source: Magazine
VI. Topical Studies
S. Reception Studies and Related Scholarship
Fosler-Lussier, Danielle
Year: 2019
Complete Citation:
Fosler-Lussier, Danielle. “Classical Music as Development Aid.” In Music in America’s Cold War Diplomacy. Berkeley, California: University of California Press, 2015.Source: Chapter in Book
VI. Topical Studies
S. Reception Studies and Related Scholarship
Freedman, F., and J. Burk
Complete Citation:
Freedman, F., and J. Burk. A Charles Ives Bibliography.Source: Book
II. Reference Materials
A. Bibliographies