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Bibliography

Genres

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I. Ives as Author
(-) II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Gann, Kyle

Year: 1996
Complete Citation:
Gann, Kyle. “Heaven Enough.” Village Voice 41/26, June 25, 1996, 62.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 2006
Complete Citation:
Gann, Kyle. Music Downtown: Writings from the Village Voice. Berke-ley, CA: University of California Press, 2006.
Notes:

Several citations, especially “Pulit-zer Hacks: Amateur Composers versus the Professionals” (p. 121--123) and “Composer’s Clearing House: The Pulitzer Prize” (p. 123--125).

Source: Book
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Gantz, Jeffrey

Year: 2011
Complete Citation:
Gantz, Jeffrey. “Schuller and Alea III Perform Ives Works in all their Glory.” The Boston Globe, November 19, 2011.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Gatito, El

Year: 2007
Complete Citation:
Gatito, El. “Art of Darkness.” Philadelphia Weekly, June 27, 2007.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Gawthrop, Daniel E.

Year: 1988
Complete Citation:
Gawthrop, Daniel E. “Richard Bales’ Early Ives.” The Washington Post, May 30, 1988, C2.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Geoffrey Block and J. Peter Burkholder, compilers

Year: 1888-1951
Complete Citation:
Geoffrey Block and J. Peter Burkholder, compilers. “Selected Reviews 1888-1951.” In Ives and His World, edited by J. Peter Burkholder, 273-362. Princeton, NJ: Princeton University Press, 1996.
Source: Chapter in Book
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Geoffrey Block, compiler

Year: 1996
Complete Citation:
Geoffrey Block, compiler. “Selected Reviews 1888-1951.” In Charles Ives and His World, edited by J. Peter Burkholder, 273-360. Princeton, NJ: Princeton University Press, 1996.
Source: Chapter in Book
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

George, Phillip; Alburger, Mark

Year: 2003
Complete Citation:
George, Phillip and Mark Alburger. “Concert Reviews: Making the Most of Not Making the Most; Three (or Four) Great Orchestrators at San Francisco Symphony.” 21st Century Music, Vol. 10, No. 6, (2003): 3.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Gereben, Janos

Year: 2000
Complete Citation:
Gereben, Janos. “Concert Reviews: The Fourth of Faith.” 21st Century Music, Vol. 7, No. 8, (2000): 21.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 2000
Complete Citation:
Gereben, Janos. “Views, Reviews, Previews: ‘Rake’ Progresses at SFO; Ives Rules at Symphony ‘Mavericks.’” Oakland Post, 2000.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Gibbens, John Jeffrey

Year: 1989
Complete Citation:
Gibbens, John Jeffrey. “Debussy, counterpart and rejected model: an essay on Charles Ives.” Unpublished Manuscript, 1989.
Notes:

Originally commissioned for a collection of essays edited by Geoffrey Block

Source: Unpublished Manuscript
II. Reference Materials
F. Selected Archival Materials

Gilman, Lawrence

Year: 1939
Complete Citation:
Gilman, Lawrence. “A Masterpiece of American Music Heard Here for the First Time.” New York Herald Tribune, January 21, 1939, 9.
Source: Newspaper
Reprints:

Gilman, Lawrence. “A Masterpiece of American Music Heard Here for the First Time.” In <i>Charles Ives and His World</i>, 316-321. Edited by J. Peter Burkholder. Princeton, NJ: Princeton University Press, 1996.

XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1939
Complete Citation:
Gilman, Lawrence. “Music.” New York Herald Tribune, January 21, 1939, 9.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1939
Complete Citation:
Gilman, Lawrence. “Music: A Masterpiece of American Music Heard Here for the First Time.” New York Herald Tribune, January 21, 1939, 9.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Ginell, Richard S.

Year: 2002
Complete Citation:
Ginell, Richard S. “Music Review; Chamber Society Revels in Ives’ Iconoclasm: Home Edition.” The Los Angeles Times, March 27, 2002.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Glafcke, Patricia

Year: 2004
Complete Citation:
Glafcke, Patricia. “Answahl—Bibliographic.” In Charles Ives 1874-1954: Amerikanischer Pionier der Neuen Musik, edited by Hanns-Werner Heister and Werner Kremp, 201-203. Atlantische Texte, Vol. 23. Trier, Germany: Wissenschaftlicher Verlag Trier, 2004.
Source: Chapter in Book
II. Reference Materials
A. Bibliographies
Year: 2004
Complete Citation:
Glafcke, Patricia. “Kommentiertes Werkverzeichnis (Auswahl).” In Charles Ives 1874-1954: Amerikanischer Pionier der Neuen Musik, edited by Hanns-Werner Heister and Werner Kremp, 188-200. Atlantische Texte, Vol. 23. Trier, Germany: Wissenschaftlicher Verlag Trier, 2004.
Source: Chapter in Book
II. Reference Materials
B. Catalogues
Year: 2004
Complete Citation:
Glafcke, Patricia. “Auswahl—Diskographie.” In Charles Ives 1874-1954: Amerikanischer Pionier der Neuen Musik, edited by Hanns-Werner Heister and Werner Kremp, 204-206. Atlantische Texte, Vol. 23. Trier, Germany: Wissenschaftlicher Verlag Trier, 2004.
Source: Chapter in Book
II. Reference Materials
D. Discographies

Glanville-Hicks, Peggy

Year: 1949
Complete Citation:
Glanville-Hicks, Peggy. “William Masselos: Pianist Presents Ives Sonata at Y.M.HA. Hall.” New York Herald Tribune, February 18, 1949, 18.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Goldman, Mary K.

Year: 2015
Complete Citation:
Goldman, Mary K. “Concerts, Readings Celebrate Charles Ives.” TCA Regional News, April 7, 2015.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances