Image
Complete Citation:
Semler, Isabella Parker. Horatio Parker: A Memoir for His Grandchildren. New York, NY: G.P. Putnam & Sons.
Bibliography
Genres
Semler, Isabella Parker
Year: 1942
Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Serebrier, Jose
Year: 1979
Complete Citation:
Serebrier, José. “Jose Serebrier on Ives.” In Conductors on Conducting. Frenchtown, NJ: Columbia Publishing Company, 1979.Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Serio, John N.
Year: 1979
Complete Citation:
Serio, John N. “The ultimate music is abstract: Charles Ives and Wallace Stevens.” Lewisburg, PA: Bucknell University Press, 1979.VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Shirley, Wayne D., comp.
Year: 1976
Complete Citation:
Shirley, Wayne D., comp. Modern Music, Published by the League of Composers, 1924-1946: An Analytic Index, edited by William and Carolyn Lichtenwanger. New York, NY: AMS Press, 1976.Source: Book
II. Reference Materials
B. Catalogues
B. Catalogues
Shreffler, Anne
Year: 1994
Complete Citation:
Shreffler, Anne. “Elliott Carter and His America.” Sonus 14/2 (Spring 1994): 38-66.Notes:
See 51-58 regarding the influence of Ives that “looms largest in Carter's music.”
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Shreffler, Anne Chatoney
Year: 1994
Complete Citation:
Shreffler, Anne Chatoney. “Elliott Carter and his America.” Sonus 14/2 (Spring 1994): 38-66.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Shultis, Christopher
Year: 1998
Complete Citation:
Shultis, Christopher. Silencing the Sounded Self: John Cage and the Ameri-can Experimental Tradition, 3-4. 14-28, and passim.. Boston, MA: Northeastern University Press, 1998.Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 2013
Complete Citation:
Shultis, Christopher. Silencing the sounded self: John Cage and the American experimental tradition. Lebanon, NH: University Press of New England, 2013.Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 2014
Complete Citation:
Christopher Shultis. “Robert Morris and the Missing Middle.” Perspectives of New Music 52/2 (2014): 316-324.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Simms, Bryan R.
Year: 2011
Complete Citation:
Simms, Bryan R. “The German Apprenticeship of Charles Ives.” American Music 29 (2011): 139-167.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Sinclair, James
Year: 1999
Complete Citation:
Sinclair, James. A Descriptive Catalogue of the Music of Charles Ives. New Haven, CT: Yale University Press, 1999.Source: Book
II. Reference Materials
B. Catalogues
B. Catalogues
Sinclair, James and John Kirkpatrick
Year: 1976
Complete Citation:
Sinclair, James and John Kirkpatrick. Microfilm. “Microfilm concordance to JK catalogue,” Charles Ives Collection, 1976, Yale University, New Haven, Connecticut.Source: Book
II. Reference Materials
B. Catalogues
B. Catalogues
Sinclair, James B.
Year: 2000
Complete Citation:
Sinclair, James B. Ives: Charles Ives Society 2000 Catalog. Bloomington, IN: The Charles Ives Society, Inc., 2000.Source: Book
II. Reference Materials
B. Catalogues
B. Catalogues
Year: 2004
Complete Citation:
Sinclair, James B. “Riordinare il genio.” Translated by Aloma Bardi. Il Giornale della Musica 20/204 (May 2004): 25-26.Notes:
Part of “Ives, un Padre del Novecento,” for the fiftieth anni-versary of Ives’s death.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Sinclair, James B. and Jan Swafford
Year: 2003
Complete Citation:
Sinclair, James B. and Jan Swafford. Charles Ives + 50: Catalog. Bloomington, IN: Charles Ives Society, 2003.Source: Book
II. Reference Materials
B. Catalogues
B. Catalogues
Sinclair, James B., comp.
Year: 1993
Complete Citation:
Sinclair, James B., comp. The John Kirkpatrick Papers. MSS 56. Yale University Music Library Archival Collection, Yale University, New Haven, Connecticut.Notes:
Register of Kirkpatrick’s correspondence, programs, reviews, date books, music, research materials, and writings. Many entries apply to Kirkpatrick’s work with Ives’s music.
Source: Archive Collection
II. Reference Materials
B. Catalogues
B. Catalogues
Sinclair, James, James Tocco, and Kenneth Singleton
Year: 1993
Complete Citation:
Sinclair, James, James Tocco, and Kenneth Singleton. “Panel Discussions: Evolving Performance Practice in the Music of Ives and Copland.” Paper presented at Ives-Copland Festival. University of Northern Colorado, Hensel-Phelps Auditorium and Theater, Greeley, Colorado, October 28-30, 1993.Source: Conference paper
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Slominsky, Nicholas
Year: 1994
Complete Citation:
Slominsky, Nicolas. “Charles Ives.” In Perfect Pitch, edited by Richard Kostelanetz. New York: Schirmer Books, 1994.Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Slominsky, Nicolas and Thomas Bertonneau
Year: 1979
Complete Citation:
Slominsky, Nicolas and Thomas Bertonneau. Muses and lexicons. Oral history transcript. Oral History Program, University of California, Los Angeles, Los Angeles, California, 1979.Source: Book
II. Reference Materials
F. Selected Archival Materials
F. Selected Archival Materials
Slonimsky, Nicolas
Year: 1931
Complete Citation:
Slonimsky, Nicolas. Program Notes. New Music Society Concert. September 3, 1931.Source: Program Notes
II. Reference Materials
F. Selected Archival Materials
F. Selected Archival Materials