Berger, Arthur
Year: 1949
Complete Citation:
Berger, Arthur. “Contemporary Music Society.” New York Herald Tribune, April 26, 1949: 18.Source: Newspaper
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 2002
Complete Citation:
Berger, Arthur. Reflections of an American Composer. Berkeley, CA: Uni-versity of California Press, 2002.Notes: Berger re-evaluates some of his earlier critiques of Ives's music (i.e., his published reviews).
Source: Book
VI. Topical Studies
P. Ives Collaborators and Colleagues
Berger, Arthur V.
Year: 1933
Complete Citation:
Berger, Arthur V. “The Young Composers Group.” Trend 2/1 (April--June 1933): 26--28.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1933
Complete Citation:
Berger, Arthur V. “The Young Composers’ Group.” Trend 2 (April-June, 1933): 26-28.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1951
Complete Citation:
Berger, Arthur V. “League of Composers.” New York Herald Tribune, April 7, 1951, 7.Source: Newspaper
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Bergerson, Sister Gregor, O.S.B.
Year: 1970
Complete Citation:
Bergerson, Sister Gregor, O.S.B. “Ives in High School.” Lecture--demonstration, Ives at Minnesota, University of Minnesota, Minneapolis, Minnesota, May 7, 1970.Source: Lecture
VI. Topical Studies
N. Ives’ Childhood
Berlin, Edward
Year: 2002
Complete Citation:
Edward Berlin. “Maple Leaf Rag and Its Origins.” Paper read at a Sym-posium during the Scott Joplin Ragtime Festival (June 7: Sedalia, MO; First United Methodist Church).Notes: Includes references to Ives’s ragtime pieces.
Source: Festival
VI. Topical Studies
B. Musical Quotation or Borrowing
Berlin, Edward A.
Year: 1980
Complete Citation:
Berlin, Edward A.. Ragtime: A Musical and Cultural History. Berkeley, CA: University of California Press, 1980.Notes: References are taken primarily from the Memos (23) and Essays Before a Sonata (49).
Source: Book
VI. Topical Studies
B. Musical Quotation or Borrowing
Bermúdez, Santiago Martín
Year: 2007
Complete Citation:
Bermúdez, Santiago Martín. “Encuentros: Henri Dutilleux - “Lo importante es eschuchar algo que te sorprenda.”” Scherzo: Revista de Música, Vol. 22 (2007): 140-142.Source: Magazine
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Bernstein, Leonard
Year: 1958
Complete Citation:
Bernstein, Leonard. “Thursday Evening Preview Scripts: Opening of the New York Philharmonic Season of 1958-1959,” October 2, 1958. Leonard Bernstein Collection, folder 13, box 75. Music Division, Library of Congress, Washington D.C.Source: Preview Script
II. Reference Materials
F. Selected Archival Materials
Year: 1967
Complete Citation:
Bernstein, Leonard. “Young People’s Concerts Scripts: Charles Ives: American Pioneer,” 1967. February 23. Leonard Bernstein Collection, folder 04, box 111. Music Division, Library of Congress, Washington D.C.Source: Program Script
II. Reference Materials
F. Selected Archival Materials
Year: 1976
Complete Citation:
Bernstein, Leonard. The Unanswered Question: Six Talks at Harvard. Cambridge, MA: Harvard University Press, 1976.Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1982
Complete Citation:
Bernstein, Leonard. “The Absorption of Race Elements into American Music.” In Findings: Fifty Years of Meditations on Music, 36-99. New York, NY: Doubleday, 1982.Source: Book
VI. Topical Studies
K. Stylistic Influences on Ives
Bessom, Malcolm E.
Year: 1974
Complete Citation:
Bessom, Malcolm E. “Overtones.” Music Educator's Journal 61/2 (October 1974): 5.Source: Journal
VI. Topical Studies
T. Ives in Music Education
Betz, Marianne
Year: 2004
Complete Citation:
Betz, Marianne. “The Voice of the City: New York in Der Musik Von Charles Ives.” Archiv Für Musikwissenschaft, vol. 61, no. 3 (2004): 207-225.Source: Journal
VI. Topical Studies
M. Ives and Manhattan
Birkby, Arthur
Year: 1974
Complete Citation:
Birkby, Arthur. “Ives, the Organist.” Clavier 13/7 (1974): 29-30.Source: Journal
VI. Topical Studies
N. Ives’ Childhood
Black, Leo
Year: 2010
Complete Citation:
Black, Leo. “Harry Croft-Jackson: with a note on Charles Ives.” In BBC music in the Glock era and after: a memoir, edited by Christopher Wintle and Kate Hopkins. London, United Kingdom: Cosman Keller Art and Music Trust: in association with Plumbago Books; Rochester, NY: Distribution, Boydell & Brewer, 2010.Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Blanding, Thomas
Year: 1994
Complete Citation:
Blanding, Thomas. “Music of the Higher Spheres: The Philoso-phy and Influence of New England Transcendentalists.” In American Transcendentalists [Program Booklet]. Brooklyn Philharmonic Orchestra, Brooklyn Academy of Music, Brooklyn, New York, November 11-13, 1994. Da Camera of Houston, The Menil Collection, Houston, Texas, November 21-22, 1994.Source: Program Booklet
VI. Topical Studies
A. Transcendentalism or Philosophy
Block, Geoffrey
Year: 1988
Complete Citation:
Block, Geoffrey. Charles Ives: A Bio-Bibliography. New York: Greenwood Press, 1988.Source: Book
II. Reference Materials
A. Bibliographies
Year: 1996
Complete Citation:
Block, Geoffrey. “Ives and the ‘Sounds that Beethoven Didn't Have.’” In Charles Ives and the Classical Tradition, edited by Geoffrey Block and J. Peter Burkholder, 34-50. New Haven, CT: Yale University Press, 1996.Source: Chapter in Book
VI. Topical Studies
K. Stylistic Influences on Ives