Image
Complete Citation:
Gibbons, William. “‘Yankee Doodle’ and Nationalism, 1780-1920.” American Music 26/2 (2008): 246-274.
Bibliography
Genres
Gibbons, William
Year: 2008
Source: Journal
VI. Topical Studies
B. Musical Quotation or Borrowing
B. Musical Quotation or Borrowing
Gilbert, Steven E.
Year: 1971
Complete Citation:
Gilbert, Steven E. “Carl Ruggles and Total Chromaticism.” Anuario Interamericano De Investigación Musical, vol. 7 (1971): 43-50.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1972
Complete Citation:
Gilbert, Steven E. “Carl Ruggles (1876-1971): An Appreciation.” Perspectives of New Music, vol. 11, no. 1 (1972): 224-232.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Gillespie, Don
Year: 1975-1976
Complete Citation:
Gillespie, Don. “John Becker, the Musical Crusader of St. Thomas College.” Student Musicologists at Minnesota 6 (1975-1976).Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1976
Complete Citation:
Gillespie, Don. “John Becker, Musical Crusader of St. Paul.” Musical Quar-terly 62/12 (April 1976): 195-217.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Gillmore, Max
Year: 1976
Complete Citation:
Max Gillmore. “Interview with John Cage [1973].” Contact (Autumn 14, 1976).Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Gilmore, Bob
Year: 1996
Complete Citation:
Gilmore, Bob. “Reinventing Ives.” Music Analysis 19/1 (March 2000): 101-123.Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship
S. Reception Studies and Related Scholarship
Year: 2014
Complete Citation:
Gilmore, Bob. “Five Maps of the Experimental World.” In Artistic Experimentation in Music: An Anthology, edited by Bob Gilmore and Darla Crispin, 23-30. Leuven, Belgium: Leuven University Press, 2014.Source: Chapter in Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
H. Ives, 20th Century Music, and Experimental Styles
Gingerich, Lora Louise
Year: 1986
Complete Citation:
Gingerich, Lora Louise. “A Technique for Melodic Motivic Analysis in the Music of Charles Ives.” Music Theory Spectrum 8 (1986): 75-93.Source: Journal
VI. Topical Studies
G. Music Theory Analyses
G. Music Theory Analyses
Year: 1986
Complete Citation:
Gingerich, Lora Louise. “A Technique of Melodic Motivic Analysis in the Music of Charles Ives.” Music Theory Spectrum 8 (1986): 75-93.Source: Journal
VI. Topical Studies
G. Music Theory Analyses
G. Music Theory Analyses
Glafcke, Patricia
Year: 2004
Complete Citation:
Glafcke, Patricia. “Kommentiertes Werkverzeichnis (Auswahl).” In Charles Ives 1874-1954: Amerikanischer Pionier der Neuen Musik, edited by Hanns-Werner Heister and Werner Kremp, 188-200. Atlantische Texte, Vol. 23. Trier, Germany: Wissenschaftlicher Verlag Trier, 2004.Source: Chapter in Book
II. Reference Materials
B. Catalogues
B. Catalogues
Year: 2004
Complete Citation:
Glafcke, Patricia. “Answahl—Bibliographic.” In Charles Ives 1874-1954: Amerikanischer Pionier der Neuen Musik, edited by Hanns-Werner Heister and Werner Kremp, 201-203. Atlantische Texte, Vol. 23. Trier, Germany: Wissenschaftlicher Verlag Trier, 2004.Source: Chapter in Book
II. Reference Materials
A. Bibliographies
A. Bibliographies
Year: 2004
Complete Citation:
Glafcke, Patricia. “Auswahl—Diskographie.” In Charles Ives 1874-1954: Amerikanischer Pionier der Neuen Musik, edited by Hanns-Werner Heister and Werner Kremp, 204-206. Atlantische Texte, Vol. 23. Trier, Germany: Wissenschaftlicher Verlag Trier, 2004.Source: Chapter in Book
II. Reference Materials
D. Discographies
D. Discographies
Glahn, Denise Von
Year: 2003
Complete Citation:
Glahn, Denise Von. “The sounds of place: music and the American cultural landscape.” In The Sounds of Place: Music and the American Cultural Landscape. Boston, MA: Northeastern University Press, 2003.Source: Book
VI. Topical Studies
L. Ives and America
L. Ives and America
Gligo, Niksa
Year: 1971
Complete Citation:
Gligo, Niksa. “Prostornost i pokret u imanenciji glazbe.” [Space and Movement in the Immanence of Music.] Zvuk — Jugoslovenska Ruzicka Revija 111-112 (1971): 1-20.Source: Journal
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
J. Extra-Musical Themes in Ives’s Compositions
Glinsky, Albert
Year: 2001
Complete Citation:
Glinsky, Albert. Theremin: Ether Music and Espionage. Urbana, IL: University of Illinois Press, 2001.Notes:
Mentions Ives's financial support for the Rhythmicon (140-141) and of Pan American Association of Com- posers (158).
Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
H. Ives, 20th Century Music, and Experimental Styles
Goldberg, Jeff
Year: 1974
Complete Citation:
Jeff Goldberg. “John Cage Interview.” Soho Weekly News (September 12, 1974).Source: Newspaper
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Goldstein, Malcolm
Year: 2008
Complete Citation:
Goldstein, Malcolm. “Some Anecdotal Evidence.” American Music 26, no. 4 (Winter 2008): 499-513.Source: Journal
VI. Topical Studies
R. Performance Approaches
R. Performance Approaches
Golemba, Henry
Year: 1976
Complete Citation:
Golemba, Henry. “Charles Ives’ Whitman.” American Transcendental Quarterly, vol. 29, no. 1, 1976: 36.Source: Journal
VI. Topical Studies
A. Transcendentalism or Philosophy
A. Transcendentalism or Philosophy
Goosens, Eugene
Year: 1943
Complete Citation:
Goosens, Eugene. “The Public:- Has It Changed?” Modern Music 20/2 (Jan-uary-February 1943): 72--73.Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship
S. Reception Studies and Related Scholarship