Cowell, Henry Dixon
Year: 1941
Complete Citation:
Cowell, Henry Dixon. “Dos Estudios: (1) La musica entre los pueblos primitivos; (2) La creacíon musical en los Estados Unidos.” Spanish translation by Francisco Curt Lange. Boletín Latino--Americano de Música 5/5 (October 1941): 105--113.Notes: The second essay gives attention to Ives, Ruggles, Crawford, and others.
Source: Journal
VI. Topical Studies
L. Ives and America
Cowell, Sidney
Year: 1990
Complete Citation:
Cowell, Sidney. “The Cowells and the Written Word.” In A Celebration of American Music: Words and Music in Honor of H. Wiley Hitchcock, edited by Richard Crawford, R. Allen Lott, and Carol J. Oja 79-91. Ann Arbor: University of Michigan Press, 1990.Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Cox, David
Year: 1965
Complete Citation:
Cox, David. “Charles Ives, the First Truly American Composer.” Lis-tener 73 (March 11, 1965): 384.Notes: A general article as background for broad- cast of the four violin sonatas. Cites the infamous misquotation of Schoenberg.
Source: Journal
VI. Topical Studies
L. Ives and America
Crawford, Richard
Year: 2001
Complete Citation:
Crawford, Richard. “To Stretch Our Ears: The Music of Charles Ives.” In America’s Musical Life: A History, 495-523. New York, NY: W.W. Norton, 2001.Source: Chapter in Book
VI. Topical Studies
L. Ives and America
Year: 2005
Complete Citation:
Crawford, Richard. “To stretch our ears”: the music of Charles Ives. In America’s musical life: a history. New York, NY: W.W. Norton, 2005.Source: Chapter in Book
VI. Topical Studies
L. Ives and America
Crump, Peter
Year: 1965
Complete Citation:
Crump, Peter. “Ives, Then and Now: A Note on Originality and the Establishment.” Composer: The Journal of the Composers' Guild of Great Britain (October 1965) 17: 12-13.Source: Journal
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Crunden, Robert M.
Year: 1972
Complete Citation:
Crunden, Robert M. “From Self to Society, 1919-1941.” In Transitions in American Thought Series. Englewood Cliffs, NJ: Prentice-Hall, 1972.Source: Book
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
Year: 1994
Complete Citation:
Crunden, Robert M. A brief history of American culture. New York, NY: Paragon House, 1994.Source: Book
VI. Topical Studies
L. Ives and America
Crunden, Robert Morse
Year: 1982
Complete Citation:
Crunden, Robert Morse. Ministers of Reform: The Progressives’ Achieve-ment in American Civilization, 1889-1920. New York, NY: Basic Books, 1982.Source: Book
Reprints: Crunden, Robert Morse. <i>Ministers of Reform: The Progressives’ Achieve-ment in American Civilization, 1889-1920</i>. Urbana, Illinois: University of Illi-nois Press, 1984.
VI. Topical Studies
A. Transcendentalism or Philosophy
Dahlhaus, Carl
Year: 1970-1971
Complete Citation:
Dahlhaus, Carl. “Aussenseiter der Neuen Musik: Charles Ives und Edgard Varese.” In "Bericht über den internationalen Kongreß" Bonn 1970, edited by Carl Dahlhaus, 299. Kassel, Germany: Bärenreiter Verlag, 1971.Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Daniel, Oliver
Year: 1967
Complete Citation:
Daniel, Oliver. “Lou Harrison.” BMI: The Many Worlds of Music (Jan-uary 1967): 10.Notes: Numerous Ives references; mentions the premiere of Sym-phony No. 3 (1956 April 5) and Harrison’s orchestral tribute on Ives's death, “At the Tomb of Charles Ives.”
Source: Magazine
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1974
Complete Citation:
Daniel, Oliver. “Henry Cowell.” Stereo Review (December 1974).Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1975
Complete Citation:
Daniel, Oliver. The Charles Ives Centennial: A personal memoir by Oliver Daniel. BMI: The Many Worlds of Music 3 (1974): 32-35.Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship
Year: 1982
Complete Citation:
Daniel, Oliver. Stokowski: A Counterpoint of View. New York, NY: Dodd, Mead, and Company, 1982.Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Danner, Gregory
Year: 1984
Complete Citation:
Danner, Gregory “Ives’ Harmonic Language.” Journal of Musicological Research 5/1-2 (1984): 237-249.Source: Journal
VI. Topical Studies
G. Music Theory Analyses
Danuser, Hermann
Year: 1987
Complete Citation:
Danuser, Hermann. “Auf der Suche nach einer nationalen Musikasthetik.” In Amenkanische Musik seit Charles Ives: Interpretation, Quellentexte Komponistenmonographien, 51-59. Lilienthal, Germany: Laaber-Verlag, 1987.Source: Book
VI. Topical Studies
L. Ives and America
Year: 1993
Complete Citation:
Danuser, Hermann. Gegen-Traditionen der Avantgarde. In Amerikanische Musik seit Charles Ives, 101-112. Lilienthal, Germany: Laaber-Verlag, 1993.Source: Chapter in Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Year: 1997
Complete Citation:
Danuser, Hermann. “On postmodernism in music.” International postmodernism: theory and literary practice (February 1997): 157-166.Source: Journal
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Darter, Tom
Year: 1996
Complete Citation:
Darter, Tom. “Conductor, Pianist, Composer: Michael Tilson Thomas on Contemporary Music, Notation vs. Interpretation, and the Keyboard as the Conduit for Musical Thought.” Keyboard, Vol. 22, No. 7 (1996): 62-68, 70, 72.Source: Magazine
VI. Topical Studies
R. Performance Approaches
Davenport, Linda G.
Year: 1990
Complete Citation:
Davenport, Linda G. “A Teaching Idea.” Sonneck Society for American Music Bulletin 16/3 (1990): 100.Notes: Applies to Sonata No. 2, "Concord, Mass., 1840-1860," for piano.
Source: Journal
VI. Topical Studies
T. Ives in Music Education
