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Bibliography

Pascual, Josep

Year: 2004
Complete Citation:
Pascual, Josep. “Charles Ives: Discografía Básica.” Scherzo: Revista de Música, Vol. 19 (2004): 120-122.
Source: Magazine
II. Reference Materials
D. Discographies

Perlis, Vivian

Year: 1972
Complete Citation:
Perlis, Vivian. “Ives and Oral History.” Notes 28 (1972): 629-642.
Source: Journal
II. Reference Materials
F. Selected Archival Materials
Year: 1991
Complete Citation:
Perlis, Vivian. “Charles Ives and Oral History.” Paper presented at Contemporary Music Festival: The Life and Works of Charles Ives. Longwood College, Department of Music, Farmville, Virginia, October 24-25, 1991.

Source: Conference paper
II. Reference Materials
F. Selected Archival Materials
Year: 1996
Complete Citation:
Perlis, Vivian. “Ives Spirit Moves Brits.” Piano & Keyboard (1996): 12-14.
Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works

Perlis, Vivian and Libby Van Cleve

Year: 2005
Complete Citation:
Perlis, Vivian and Libby Van Cleve. “Charles Ives: 1874-1954.” In Composer's voices from Ives to Ellington: an oral history of American music, 8-21. New Haven, CT: Yale University Press, 2005.
Source: Book
II. Reference Materials
F. Selected Archival Materials
Year: 2005
Complete Citation:
Perlis, Vivian and Libby Van Cleve. Voices of America’s Musical Cen-tury. New Haven, CT: Yale University Press, 2005.
Notes:

Volume 1 has an accompany ing compact disc from the Yale Oral History Archives with Ives -related interviews.

Source: Book
II. Reference Materials
F. Selected Archival Materials

Perlis, Vivian, comp.

Year: 1983
Complete Citation:
Perlis, Vivian, comp. Charles Ives Papers, Mss. 14, 1983, Irving S. Gilmore Music Library, Yale University. Unpublished: compiled at the Yale Music Library.
Source: Unpublished
II. Reference Materials
C. Library and Institutional Collections

Perlis, Vivian, compiler

Year: 1983
Complete Citation:
Perlis, Vivian, compiler. Register to the Charles Ives Papers. Mss. 14- Irving S. Gilmore Music Library, Yale University. New Haven, 1983.
Source: Archive
II. Reference Materials
C. Library and Institutional Collections

Phelps, William Lyon

Year: 1922
Complete Citation:
William Lyon Phelps, “The Glorious Year Nineteen-Twenty.” Yale Alumni Weekly (December 17, 1922): 308.
Source: Magazine
II. Reference Materials
F. Selected Archival Materials

Porter, Cecelia

Year: 1998
Complete Citation:
Porter, Cecelia. “Classical Music: Organist Gregory D’Agostino.” The Washington Post (1998): C4.
Source: Newspaper
IV. Individual Studies by Genre
C. Keyboard Works

Porter, David Gray

Year: 1996
Complete Citation:
Porter, David Gray. Typescript of article. “Six articles on the works of American composer Charles Edward Ives,” 1996, University of California, Los Angeles Library, Los Angeles, California.
Source: Archival Material
II. Reference Materials
F. Selected Archival Materials

Porter, David H.

Complete Citation:
Porter, David H. “From Plato to piano strings: An ‘Outward Bound’ for the mind.” The Chronicle of Higher Education 42, no. 28 (March 22, 1996): A52.
Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works

Rasmussen, Jane E.

Year: 1975-1976
Complete Citation:
Rasmussen, Jane E. “Charles Ives’s Music for the Piano.” Student Musicologists at Minnesota 6 (1975-1976): 201-217.
IV. Individual Studies by Genre
C. Keyboard Works

Rathert, Wolfgang

Year: 1990
Complete Citation:
Rathert, Wolfgang. “Mahler und Ives. Gibt es eine ‘geheime Zeitgenossenschaft’?” Nue Zeitschrift für Musik 151/10 (1990): 7-12.
Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works

Reed, Alice S.

Year: 2005
Complete Citation:
Reed, Alice S. Charles Edward Ives and his Piano sonata no. 2 "Concord, Mass. 1840-1860.Victoria, BC: Trafford Publishing, 2005.
Source: Book
IV. Individual Studies by Genre
C. Keyboard Works

Reti, Rudolph

Year: 1958
Complete Citation:
Reti, Rudolph. Tonality, Atonality, Pantonality: A Study of Some Trends in Twentieth Century Music, 43, 63-65, 89, 149-151. New York, NY: Macmillan, 1958.
Notes:

Discusses Con-cord Sonata and Symphony No. 4.

Source: Book
Reprints:

Reti, Rudolph. <i>Tonality in Modern Music</i>, 61, 82-84, 107, 171, 173. New York, NY: Collier Books, 1962. * Reti, Rudolph. <i>Tonalidad, Atonalidad, Pantonalidad</i>. Translated to Spanish by Joaquín Homs. Madrid, Spain: Rialp, 1965.

IV. Individual Studies by Genre
C. Keyboard Works

Rexroth, Dieter

Year: 1979
Complete Citation:
Rexroth, Dieter. “Ein amerikanischer Denkstil in der Concord-Sonate. Zu einem Aspekt des Transzendentalisten Charles E. Ives.” In Zwischen den Grenzen: Zum Aspekt des Nationalen in der Neuen Musik, 54-61. Frankfurter Studien, Vol. 3. Mainz, Germany: Schott, 1979.
Source: Chapter in Book
IV. Individual Studies by Genre
C. Keyboard Works

Ribakove, Seymour L.

Year: 1962
Complete Citation:
Ribakove, Seymour L.. “A Prophet without Honor.” Keyboard Jr. 20/7 (April 1962): 1, 4.
Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works

Riedel, Johannes, compiler

Year: 1970
Complete Citation:
Riedel, Johannes, comp. A Brief Guide to the Ives Bibliography. University of Minnesota, 1970.
Notes:

Ditto reproduction

Source: Book
II. Reference Materials
A. Bibliographies

Roggenkamp, P.

Year: 1986
Complete Citation:
Roggenkamp, P. “Der Fluegel: gestreichelt, gezupft, geslagen: Studie fur ‘praepariertes’ Klavier—auch im paedagogischen Einsatz geeinget.” Neue Musikzeitung 135 (December 1986): 19.
Notes:

Discusses the Concord Sonata.

Source: Magazine
IV. Individual Studies by Genre
C. Keyboard Works