Morehouse, Christopher
Year: 2005
Complete Citation:
Morehouse, Christopher. “Ivesian Borrowing, Imagery, and Place in Eric Stokes’s ‘The Continental Harp and Band Report’: An American Miscellany’ (1975).” D.M.A. diss., University of Cincinnati, 2005.Notes: Discusses the various influences of Ives on Eric Stokes in his composition, "The Continental Harp and Band Report."
Source: D.M.A. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Morgan, Phillip
Year: 1967
Complete Citation:
Morgan, Phillip. “Three contemporary trios for piano, violin, and violoncello.” D.M.A. thesis, University of Rochester, 1967.Source: D.M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Morgan, Robert P.
Year: 1974
Complete Citation:
Morgan, Robert P. “The Recordings of Charles Ives’s Music.” High Fidelity 24/10, October 1974, 70-76.Source: Magazine
II. Reference Materials
D. Discographies
Morris, William J.
Year: 1966
Complete Citation:
Morris, William J. “The Danbury Scott-Fanton Museum and Historical Society.” History News, vol. 21, no. 6 (1966): 128-131.Source: Magazine
II. Reference Materials
C. Library and Institutional Collections
Mulligan, Terry Gilbert
Year: 1978
Complete Citation:
Mulligan, Terry Gilbert. “Charles Ives: a study of the works for chamber ensemble written between 1898 and 1908 which utilize wind instrument.” Ph.D. Diss., University of Texas at Austin, 1978.Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Mumper, Dwight Robert
Year: 1971
Complete Citation:
Mumper, Dwight Robert. “The First Piano Sonata of Charles Ives.” D.M.A. diss., Indiana University, 1971.Source: D.M.A. dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Muñiz, Jorge
Year: 2004
Complete Citation:
Muñiz, Jorge. “The Use of Quotation in the Music of John Corigliano.” D.M.A. diss., Manhattan School of Music, 2004.Notes: Includes references to Ives.
Source: D.M.A. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Myers, Kurtz
Year: 1978
Complete Citation:
Myers, Kurtz. Index to Record Reviews, 74-78. Vol. 2. Boston, MA: G. K. Hall, 1978.Notes: Later Supplements include idem, <i>Index to Record Reviews, 1978-1983</i>, 165. Boston, MA: G.K. Hall and Co., 1985; and idem, <i>Index to Record Reviews,</i> <i>1984-1987</i>, 98. Boston, MA: G.K. Hall and Co., 1989.
Source: Book
II. Reference Materials
D. Discographies
Nicholls, David Roy
Year: 1986
Complete Citation:
Nicholls, David Roy. “New and Experimental Compositional Tech- niques in American Music from Charles Ives to the Second World War.” Ph.D. diss., University of Cambridge, 1986.Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Norman, Gertrude and Miriam Shrifte, eds.
Year: 2010
Complete Citation:
Norman, Gertrude and Miriam Shrifte, eds. “Charles Ives.” In Letters of composers: an anthology. Whitefish, Montana: Kessinger Legacy Reprints, 2010.Source: Book
II. Reference Materials
E. Correspondence
North, William Sills Wright
Year: 1965
Complete Citation:
North, William Sills Wright. “Ned Rorem as a twentieth century song composer.” D.M.A. diss., University of Illinois, 1965.Source: D.M.A. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
O’Donnell, Shaugn J.
Year: 1997
Complete Citation:
O’Donnell, Shaugn J. “Transformational voice leading in atonal music.” Ph.D. diss., City University of New York, 1997.Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
O’Kelly, Kevin
Year: 1989
Complete Citation:
O’Kelly, Kevin. “The Songs of Charles Ives and the Cultural Contexts of Death.” Ph.D. diss., University of North Carolina, 1989.Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Oja, Carol J. (editor)
Year: 1982
Complete Citation:
Oja, Carol J., ed. “Charles Ives.” In American Music Recordings: A Discography of 20th-Century U.S. Composers, 171-180. Institute for Studies in American Music. Brooklyn, NY: Brooklyn College of the City University of New York, 1982.Source: Chapter in Book
II. Reference Materials
D. Discographies
Ormandy, Eugene, David Ewen and F. Warren O’Reilly
Year: 1973
Complete Citation:
Ormandy, Eugene, David Ewen and F. Warren O’Reilly. Letters. “Correspondence: with Eugene Ormandy, 1973,” 1973, Eugene Ormandy Papers, Kislak Center for Special Collection, Rare Books and Manuscripts, University of Pennsylvania, Philadelphia, Pennsylvania.Notes: Correspondence related to Ives
Source: Archival Material
II. Reference Materials
E. Correspondence
Osowski, Kenneth M.
Year: 2005
Complete Citation:
Osowski, Kenneth M. “The continuing spirit of Emerson and Beethoven in Ives's Concord sonata.” D.M.A. thesis, Peabody Conservatory of Music, 2005.Source: D.M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Owens, Thomas Clarke
Year: 1999
Complete Citation:
Owens, Thomas Clarke. "Charles Ives and his American context: images of "Americanness" in the arts.” Ph.D. diss., Yale University, 1999.Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Owens, Tom C., editor
Year: 2007
Complete Citation:
Owens, Tom C., ed. Selected Correspondence of Charles Ives. Berkeley: University of California Press, 2007.Source: Book
II. Reference Materials
E. Correspondence
Owens, Tom (editor)
Year: 1996
Complete Citation:
Owens, Tom, ed. “Selected Correspondence 1881-1954.” In Charles Ives and His World, 199-270. Princeton, NJ: Princeton University Press, 1996.Source: Chapter in Book
II. Reference Materials
F. Selected Archival Materials
Palmer, Kenneth Robert
Year: 1986
Complete Citation:
Palmer, Kenneth Robert. “A performer's guide to Charles Ives' piano sonata no. 2 "Concord, Mass., 1840-1860"; Quintet for piano and strings.” Ph.D. diss., Washington University, 1986.Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations