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Bibliography

Genres

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I. Ives as Author
(-) II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Boatwright, Howard

Year: 1965
Complete Citation:
Boatwright, Howard. “Ives’ Quarter-Tone Impressions.” Perspectives of New Music (Spring-Summer 1965): 22-31.
Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
Year: 1965
Complete Citation:
Boatwright, Howard. “Ives’s 1/4 tone Impressions.” Perspectives of New Music, vol. 3 (Spring-Summer 1965).
Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
Year: 1971
Complete Citation:
Boatwright, Howard. “Ives’ Quarter-Tone Impressions.” In Perspectives on American Composers, edited by Benjamin Boretz and Edward T. Cone, 3-12. New York, NY: W.W. Norton, 1971.
Source: Book
IV. Individual Studies by Genre
C. Keyboard Works

Brooks, Tim

Year: 2011
Complete Citation:
Brooks, Tim. “Current Bibliography.” ARSC Journal 42 no. 2 (Fall 2011): 302-323.
Source: Journal
II. Reference Materials
A. Bibliographies

Brooks, William and Burkholder, J. Peter

Year: 1982
Complete Citation:
Brooks, William, and Burkholder, J. Peter. Typescript. “Books in Bigelow Ives’ Library and Identified by Him as Belonging to Charles Ives or His family.” Spring 1982, revised March 1984.
Source: Unpublished, 1982
II. Reference Materials
F. Selected Archival Materials

Bruhn, Christopher

Year: 2005
Complete Citation:
Bruhn, Christopher. “‘A Shamelessly Personal Batch of Choices’: The Kirkpatrick ‘Copy’ of Ives's Concord Sonata.” Paper presented at The Thirty--first Annual Conference of the Society for American Music. Eugene, Oregon, February 17, 2005.
Source: Conference paper
IV. Individual Studies by Genre
C. Keyboard Works
Year: 2011
Complete Citation:
Bruhn, Christopher. “The Transitive Multiverse of Charles Ives’s ‘Concord’ Sonata.” Journal of Musicology 28.2 (Spring 2011): 166-194.
Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works

Bukoff, Ronald N.

Year: 1988
Complete Citation:
Bukoff, Ronald N. “Charles Ives: A History and Bibliography of Criticism (1920-1939), and Ives’ Influence (to 1947) on Bernard Herrmann, Elie Siegmeister, and Robert Palmer.” Ph.D. diss., Cornell University, 1988.
Source: Ph.D. Dissertation
II. Reference Materials
A. Bibliographies

Burge, David

Year: 1986
Complete Citation:
Burge, David. “Private Lesson: Contemporary Piano: Charles Ives’ First Sonata.” Keyboard Magazine 12/11 (November 1986): 116-118.
Notes:

Reprinted in David Burge. <i>Twentieth-Century Piano Music</i>. New York, NY: Schirmer Books, 1990: 33-45. Chapter 3, “Charles Ives.”

Source: Magazine, Book
Reprints:

Burge, David. “Charles Ives.” In <i>Twentieth-Century Piano Music</i>, 33-45. New York, NY: Schirmer Books, 1990.

IV. Individual Studies by Genre
C. Keyboard Works
Year: 1986
Complete Citation:
Burge, David. “Private Lesson: Contemporary Piano: Unifying Ele-ments in Ives’ Piano Sonatas.” Keyboard Magazine 12/12 (December 1986): 102-103.
Notes:

Comments about Sonatas Nos. 1 and 2.

Source: Magazine
Reprints:

Burge, Daivd. “Charles Ives.” In <i>Twentieth-Century Piano Music</i>, 33-45. New York, NY: Schirmer Books, 1990.

IV. Individual Studies by Genre
C. Keyboard Works
Year: 1986
Complete Citation:
Burge, David. “Private Lesson: Contemporary Piano: The Early Years of Charles Ives.” Keyboard Magazine 12/10 (October 1986): 101.
Source: Journal
Reprints:

Burge, Daivd. “Charles Ives.” In <i>Twentieth-Century Piano Music</i>, 33-45. New York, NY: Schirmer Books, 1990.

IV. Individual Studies by Genre
C. Keyboard Works
Year: 1987
Complete Citation:
Burge, David. “Private Lesson: Contemporary Piano: Skeletal Motifs in the Emerson Movement of Ives’ Concord Sonata.” Keyboard Maga-zine 13/1 (January 1987): 92.
Source: Magazine
Reprints:

Burge, David. “Charles Ives.” In <i>Twentieth-Century Piano Music</i>, 33-45. New York, NY: Schirmer Books, 1990.

IV. Individual Studies by Genre
C. Keyboard Works
Year: 1990
Complete Citation:
Burge, David. “From 1900 to the end of World War I.” In Twentieth-century piano music. New York, NY: Schirmer Books, 1990.
Source: Chapter in Book
Reprints:

Burge, David. “From 1900 to the end of World War I.” In <i>Twentieth-century piano music</i>. Lanham, MD: Scarecrow Press, 2004.

IV. Individual Studies by Genre
C. Keyboard Works
Year: 2018
Complete Citation:
Burge, David. “Skeletal motifs in the ‘Emerson’ movement of Ives’ ‘Concord sonata.’” In Timeless relevance: the Keyboard Magazine Columns, 1975-1989, edited by Elon Burge. Chelsea, Québec: Chelsea Books, 2018.
IV. Individual Studies by Genre
C. Keyboard Works
Year: 2018
Complete Citation:
Burge, David. “Charles Ives’ ‘First Sonata.’” Timeless relevance: the Keyboard Magazine Columns 1975-1989, edited by Elon Burge. Chelsea, Québec: Chelsea Books, 2018.
IV. Individual Studies by Genre
C. Keyboard Works
Year: 2018
Complete Citation:
Burge, David. “Unifying elements in Ives’ piano sonatas.” In Timeless relevance: the Keyboard Magazine Columns, 1975-1989, edited by Elon Burge. Chelsea, Québec: Chelsea Books, 2018.
IV. Individual Studies by Genre
C. Keyboard Works

Burk, James M.

Year: 1974
Complete Citation:
Burk, James M. “Ives Innovations in Piano Music.” Clavier 13 (October, 1974): 14-16.
IV. Individual Studies by Genre
C. Keyboard Works

Burkholder, J. Peter

Year: 2002
Complete Citation:
Burkholder, J. Peter. “The Organist in Ives.” Journal of the American Musicological Society 55/2 (2002): 255-310.
Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works

Calvert Bean, Jr.

Year: 1969
Complete Citation:
Calvert Bean, Jr. “Re: Variations on ‘America.’” Instru-mentalist 24/2 (September 1969): 14.
IV. Individual Studies by Genre
C. Keyboard Works

Campbell, Frank C.

Year: 1974
Complete Citation:
Campbell, Frank C. “Announcement of Kirkpatrick’s Temporary Mimeographed Catalogue: Notes for Notes.” Notes 30/3 (March 1974): 501--502.
Notes:

Announcement of Kirkpatrick’s Temporary Mimeographed Catalogue: Notes for Notes

Source: Journal
II. Reference Materials
B. Catalogues