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Bibliography

Genres

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I. Ives as Author
(-) II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
(-) VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Broyles, Michael

Year: 2004
Complete Citation:
Broyles, Michael. “Precursors: Charles Ives and Leo Ornstein.” In Mavericks and Other Traditions in American Music, 71-91. New Haven, CT: Yale University Press, 2004.
Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 2004
Complete Citation:
“We, the Rebels.” In Mavericks and Other Traditions in American Music, by Michael Broyles. Yale University Press (2004): 1-10.
Source: Chapter in Book
VI. Topical Studies
L. Ives and America

Broyles, Michael and Denise Von Glahn

Year: 1999
Complete Citation:
Broyles, Michael, and Denise Von Glahn. 1999. “Later Manifestations of Concord: Charles Ives and the Transcendentalist Tradition.” In Transient and Permanent: The Transcendentalist Movement and its Contexts, edited by Charles Capper and Conrad Edick Wright, 574-604. Studies in American History and Culture, No. 5. Boston, MA: Massachusetts Historical Society.
Source: Book
VI. Topical Studies
A. Transcendentalism or Philosophy

Bruhn, Christopher

Year: 2004
Complete Citation:
Bruhn, Christopher. “Refracting History: Ives and Emerson and the German Romantic Tradition in American Music.” Paper presented at A Century of Composing in America: 1820-1920. The City University of New York, The Graduate Center, New York, New York, October, 2004.
Source: Conference Paper
VI. Topical Studies
A. Transcendentalism or Philosophy

Buchman, Andrew

Year: 1996
Complete Citation:
Buchman, Andrew. “Ives and Stravinsky: Two Angles on “the German Stem.” In Charles Ives and the Classical Tradition, edited by Geoffrey Block and J. Peter Burkholder, 131-149. New Haven, CT: Yale University Press, 1996.
Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Budiansky, Stephen

Year: 2013
Complete Citation:
Budiansky, Stephen. “Ives, Diabetes, and His ‘Exhausted Vein’ of Composition.” American Music 31.1 (Spring 2013): 1-25.
Source: Journal
VI. Topical Studies
I. Compositional Process

Buechner, Alan

Year: 1974
Complete Citation:
Buechner, Alan. "Ives in the Classroom: A Teaching Guide to Two Compo-sitions." Music Educator's Journal 61/2 (October 1974): 64-70.
Source: Journal
VI. Topical Studies
T. Ives in Music Education

Buechner, Alan Clark

Complete Citation:
Buechner, Alan Clark. “Die Welt des Charles Ives. Protaganist der amerikanischen Musik.” Österreichische Musikzeitschrift 34 (1979): 75-89.
Source: Journal
VI. Topical Studies
L. Ives and America

Buhles, Günter

Year: 2000
Complete Citation:
Buhles, Günter. “Amerikanische Komponisten: von Charles Ives and Charles Ruggles bis John Cage and Morton Feldman.” Das Orchester (September 2000): 2.
Notes:

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Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 2001
Complete Citation:
Buhles, Günter. “Amerikanische Individualisten: Komposition--von Charles Ives und Duke Ellington bis Thelonious Monk und John Cage.” Jazz Podium, Vol. 50, No. 1 (2001): 12-14.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Buk, False

Year: 2007
Complete Citation:
Buk, False. “A outra América (do Norte): Ives, Cage e os transcendentalistas 1.” Claves, no. 4 (November 2007): 91-96.
VI. Topical Studies
A. Transcendentalism or Philosophy

Bukoff, Ronald N.

Year: 1986
Complete Citation:
Bukoff, Ronald N. “Abstract: The Young Composers’ Group and Mr. Ives.” Sonneck Society for American Music Bulletin 12 (Fall 1986): 79-80.
Source: Abstract
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1988
Complete Citation:
Bukoff, Ronald N. “Charles Ives: A History and Bibliography of Criticism (1920-1939), and Ives’ Influence (to 1947) on Bernard Herrmann, Elie Siegmeister, and Robert Palmer.” Ph.D. diss., Cornell University, 1988.
Source: Ph.D. Dissertation
II. Reference Materials
A. Bibliographies

Burge, David

Year: 2018
Complete Citation:
“The early years of Charles Ives.” In Timeless relevance: the Keyboard Magazine Columns, 1975-1989, edited by Elon Burge. Chelsea, Québec: Chelsea Books, 2018.
VI. Topical Studies
N. Ives’ Childhood

Burger, Peter

Year: 1974
Complete Citation:
Burger, Peter. Theorie der Avantgarde. Frankfurt am Main: Suhrkamp, 1974.
Source: Book
Reprints:

Burger, Peter. <i>Theorie der Avantgarde</i>. Frankfurt am Main: Suhrkamp, 2013.

VI. Topical Studies
G. Music Theory Analyses

Burkholder, J. Peter

Complete Citation:
Burkholder, J. Peter. “Introduction: “A Continuing Spirit.”” In Charles Ives and the Classical Tradition, edited by Geoffrey Block and J. Peter Burkholder, 1-8. New Haven, CT: Yale University Press, 1996.
Source: Chapter in Book
VI. Topical Studies
K. Stylistic Influences on Ives
Year: 1985
Complete Citation:
Burkholder, J. Peter. “‘Quotation’ and Emulation: Charles Ives’s Uses of His Models.” The Musical Quarterly Vol. 71, No. 1 (January 1985): 1-26.
Source: Journal
VI. Topical Studies
B. Musical Quotation or Borrowing
Year: 1988
Complete Citation:
Burkholder, J. Peter. “Charles Ives and his Fathers: A Response to Maynard Solomon.” Institute for Studies in American Music Newsletter Vol. 18, No. 1 (November 1988): 8-11.
Source: Journal
VI. Topical Studies
C. Chronology
Year: 1988
Complete Citation:
Burkholder, J. Peter. “Charles Ives the Avantgardist, Charles Ives the Traditionalist.” In Bericht über das Internationale Symposion “CharIes Ives und die amerikanische Musiktradition bis zur Gegenwart,” Köln 1988,” edited by Klaus W. Niemöller, 164, 37-52. Regensburg, Germany: Kölner Beiträge zur Musikforschung, 1990.
Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Year: 1990
Complete Citation:
Burkholder, J. Peter. “The Critique of Tonality in the Early Experimental Music of Charles Ives.” Music Theory Spectrum 12/2 (Fall 1990): 203-223.
Source: Journal
VI. Topical Studies
G. Music Theory Analyses