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Bibliography

Genres

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I. Ives as Author
(-) II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
(-) VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Eidland, Dan and Bodil Eidland-Cederbom

Year: 2005
Complete Citation:
Eidland, Dan and Bodil Eidland-Cederbom. Marja, Walt Whitman, Charles Ives, Theodore Roosevelt and I. Alingsås, Sweden: Mitthans, 2005.
Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Eiseman, David

Year: 1975
Complete Citation:
Eiseman, David. “George Ives as Theorist: Some Unpublished Documents.” Perspectives of New Music 14, No. 1 (Fall-Winter 1975): 139-47.
Source: Journal
VI. Topical Studies
N. Ives’ Childhood

Elkus, Jonathan

Year: 2005
Complete Citation:
Elkus, Jonathan. “Charles Ives's Manhattan.” In The wind band in and around New York ca. 1830-1950: essays presented at the 26th biennial conference of the College Band Directors National Association, New York, NY, Feb., 2005, edited by Frank J. Cipolla and Donald Hunsberger. Van Nuys, CA: Alfred, 2007.
Source: Chapter in Book
VI. Topical Studies
M. Ives and Manhattan

Elliot, Martha

Year: 2006
Complete Citation:
Elliot, Martha. “Early Twentieth-Century Nationalism.” In Singing in Style: A Guide to Vocal Performance Practices, 251-285. New Haven, CT: Yale University Press, 2006.
Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Elliott Schwartz and Barney Childs, eds.

Year: 1967
Complete Citation:
Elliott Schwartz and Barney Childs, eds. Contemporary Composers on Contemporary Music. New York, NY: Holt, Rinehart and Winston, 1967.
Source: Book
VI. Topical Studies
S. Reception Studies and Related Scholarship

Ellison, Mary

Year: 1976
Complete Citation:
Ellison, Mary. “Ives’ Use of American ‘Popular’ Tunes as Thematic Material.” In South Florida’s Historic Ives Festival 1974-1976, edited by F. Warren O’Reilly, 30--34. -Coral Gables, FL: University of Miami at Coral Gables, 1976.
Source: Chapter in Book
VI. Topical Studies
B. Musical Quotation or Borrowing

Emerson, Ralph Waldo

Complete Citation:
Emerson, Ralph Waldo. “Quotation and Originality.” Complete Works of Ralph Waldo Emerson. Boston/New York: Houghton Mifflin, 1903. Vol-ume 8: 201: Letters and Social Aims.
Source: Chapter in Book
VI. Topical Studies
A. Transcendentalism or Philosophy

Emmery, Laura

Year: 2013
Complete Citation:
Emmery, Laura. “An American Modernist: Teatime with Elliott Carter.” Tempo, Vol. 67 (2013): 22-29.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Emmery, Laura and Elliot Carter

Year: 2013
Complete Citation:
Emmery, Laura, and Elliott Carter. “An American Modernist: Teatime with Elliott Carter.” Tempo, vol. 67, no. 264 (2013): 22-29.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Emmerik, Paul van

Complete Citation:
Paul van Emmerik. “Review of Silencing the Sounded Self: John Cage and the Ameri-can Experimental Tradition.” Notes (March 2000) 56/3: 729.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Engel, Lehman

Year: 1973
Complete Citation:
Engel, Lehman. This Bright Day. New York, New York: The Macmillan Company, 1974.
Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

English, David

Year: 2001
Complete Citation:
English, David. “How Ives Won [Response to the Harmonist].” The New Yorker 7, January 22, 2001.
Notes:

Contradicts Ross’s use of the word “failure” in refer-ence to Ives’s career.

Source: Magazine
VI. Topical Studies
Year: 2001
Complete Citation:
David English. “How Ives Won [Response to the Harmonist].” New Yorker 7 (January 22, 2001).
Notes:

Contradicts Ross’s use of the word “failure” in refer-ence to Ives’s career.

Source: Magazine
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Ericson, Raymond

Year: 1964
Complete Citation:
Ericson, Raymond. “Charles Ives: After 55 Years, Still Avant-Garde.” The New York Times, May 24, 1964, sec. 2, 113, 18.
Source: Newspaper
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Year: 1969
Complete Citation:
Ericson, Raymond. “Retrospective Cowell Program Honors the Music Experimenter.” The New York Times (March 20, 1969): 55.
Notes:

A review of a concert. Only mention of Ives: “A member of the audience sported a button ‘Ives Lives.’ This reference to the great innovator in American music, Charles Ives, might just as well have read ‘Cowell Lives.’”

Source: Newspaper
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Etheridge, Elizabeth

Year: 1991
Complete Citation:
Etheridge, Elizabeth. “Ives the Insurance man.” Paper presented at Contemporary Music Festival: The Life and Works of Charles Ives. Longwood College, Department of Music, Farmville, Virginia, October 24-25, 1991.
Source: Conference paper
VI. Topical Studies
D. Insurance

Ewen, David

Year: 1934
Complete Citation:
Ewen, David. Composers of Today. New York, NY: Wilson, 1934: 132-133.
Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1942
Complete Citation:
Ewen, David. Music Comes to America, 277, 289. New York, NY: Allen, Towne & Heath, 1947.
Notes:

Two passing citations. Submits that American music will follow “the futuristic music of Charles Ives.”

Source: Book
VI. Topical Studies
L. Ives and America
Year: 1950
Complete Citation:
Ewen, David. “The Belated Discovery of Charles Ives.” Tomorrow 9/9 (May 1950): 10-14.
Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship
Year: 1969
Complete Citation:
Ewen, David. “The Eccentrics.” In David Ewen Introduces Modern Music: A History and Appreciation: From Wagner to the Avant--Garde, 51-60. New York, NY: Chilton Publishing, 1969.
Notes:

Discusses Quartet No. 2; Sonata No. 2, “Concord, Mass., 1840--1860,” for piano; Symphony No. 2; and Symphony No. 4.

Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers