Image
Complete Citation:
Burge, David. “Private Lesson: Contemporary Piano: Charles Ives’ First Sonata.” Keyboard Magazine 12/11 (November 1986): 116-118.
Bibliography
Genres
Burge, David
Year: 1986
Notes:
Reprinted in David Burge. <i>Twentieth-Century Piano Music</i>. New York, NY: Schirmer Books, 1990: 33-45. Chapter 3, “Charles Ives.”
Source: Magazine, Book
Reprints:
Burge, David. “Charles Ives.” In <i>Twentieth-Century Piano Music</i>, 33-45. New York, NY: Schirmer Books, 1990.
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Year: 1987
Complete Citation:
Burge, David. “Private Lesson: Contemporary Piano: Skeletal Motifs in the Emerson Movement of Ives’ Concord Sonata.” Keyboard Maga-zine 13/1 (January 1987): 92.Source: Magazine
Reprints:
Burge, David. “Charles Ives.” In <i>Twentieth-Century Piano Music</i>, 33-45. New York, NY: Schirmer Books, 1990.
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Year: 1990
Complete Citation:
Burge, David. “From 1900 to the end of World War I.” In Twentieth-century piano music. New York, NY: Schirmer Books, 1990.Source: Chapter in Book
Reprints:
Burge, David. “From 1900 to the end of World War I.” In <i>Twentieth-century piano music</i>. Lanham, MD: Scarecrow Press, 2004.
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Year: 2018
Complete Citation:
Burge, David. “Charles Ives’ ‘First Sonata.’” Timeless relevance: the Keyboard Magazine Columns 1975-1989, edited by Elon Burge. Chelsea, Québec: Chelsea Books, 2018.IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Year: 2018
Complete Citation:
Burge, David. “Unifying elements in Ives’ piano sonatas.” In Timeless relevance: the Keyboard Magazine Columns, 1975-1989, edited by Elon Burge. Chelsea, Québec: Chelsea Books, 2018.IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Year: 2018
Complete Citation:
Burge, David. “Skeletal motifs in the ‘Emerson’ movement of Ives’ ‘Concord sonata.’” In Timeless relevance: the Keyboard Magazine Columns, 1975-1989, edited by Elon Burge. Chelsea, Québec: Chelsea Books, 2018.IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Burk, James
Year: 1969
Complete Citation:
Burk, James. “The Wind Music of Charles Ives.” The Instrumentalist, October 1969.Source: Magazine
IV. Individual Studies by Genre
A. Orchestral and Band Works
A. Orchestral and Band Works
Year: 1969
Complete Citation:
Burk, James (1969) The Wind Music of Charles Ives. The Instrumentalist, Vol. 24, No. 3, pp. 36.Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
A. Orchestral and Band Works
Burk, James M.
Year: 1969
Complete Citation:
James M. Burk. “Charles Ives’ ‘Variations on “America”’ for Band.” In Letters to the Editor. Instrumentalist 23/10 (May 1969): 18.Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
A. Orchestral and Band Works
Year: 1974
Complete Citation:
Burk, James M. “Ives Innovations in Piano Music.” Clavier 13 (October, 1974): 14-16.IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Burkholder, J. Peter
Year: 1987
Complete Citation:
Burkholder, J. Peter. “Quotation and Paraphrase in Ives’s Second Symphony.” 19th-Century Music XI (1987): 3-25.Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
A. Orchestral and Band Works
Year: 2002
Complete Citation:
Burkholder, J. Peter. “The Organist in Ives.” Journal of the American Musicological Society 55/2 (2002): 255-310.Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Burr, Raymond A.
Year: 1976
Complete Citation:
Burr, Raymond A. “The Art Songs of Charles Ives.” In South Florida's Historic Ives Festival, 1974-1976, 53-56. Coral Gables, FL: University of Miami, 1976.Source: Chapter in Book
IV. Individual Studies by Genre
E. Songs
E. Songs
Butterworth, Neil
Year: 1999
Complete Citation:
Neil Butterworth. “Charles Ives.” In The American Symphony, 36-44. Brookfield, VT: Ashgate Publishing, 1999.Notes:
Discusses the four numbered sym-phonies and the Universe Symphony. States that the four movements of the Holidays Symphony “form separate patriotic pieces” that can “in no way...collectively constitute a symphony.”
Source: Chapter in Book
IV. Individual Studies by Genre
A. Orchestral and Band Works
A. Orchestral and Band Works
Calvert Bean, Jr.
Year: 1969
Complete Citation:
Calvert Bean, Jr. “Re: Variations on ‘America.’” Instru-mentalist 24/2 (September 1969): 14.IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Campbell, Frank C.
Year: 1974
Complete Citation:
Campbell, Frank C. “Announcement of Kirkpatrick’s Temporary Mimeographed Catalogue: Notes for Notes.” Notes 30/3 (March 1974): 501--502.Notes:
Announcement of Kirkpatrick’s Temporary Mimeographed Catalogue: Notes for Notes
Source: Journal
II. Reference Materials
B. Catalogues
B. Catalogues
Carr, Cassandra Irene
Year: 1989
Complete Citation:
Carr, Cassandra I. “Charles Ives's Humor as Reflected in His Songs.” Amer-ican Music 7/2 (Summer 1989): 123-139.Source: Journal
IV. Individual Studies by Genre
E. Songs
E. Songs
Carson, Gerald
Year: 1965
Complete Citation:
Carson, Gerald. “The Piano in the Parlor.” American Heritage, December 1965.Source: Magazine
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Carter, Chandler
Year: 2001
Complete Citation:
Carter, Chandler. “‘Coke Cans and Chain Mail’: Contemplating Diver-sity and Unity in Charles Ives’s Tom Sails Away.” Paper presented at Annual Meeting of the Music Theory Society of New York State. New York University, New York, New York, April 8, 2001.Source: Conference Paper
IV. Individual Studies by Genre
E. Songs
E. Songs
Charles, Sydney Robinson
Year: 1967
Complete Citation:
Charles, Sydney Robinson. “The Use of Borrowed Materials in Ives’ Second Symphony.” The Music Review, 28/2 (May, 1967): 102-111.Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
A. Orchestral and Band Works