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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Danuser, Hermann

Year: 1993
Complete Citation:
Danuser, Hermann. Gegen-Traditionen der Avantgarde. In Amerikanische Musik seit Charles Ives, 101-112. Lilienthal, Germany: Laaber-Verlag, 1993.
Source: Chapter in Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Year: 1997
Complete Citation:
Danuser, Hermann. “On postmodernism in music.” International postmodernism: theory and literary practice (February 1997): 157-166.
Source: Journal
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

De La Motte-Haber, Helga

Year: 1997
Complete Citation:
De La Motte-Haber, Helga. “Klang im Raum-Räume aus Klang.” Musik und Kirche, Vol. 67, No. 1 (1997): 2-6.
Source: Journal
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

De Lerma, Dominique-René

Year: 1970
Complete Citation:
De Lerma, Dominique-René. Charles Edward Ives, 1874-1954: A Bibliography of his Music. Kent, OH: Kent State University Press, 1970.
Source: Book
II. Reference Materials
A. Bibliographies

Deri, Otto

Year: 1968
Complete Citation:
Deri, Otto. Exploring-Century Music. New York, NY: Holt, Rinehart and Winston, 1968.
Source: Journal
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

DiMaggio, Kenneth

Year: 2013
Complete Citation:
DiMaggio, Kenneth. “Charles Ives: making noise.” In Every page should explode: a genealogy of romantic and post-romantic theory of creativity. Champaign, IL: Common Ground Publishing, 2013.
Source: Chapter in Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Edmunds, John and Gordon Boelzner

Year: 1959
Complete Citation:
Edmunds, John and Gordon Boelzner. Some twentieth century American composers, v. 1-2: a selective bibliography. New York, NY: New York Public Library, 1959.
Source: Book
II. Reference Materials
A. Bibliographies

Edwards, Maurice

Year: 2006
Complete Citation:
Edwards, Maurice. How Music Grew in Brooklyn: A Biography of the Brooklyn Philharmonic Orchestra. Lanham, MD: Scarecrow Press, 2006.
Notes:

Several citations and comments regarding performances of Ives’s music.

Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Ericson, Raymond

Year: 1964
Complete Citation:
Ericson, Raymond. “Charles Ives: After 55 Years, Still Avant-Garde.” The New York Times, May 24, 1964, sec. 2, 113, 18.
Source: Newspaper
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Ewen, David

Year: 1971
Complete Citation:
Ewen, David. Composers of tomorrow’s music: a non-technical introduction to the musical avant-garde movement. Westport, CT: Greenwood Press, 1971.
Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Freedman, F., and J. Burk

Complete Citation:
Freedman, F., and J. Burk. A Charles Ives Bibliography.
Source: Book
II. Reference Materials
A. Bibliographies

Freedman, Frederick

Year: Year unlisted
Complete Citation:
Freedman, Frederick. Charles E. Ives: A Preliminary Bibliography of the Literature. Bibliographies in American Music. Detroit, MI: Information Coordinators, Inc., for the College Music Society.
Source: Book
II. Reference Materials
A. Bibliographies

Gann, Kyle

Year: 2019
Complete Citation:
Gann, Kyle. “The Eleven Limit and the Fourth Dimension.” In The Arithmetic of Listening: Tuning Theory and History for the Impractical Musician, 138-140. Urbana, IL: University of Illinois Press, 2019.
Source: Chapter in Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Gilmore, Bob

Year: 2014
Complete Citation:
Gilmore, Bob. “Five Maps of the Experimental World.” In Artistic Experimentation in Music: An Anthology, edited by Bob Gilmore and Darla Crispin, 23-30. Leuven, Belgium: Leuven University Press, 2014.
Source: Chapter in Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Glafcke, Patricia

Year: 2004
Complete Citation:
Glafcke, Patricia. “Answahl—Bibliographic.” In Charles Ives 1874-1954: Amerikanischer Pionier der Neuen Musik, edited by Hanns-Werner Heister and Werner Kremp, 201-203. Atlantische Texte, Vol. 23. Trier, Germany: Wissenschaftlicher Verlag Trier, 2004.
Source: Chapter in Book
II. Reference Materials
A. Bibliographies

Glinsky, Albert

Year: 2001
Complete Citation:
Glinsky, Albert. Theremin: Ether Music and Espionage. Urbana, IL: University of Illinois Press, 2001.
Notes:

Mentions Ives's financial support for the Rhythmicon (140-141) and of Pan American Association of Com- posers (158).

Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Heintze, James R.

Year: 1984
Complete Citation:
Heintze, James R. American Music Studies: A Classified Bibliography of Master’s Theses. Bibliographies in American Music, 8. Detroit, MI: Information Coordinators, 1984.
Notes:

Cites forty theses regarding Ives.

Source: Book
A. Bibliographies

Henck, Herbert

Year: 1980
Complete Citation:
Henck, Herbert. “Bibliographie zu Charles Ives (299 Titel).” Neuland 1 (1980): 25-27, 46 52; Neuland 2 (1981/82): 208 and 268; Neuland 3 (1982/83): 243-246.
Source: Journal
II. Reference Materials
A. Bibliographies
Year: 1980, 1981-82, 1983-84
Complete Citation:
Henck, Herbert. “Literatur zu Charles Ives.” Neuland 1 (1980): 25-27, 46, and 52; 2 (1981-1982): 208 and 268-69; 3 (1983-1984): 243-46.
Source: Journal
II. Reference Materials
A. Bibliographies

Herzfeld, Gregor

Year: 2007
Complete Citation:
Herzfeld, Gregor. Zeit als Prozess und Epiphanie in der experimentellen amerikanischen Musik: Charles Ives bis La Monte Young. Stuttgart, Germany: Franz Steiner Verlag, 2007.
Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles