Beal, Amy C.
Year: 2000
Complete Citation:
Beal, Amy C. “Negotiating Cultural Allies: American Music in Darmstadt, 1946-1956.” Journal of the American Musicological Society (Spring 2000) 53/1: 105-135.Notes: Translation by Amy C. Beal, p. 128-135.
Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship
Year: 2000
Complete Citation:
Beal, Amy C. “Negotiating Cultural Allies: American Music in Darmstadt, 1946-1956.” Journal of the American Musicological Society, vol. 53, no. 1 (2000): 105-139.Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship
Year: 2003
Complete Citation:
Beal, Amy C. 2003. “The Army, the Airwaves, and the Avant-Garde: American Classical Music in Postwar West Germany.” American Music 21, no.4 (Winter): 474-513.Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship
Year: 2006
Complete Citation:
Beal, Amy. New Music, New Allies: American Experimental Music in West Germany from the Zero Hour to Reunification. Berkeley, CA: University of California Press, 2006.Source: Book
VI. Topical Studies
S. Reception Studies and Related Scholarship
Year: 2008
Complete Citation:
Beal, Amy C. “Experimentalists and Independents are Favored: John Edmunds in Conversation with Peter Yates and John Cage, 1959-1961.” Notes 64, no. 4 (June 2008): 659-687.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Beales, Brendan and Judith Webster
Year: 1993
Complete Citation:
Beales, Brendan and Judith Webster. The unanswered question. North of England education tour: teacher's pack. London, United Kingdom: London Royal Philharmonic Orchestra, 1993.Source: Book
VI. Topical Studies
T. Ives in Music Education
Bechert, Tilmann
Year: 1987
Complete Citation:
Bechert, Tilmann. “Charles Ives und die amerikanische Musik bis zur Gegenwart: Begleitschrift zur Ausstellung, Niederrheinisches Museum der Stadt Duisburg, 13. September bis 1. November 1987.”Source: Catalogue
II. Reference Materials
B. Catalogues
Beck, Nora M.
Year: 1993
Complete Citation:
Beck, Nora M. “An Examination of Gender in Selected Writ-ings and Music of Charles Ives.” Paper presented at Feminist Theory and Music: Toward a Common Language. Minneapolis, Minnesota, June, 1991.Source: Conference Paper
VI. Topical Studies
S. Reception Studies and Related Scholarship
Becker, Dr. John H.
Year: 1933
Complete Citation:
Becker, John H. “Charles E. Ives: Musical Philosopher.” Northwest Musical Herald (January 1933): 5-6.Notes: Available at the Yale University Music Library Archival Collection. “Charles Ives Papers” Mss. 14/41; 14/56/2; 41/112.
Source: Journal
VI. Topical Studies
A. Transcendentalism or Philosophy
Beckerman, Michael
Year: 2003
Complete Citation:
Beckerman, Michael. New Worlds of Dvorak: Searching in America for the Composer’s Inner Life. New York, NY: W.W. Norton, 2003.Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Beckwith, Ethel
Year: 1947
Complete Citation:
Beckwith, Ethel. “Pulitzer Prize Winner Scoffs at $1,000 Award.” Sunday Herald (Bridgeport, Connecticut), May 11, 1947, 1, 16.Source: Newspaper
VI. Topical Studies
V. Awards
Beckwith, John
Year: 1977
Complete Citation:
Beckwith, John. “Reflections on Ives.” In An Ives Celebration: Papers and Panels of the Charles Ives Centennial Festival-Conference, edited by H. Wiley Hitchock and Vivan Perlis, 230-232. Urbana, IL: University of Illinois Press, 1977.Source: Chapter in Book
VI. Topical Studies
S. Reception Studies and Related Scholarship
Bellamann, Henry
Year: 1927
Complete Citation:
Bellamann, Henry. “The Music of Charles Ives.” Pro Musica Quarterly 5, No. 1 (March-April 1927): 16-22.Source: Journal
VI. Topical Studies
P. Ives Collaborators and Colleagues
Year: 1927
Complete Citation:
Bellamann, Henry. 1927. “Program Notes.” Pro Musica Concert, January 29. Charles Ives Pa-pers, Mss.14, folder 2, Box 50. Irving S. Gilmore Music Library, Yale University. New Haven.Source: Program Notes
II. Reference Materials
F. Selected Archival Materials
Year: 1932
Complete Citation:
Bellamann, Henry. “An American Composer.” State (Columbia, SC), May 22, 1932, 23.Source: Newspaper
VI. Topical Studies
P. Ives Collaborators and Colleagues
Year: 1934
Complete Citation:
Bellamann, Henry. “How Sad is American Music?” Commonwealth 20. October 26, 1934: 606.Source: Magazine
VI. Topical Studies
L. Ives and America
Belt, Byron
Year: 1974
Complete Citation:
Belt, Byron. “America’s Music Pioneer.” The Atlanta Constitution, August 2, 1974, 20A.Source: Newspaper
VI. Topical Studies
L. Ives and America
Bemlef, J.
Year: 1974
Complete Citation:
Bemlef, J. “On Charles Ives and Wild Gardening.” In An Ives Celebration: Papers and Panels of the Charles Ives Centennial Festival-Conference, edited by H. Wiley Hitchcock and Vivian Perlis, 232-238. Music in American Life. Urbana, Illinois: University of Illinois Press, 1977.Source: Chapter in Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Berger, Arthur
Year: 1933
Complete Citation:
Berger, Arthur. “Charles Ives,” June 4, 1933. Typescript for Pan American Concert. Charles Ives Papers. Mss. 14, folder 2, box 56. Irving S. Gilmore Music Library, Yale University. New Haven.Source: Journal
II. Reference Materials
F. Selected Archival Materials
Year: 1933
Complete Citation:
Berger, Arthur. “The Young Composer's Group.” Trend 2 (April-June 1933): 26-28.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers