Kirkpatrick, John
Year: 1963
Complete Citation:
Kirkpatrick, John. Typescript. “Charles E. Ives, 1874-1954: Trio for violin, cello and piano (1904-1911 in Ives's list). Comparison of sources compiled in 1962-1963, using the measure-numbering of the Peer edition,” 1963, Cornell University Library, Ithaca, New York.Source: Book
II. Reference Materials
F. Selected Archival Materials
Year: 1965
Complete Citation:
Kirkpatrick, John. Preface to Symphony No. 4, by Charles Ives. New York, New York: Associated Music Publishers, Inc., 1965.Source: Preface to Score
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 1967
Complete Citation:
Kirkpatrick, John. Liner notes for Morton Gould Conducting the Chicago Symphony Orchestra — Charles Ives — Orchestral Set No. 2 (First Recording). RCA LSC-2959, 1967, 33.3 RPM.Source: Liner notes
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 1968
Complete Citation:
Kirkpatrick, John, ed. “Preface.” In Eleven Songs and Two Harmonizations. New York, NY: Associated Music, 1968.Source: Score
IV. Individual Studies by Genre
E. Songs
Year: 1968
Complete Citation:
Kirkpatrick, John. Liner notes for “The ‘Concord’ Sonata, by Charles Ives.” Columbia MS 7192, 1968, 33.3 RPM.Source: Liner notes
IV. Individual Studies by Genre
C. Keyboard Works
Year: 1970
Complete Citation:
Kirkpatrick, John. “Words and Music: Ives.” Lecture, Ives at Minnesota, University of Minnesota, Minneapolis, Minnesota, April 8, 1970.Notes: Tape version in the Ives Collection (Yale University, New Haven, CT). Kirkpatrick also spoke at Helen Boatwright’s recital.
Source: Lecture
IV. Individual Studies by Genre
E. Songs
Year: 1975
Complete Citation:
Kirkpatrick, John. “Editor’s Notes.” In Charles Ives, Study No. 21: Some South--Paw Pitching! for Piano, 7-12. Bryn Mawr, PA: Mercury Music Corporation, 1975.IV. Individual Studies by Genre
C. Keyboard Works
Year: 1981
Complete Citation:
Kirkpatrick, John. “Notes.” In Charles E. Ives, Study No. 20 for Piano, edited by John Kirkpatrick, 12--18. Bryn Mawr, PA: Merion Music, 1981.Source: Chapter in Book
IV. Individual Studies by Genre
C. Keyboard Works
Year: 1982
Complete Citation:
Kirkpatrick, John. Liner notes for Charles Ives’ Five Violin Sonatas. MusicMasters 20056/57, 1982, 33.3 RPM.Source: Liner notes
IV. Individual Studies by Genre
B. Chamber Works
Year: Year unlisted
Complete Citation:
Kirkpatrick, John. “Players Apology.” Preface to the unpublished edition of Charles Ives’ Concord Sonata. Unpublished manuscript.Source: Unpublished preface
II. Reference Materials
F. Selected Archival Materials
Kirkpatrick, John, comp./ed.
Year: 1964
Complete Citation:
“Additional Ives Letters, Mostly 1907--1908,” compiled and edited by John Kirkpatrick (July 1964). Charles Ives Papers. Irving S. Gilmore Library, Yale University, New Haven, CT. Microfilm copy.Source: Archival Material
II. Reference Materials
F. Selected Archival Materials
Kirkpatrick, John, ed.
Year: 1960
Complete Citation:
Kirkpatrick, John, ed. A Temporary Mimeographed Catalogue of the Music Manuscripts and Related Materials of Charles Edward Ives, 1874-1954: given by Mrs. Ives to the Library of the Yale School of Music, September 1955. New Haven: Library of the Yale School of Music, 1960.Source: Book
II. Reference Materials
B. Catalogues
Kirkpatrick, John (editor)
Year: 1953
Complete Citation:
Kirkpatrick, John, editor. “American Piano Music: 1900-1950,” 35-41. In Proceedings of the Music Teachers National Association (1950), 35-41. Pittsburgh, PA: Music Teachers National Association, 1953.Source: Chapter in Book
IV. Individual Studies by Genre
C. Keyboard Works
Knight, John Wesley
Year: 1979
Complete Citation:
Knight, John Wesley. “Graphic Analyses of the Conducting Techniques for Irregular Meters and Nonmetrical Organizations Found in Selected 20th- century Band Literature.” Ph.D. diss., Louisiana State University, 1979. Source: Ph.D. Dissertation
IV. Individual Studies by Genre
A. Orchestral and Band Works
Koch, Gerhard R.
Year: 1975
Complete Citation:
Koch, Gerhard R. “‘Das himmlische Land’ von Ives.” Musica 29, no. 3 (1975): 230-233.Source: Journal
IV. Individual Studies by Genre
D. Choral Works
Kolodin, Irving
Year: 1934
Complete Citation:
Kolodin, Irving. “American Composers and the Phonograph.” Modern Music 1 (March--April 1934) 1/3: 128--133.Source: Journal
II. Reference Materials
F. Selected Archival Materials
Kopetz, Barry E.
Year: 1991
Complete Citation:
Kopetz, Barry E. “Charles Ives's Variations on ‘America’: An Interpretive Analysis.” Instrumentalist 45/9 (April 1991): 20-28, 75-79. Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
Kostelanetz, André and Gloria Hammond
Year: 1981
Complete Citation:
Kostelanetz, André and Gloria Hammond. Echoes- Memoirs of Andre Kostelanetz, 181. New York, NY: Harcourt Brace Jovanovich, 1981.Notes: Credits Leopold Stokowski as being “the first to play Gustav Mahler in the U. S., to give the American composer Charles Ives a hearing, and to introduce Le sacre du printemps here.”
Source: Book
IV. Individual Studies by Genre
A. Orchestral and Band Works
Kostelanetz, Richard
Year: 2008
Source: Online Article
II. Reference Materials
F. Selected Archival Materials
Kraft, Leo
Year: 1990
Complete Citation:
Kraft, Leo. “Afterglow / Charles Ives.” In Gradus: the second year and after: an integrated approach to harmony, counterpoint, and analysis. New York, NY: W.W. Norton, 1990.Source: Book
IV. Individual Studies by Genre
E. Songs
