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Bibliography

Genres

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I. Ives as Author
(-) II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Wilson, Donald M.

Year: 1965
Complete Citation:
Wilson, Donald M. “Metric modulation in the music of Charles Ives.” D.M.A. thesis, Cornell University, 1965.
Source: D.M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Wilson, Lawrence

Year: 1981
Complete Citation:
Wilson, Lawrence. “Ragtime: Its Roots, Style, and Influence,” 90-92. D. Mus. dis-s., Indiana University, 1981.
Source: D. Mus. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Wilson, P.T.

Year: 1994
Complete Citation:
Wilson, P.T. “Charles Ives: Consistent in Chaos; A Study of Selected Large Orchestral Works.” Ph.D. diss., York University, 1994.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Winters, Thomas Dyer

Year: 1986
Complete Citation:
Winters, Thomas Dyer. “Additive and repetitive techniques in the experimental works of Charles Ives.” Ph.D. diss., University of Pennsylvania, 1986.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Winternitz, Emanuel

Year: 1955
Complete Citation:
Winternitz, Emanuel. “Ives, Charles E.” In Musical autographs from Monteverdi to Hindemith. Volume I-II. Princeton, NJ: Princeton University Press, 1955.
Source: Book
II. Reference Materials
F. Selected Archival Materials

Wolf, Henry Samuel

Year: 1957
Complete Citation:
Wolf, Henry Samuel. “The Twentieth Century Piano Sonata.” Ph.D. diss., Boston University, 1957.
Notes:

Ives is one of eight com-posers whose sonatas are discussed.

Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Yates, Peter

Year: 1959
Complete Citation:
Yates, Peter. “Introductory Essay.” In Some Twentieth Century American Composers: A Selective Bibliography, by John Edmunds and Peter Yates. New York, NY: New York Public Library, 1959.
Source: Chapter in Book
II. Reference Materials
A. Bibliographies
Year: 1967
Complete Citation:
Yates, Peter. Interview by Adelaide Tussler. Untitled series of interviews. Oral History Department Project in Community History, Univer-sity of California at Los Angeles. Los Angeles, California, January 30, 1967.
Notes:

Discusses “Concerts on the Roof” series and Ives programs in the series.

Source: Unpublished Interview
II. Reference Materials
F. Selected Archival Materials

Yates, Peter and Adelaide G. Tusler

Year: 1972
Complete Citation:
Yates, Peter and Adelaide G. Tusler. Oral History Transcript. “Evenings on the roof, 1939-1954,” 1972, Los Angeles: Oral History Program, University of California, Los Angeles, Los Angeles, California.
Source: Oral History Transcript
II. Reference Materials
F. Selected Archival Materials

Young III, Harmon Griffith

Year: 1995
Complete Citation:
Young III, Harmon Griffith. “The Sacred Music of Dave Brubeck: A Historical, Analytical, and Critical Examination.” Ph.D. diss., University of Florida, 1995.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Year: 1995
Complete Citation:
Young III, Harmon Griffith. “The Sacred Choral Music of Dave Brubeck: A Historical, Analytical, and Critical Examination.” Ph.D. diss., University of Florida, 1995.
Source: Ph.D. Disseration
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Zobel, Mark A.

Year: 2005
Complete Citation:
Zobel., Mark A. “‘Music Close to the Soul and Deeply Felt’: The Use of American Hymn Tunes in Charles Ives’s Third Symphony.” Ph.D. diss., University of Colorado- Boulder, 2005.
Notes:

The author stresses his own interpretations of the protestant religious connotations of the hymn-tunes as used by Ives. See B1533.

Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

no author listed

Complete Citation:
Typescript. Yale College Records, 1896--1900. Sterling Memorial Library Manuscripts and Ar-chives, Yale University, New Haven, Connecticut.
Source: Archive
II. Reference Materials
B. Catalogues
Complete Citation:
“Oral History of American Music: The Ives Project.” Yale University Library Guides. December 20, 2021. https://guides.library.yale.edu/oham/collectionsguide/ives.
II. Reference Materials
B. Catalogues
Complete Citation:
“The Charles Ives Society.” www.charlesives.org.
Source: Website
II. Reference Materials
C. Library and Institutional Collections
Year: 1955
Complete Citation:
“A Catalogue of Works by American Composers on LP Records.” American Composers Alliance Bulletin 4/3: 19-20.
Source: Journal
II. Reference Materials
B. Catalogues
Year: 1955
Complete Citation:
“Yale University Gets Complete Ives Manuscripts.” Musical America 75/3 (February 1, 1955): 27.
Source: Journal
II. Reference Materials
C. Library and Institutional Collections
Year: 1955
Complete Citation:
“Yale Gets Mss. of Charles Ives.” New York Herald Tribune, February 6, 1955, D8.
Source: Newspaper
II. Reference Materials
C. Library and Institutional Collections
Year: 1956
Complete Citation:
“Complete Works of Ives Go to Yale Music Library." Diapason 47/1 (April 1, 1956): 6.
Source: Journal
II. Reference Materials
C. Library and Institutional Collections
Year: 1958
Complete Citation:
“Library Exhibits Scores by Ives: Music Division Honors Late U. S. Composer - Other Events Scheduled.” The New York Times, February 9, 1958, 88.
Source: Newspaper
II. Reference Materials
C. Library and Institutional Collections