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Bibliography

Genres

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I. Ives as Author
(-) II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Winternitz, Emanuel

Year: 1955
Complete Citation:
Winternitz, Emanuel. “Ives, Charles E.” In Musical autographs from Monteverdi to Hindemith. Volume I-II. Princeton, NJ: Princeton University Press, 1955.
Source: Book
II. Reference Materials
F. Selected Archival Materials

Wolffers, Jules

Year: 1958
Complete Citation:
Wolffers, Jules. “New England Composer seen as Trail Blazer: Recordings.” The Christian Science Monitor, February 20, 1958, 5.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Wollny, Ute

Year: 1983
Complete Citation:
Wollny, Ute. “Orchester werke und Kammermusik von Charles Edward Ives bei Radio DDR II.” Musik und Gesellschaft 33 (March 1983): 180-181.
Notes:

Series included twenty-five works; Eberhardt Klemm, commentator.

Source: Journal
B. Recording Reviews

Wright, Stephen

Year: 2015
Complete Citation:
Wright, Stephen. “Lion's Gate Trio.” American Record Guide, Vol. 78, No. 4 (2015): 180-181.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Wulfert, Eric J.

Year: 1966
Complete Citation:
Wulfert, Eric J. “Letters to the Recordings Editor: Columbia Cut- Outs.” Saturday Review 49/18 (April 30, 1966): 75.
Notes:

Regarding the fact that several Columbia recordings are unavailable, especially Ives’s Sonata No. 1 for piano and Sonata No. 2, “Concord, Mass., 1840--1860” for piano.

Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Yates, Peter

Year: 1959
Complete Citation:
Yates, Peter. “Introductory Essay.” In Some Twentieth Century American Composers: A Selective Bibliography, by John Edmunds and Peter Yates. New York, NY: New York Public Library, 1959.
Source: Chapter in Book
II. Reference Materials
A. Bibliographies
Year: 1967
Complete Citation:
Yates, Peter. Interview by Adelaide Tussler. Untitled series of interviews. Oral History Department Project in Community History, Univer-sity of California at Los Angeles. Los Angeles, California, January 30, 1967.
Notes:

Discusses “Concerts on the Roof” series and Ives programs in the series.

Source: Unpublished Interview
II. Reference Materials
F. Selected Archival Materials

Yates, Peter and Adelaide G. Tusler

Year: 1972
Complete Citation:
Yates, Peter and Adelaide G. Tusler. Oral History Transcript. “Evenings on the roof, 1939-1954,” 1972, Los Angeles: Oral History Program, University of California, Los Angeles, Los Angeles, California.
Source: Oral History Transcript
II. Reference Materials
F. Selected Archival Materials

Yellin, Victor Fell

Year: 1974
Complete Citation:
Yellin, Victor Fell. “Review of The Celestial Country.” Musical Quarterly 60/3 (July 1974): 500-508.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1974
Complete Citation:
Yellin, Victor Fell. “Review of the First Recording of The Celestial Country, by Charles Ives.” The Musical Quarterly 60, No. 3 (July 1974): 500-508.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

no author listed

Complete Citation:
“Latest in low-cost records: From time to time, the editors report on the best among the new records you can buy at budget prices.” Changing Times, Vol. 21, Iss. 11 (November 1967): 19.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Complete Citation:
“The Charles Ives Society.” www.charlesives.org.
Source: Website
II. Reference Materials
C. Library and Institutional Collections
Complete Citation:
Typescript. Yale College Records, 1896--1900. Sterling Memorial Library Manuscripts and Ar-chives, Yale University, New Haven, Connecticut.
Source: Archive
II. Reference Materials
B. Catalogues
Complete Citation:
“Oral History of American Music: The Ives Project.” Yale University Library Guides. December 20, 2021. https://guides.library.yale.edu/oham/collectionsguide/ives.
II. Reference Materials
B. Catalogues
Year: 1931
Complete Citation:
“The Genius of American Original Production.” The Phonograph Monthly Review (July 1931).
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1935
Complete Citation:
“Phono Review.” Boston Evening Transcript. October 29, 1935, 37-38.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1938
Complete Citation:
“June Records.” Time XXXII, 1 (July 4, 1938): 20.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1948
Complete Citation:
“Milestone in American Music is Recording of Ives’ Sonata.” The Austin American, 1948, 7B.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1953
Complete Citation:
“Features: Charles Ives Recordings.” Vogue 121 (1953): 55.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1955
Complete Citation:
“A Catalogue of Works by American Composers on LP Records.” American Composers Alliance Bulletin 4/3: 19-20.
Source: Journal
II. Reference Materials
B. Catalogues