Lyman, Zachary and Larry Austin
Year: 2008
Complete Citation:
Lyman, Zachary, and Larry Austin. “Completing Ives's Universe Symphony: An Interview with Larry Austin.” American Music, vol. 26, no. 4 (2008): 442-473.Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
Lyons, James
Year: 1954
Complete Citation:
Lyons, James. “A Prophet Passes.” American Record Guide 20/10, June 1954, 312, 313-15, 343.Source: Magazine
II. Reference Materials
D. Discographies
Mack Burk, James and Michael J. Budds
Year: 2008
Complete Citation:
Mack Burk, James and Michael J. Budds. A Charles Ives Omnibus. Hillsdale, New York: Pendragon Press, 2008.Source: Book
II. Reference Materials
A. Bibliographies
Magee, Gayle Sherwood
Year: 2010
Complete Citation:
Magee, Gayle Sherwood. Charles Ives: A Research and Information Guide. New York, NY: Routledge, 2002.Source: Book
Reprints: Magee, Gayle Sherwood. <i>Charles Ives: A Research and Information Guide</i>. 2nd ed. New York, NY: Routledge, 2010.
II. Reference Materials
A. Bibliographies
Magers, Roy V.
Year: 1977
Complete Citation:
Magers, Roy V. “Charles Ives’s Optimism: or, The Program’s Progress.” In Music in American Society, 1776-1976: from Puritan Hymn to Synthesizer, edited by George McCue, 73-86. New Brunswick, NJ: Transaction Books, 1977.Source: Chapter in Book
IV. Individual Studies by Genre
A. Orchestral and Band Works
Maisel, Arthur
Year: 1981
Complete Citation:
Maisel, Arthur. “The ‘Fourth of July’ by Charles Ives. Mixed Harmonic Criteria in a 20th-Century Classic.” Theory and Practice VI (1981): 3-32.Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
Manton, Jonathan
Year: 2018
Complete Citation:
Manton, Jonathan. “Digital Project Update: Rare Charles Ives Recordings Now Available for Streaming.” Music Reference Services Quarterly, vol. 21, no. 4 (2018): 219-220.Source: Journal
II. Reference Materials
C. Library and Institutional Collections
Year: 2019
Complete Citation:
Manton, Jonathan. “Yale University’s Irving S. Gilmore Music Library.” Notes 75, no. 3 (2019): 479.II. Reference Materials
C. Library and Institutional Collections
Marsh, Robert C.
Year: 1967
Complete Citation:
Marsh, Robert C. The Cleveland Orchestra. Cleveland, OH: World Pub-lishing, 1967.Notes: Cites performances of From the Steeples and the Mountains, Scherzo: Over the Pavements,Symphony No. 2, The Unanswered Question, and Variations on “America” (orchestrated by William Schuman). Numerous passing remarks about Ives, especially the re-pertoire performed by the Cleveland Orchestra.
Source: Book
IV. Individual Studies by Genre
A. Orchestral and Band Works
McDonald, Matthew
Year: 2004
Complete Citation:
McDonald, Matthew. “Silent Narration? Elements of Narrative in Ives's The Un-answered Question.” 19th-Century Music 27/3 (2004): 263-286.Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
Melick, Jennifer
Year: 2013
Complete Citation:
Melick, Jennifer. “To Market, To Market.” Symphony, Vol. 64, No. 1 (2013): 53.Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
Mercado, Mario
Year: 2004
Complete Citation:
Mercado, Mario. “Ives: The View from the Podium.” In Charles Ives: An American Original in Context, 28, 30. Program booklet [Playbill]. New York, NY: Avery Fischer Hall, May 11-29, 2004.Source: Program Booklet
IV. Individual Studies by Genre
A. Orchestral and Band Works
Meredith, Austin
Year: 1997
Complete Citation:
Meredith, Austin. “Brant’s Adaptation of Ives's ‘Concord, Mass., 1840-1860.’” The Thoreau Society Bulletin, no. 220 (1997): 3.Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
Mihura, Brian L.
Year: 1982
Complete Citation:
Mihura, Brian L. “The Great Jew's Harp Hunt of 1954.” Verundzwanzigsteljahrsschrift der Internationalen Maultrommelvirtuosengenossenschaft 1 (1982): 44-48.Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
Mitchell, Charles P.
Year: 2004
Complete Citation:
Mitchell, Charles P. The great composers portrayed on film, 1913 through 2002. Jefferson, NC: McFarland, 2004.Source: Book
II. Reference Materials
F. Selected Archival Materials
Moomaw, Charles J.
Year: 1971
Complete Citation:
Moomaw, Charles J. “A PL/1 Program for the Harmonic Analysis of Music by the Theories of Paul Hindemith and Howard Hanson.” Master’s thesis, University of Cincinnati, 1971.Source: Master's Thesis
IV. Individual Studies by Genre
A. Orchestral and Band Works
Morgan, Robert P.
Year: 1974
Complete Citation:
Morgan, Robert P. “The Recordings of Charles Ives’s Music.” High Fidelity 24/10, October 1974, 70-76.Source: Magazine
II. Reference Materials
D. Discographies
Morris, Harold
Year: 1932
Complete Citation:
Morris, Harold. “Fourth of July.” Contemporary American Music [Rice Institute, Houston] (April 1932): 5.Source: Conference Publication
IV. Individual Studies by Genre
A. Orchestral and Band Works
Morris, William J.
Year: 1966
Complete Citation:
Morris, William J. “The Danbury Scott-Fanton Museum and Historical Society.” History News, vol. 21, no. 6 (1966): 128-131.Source: Magazine
II. Reference Materials
C. Library and Institutional Collections
Mueller, John H.
Year: 1951
Complete Citation:
Mueller, John H. The American Symphony Orchestra: A Social History of Musical Taste. Bloomington, IN: Indiana University Press, 1951.Source: Book
Reprints: Mueller, John H. <i>Orchestras: A History and Analysis of Their Repertoires, Seasons 1842-43 through 1969-70</i>, 183-184. Bloomington, IN: Indiana University Press, 1973.
IV. Individual Studies by Genre
A. Orchestral and Band Works