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Bibliography

Genres

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I. Ives as Author
(-) II. Reference Materials
(-) III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Berger, Arthur

Year: 1955
Complete Citation:
Berger, Arthur. “His Aim Was to Be Solely American.” Review of Charles Ives and His Music, by Henry and Sidney Cowell. The New York Times Book Review, January 9, 1955, section 7, 3.
Source: Newspaper
III. Book-Length Studies
C. Book Reviews

Bernlef, J., and Reinbert de Leeuw

Year: 1969
Complete Citation:
Bernlef, J., and Reinbert de Leeuw. Charles Ives. Amsterdam: DeBezige Bij, 1969.
Notes:

Pages 133-209 of 1969 publication are reprinted in 1975-1976 publication.

Source: Book
Reprints:

Bernlef, J., and Reinbert de Leeuw. “<i>Charles Ives—Zijn Muziek: Inleiding, Ives’ Gebruik van Muzikaal Materiaal</i> [Charles Ives—His Music: Introduction, Ives’ use of musical material].” Translated by Bertus Polman. <i>Student Musicologists at Minnesota</i> 6 (1975-76): 128-191.

III. Book-Length Studies
A. Biographies

Bernstein, Leonard

Year: 1958
Complete Citation:
Bernstein, Leonard. “Thursday Evening Preview Scripts: Opening of the New York Philharmonic Season of 1958-1959,” October 2, 1958. Leonard Bernstein Collection, folder 13, box 75. Music Division, Library of Congress, Washington D.C.
Source: Preview Script
II. Reference Materials
F. Selected Archival Materials
Year: 1967
Complete Citation:
Bernstein, Leonard. “Young People’s Concerts Scripts: Charles Ives: American Pioneer,” 1967. February 23. Leonard Bernstein Collection, folder 04, box 111. Music Division, Library of Congress, Washington D.C.
Source: Program Script
II. Reference Materials
F. Selected Archival Materials

Bird, Liz

Year: 1996
Complete Citation:
Bird, Liz. Review of All Made of Tunes: Charles Ives and the Uses of Musical Borrowing, by J. Peter Burkholder. Brio 33/1 (Spring-Summer 1996): 74.
Source: Journal
III. Book-Length Studies
C. Book Reviews

Blake, Andrew

Year: 1996
Complete Citation:
Blake, Andrew. Review of Charles E. Ives, by Leo Schrade. History: The Journal of the Historical Association 83/272 (1998): 686.
Notes:

Claims that Ives was adopted as “a national musical mascot during Amer-ica’s great patriotic moment of the early 1940s.”

Source: Journal
III. Book-Length Studies
C. Book Reviews
Year: 1998
Complete Citation:
Blake, Andrew. “Charles Ives and His World.” History, vol. 83, no. 272 (October 1998): 686.
Source: Journal
III. Book-Length Studies
C. Book Reviews

Blassnigg, Katharina

Year: 2008
Complete Citation:
Blassnigg, Katharina. Review of Charles Ives Reconsidered, by Gayle Sherwood Magee. Leonardo, vol. 42, no. 1 (2009): 78-80.
Source: Book
III. Book-Length Studies
C. Book Reviews

Block, Geoffrey

Year: 1985
Complete Citation:
Block, Geoffrey. Review of Charles Ives: The Ideas behind the Music, by J. Peter Burkholder. Journal of Musicology 5/2 (Spring 1987): 308-311.
Source: Journal
III. Book-Length Studies
C. Book Reviews
Year: 1988
Complete Citation:
Block, Geoffrey. Charles Ives: A Bio-Bibliography. New York: Greenwood Press, 1988.
Source: Book
II. Reference Materials
A. Bibliographies
Year: 1992
Complete Citation:
Block, Geoffrey. Review of The art of speaking extravagantly: eine vergleichende Studie der ‘Concord Sonata’ und der ‘Essays before a Sonata’ von Charles Ives, by Felix Meyer. Notes 48/4 (June 1992): 1297-1299.
Source: Journal
III. Book-Length Studies
C. Book Reviews
Year: 1992
Complete Citation:
Block, Geoffrey. Review of The Charles Ives Tunebook, by Clayton W. Henderson. Notes 49/1 (September 1992): 134-136.
Source: Journal
III. Book-Length Studies
C. Book Reviews
Year: 1992
Complete Citation:
Block, Geoffrey. Review of The Evolving Keyboard Style of Charles Ives, by Michael John Alexander. American Music 10 (Spring 1992): 98-100.
III. Book-Length Studies
C. Book Reviews
Year: 1996
Complete Citation:
Geoffrey Block. Ives: Concord Sonata. Cambridge Music Handbooks, general editor, Julian Rushton. Cambridge, United Kingdom: Cambridge University Press.
Source: Book
III. Book-Length Studies
B. Other
Year: 2001
Complete Citation:
Block, Geoffrey. Music & Letters 82/3 (August 2001): 470-472.
Source: Journal
III. Book-Length Studies
C. Book Reviews

Block, Geoffrey, and J. Peter Burkholder (editors)

Year: 1996
Complete Citation:
Block, Geoffrey, and J. Peter Burkholder, eds. Charles Ives and the Classical Tradition. New Haven, CT: Yale University Press, 1996.
Source: Book
III. Book-Length Studies
B. Other

Block, Geoffrey and Julian Rushton

Year: 1996
Complete Citation:
Block, Geoffrey. Ives: Concord Sonata. Cambridge Music Handbooks. Cambridge: Cambridge University Press, 1996.
Source: Book
III. Book-Length Studies
B. Other

Borowski, Felix

Year: 1955
Complete Citation:
Borowski, Felix. “An Early American ‘Modern.’” Chicago Sun-Times 2 (January 16, 1955): 5.
Source: Newspaper
III. Book-Length Studies
C. Book Reviews

Brooks, Tim

Year: 2011
Complete Citation:
Brooks, Tim. “Current Bibliography.” ARSC Journal 42 no. 2 (Fall 2011): 302-323.
Source: Journal
II. Reference Materials
A. Bibliographies

Brooks, Williams

Year: 1993
Complete Citation:
Brooks, Williams. Review of A Union of Diversities: Style in the Music of Charles Ives, by Larry Starr. American Music 11, no. 4 (Winter 1993): 488-491.
Source: Journal
III. Book-Length Studies
C. Book Reviews