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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
(-) VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Howard, John Tasker

Year: 1942
Complete Citation:
Howard, John Tasker. This Modern Music: A Guide for the Bewildered Listener, 131-133, 179, 194. New York, NY: Crowell, 1942.
Notes:

Ives is treated super-ficially in a chapter on polytonality, with Psalm 67 used as an example Howard comments on the polyrhythms of “Washington's Birthday” and Ives's use of tone clusters.

Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Howard, John Tasker and George Kent Bellows

Year: 1967
Complete Citation:
Howard, John Tasker and George Kent Bellows. “Experimental Composers: Charles Edward Ives; John Cage.” In A short history of music in America.
Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Hubbs, Nadine

Year: 2004
Complete Citation:
Hubbs, Nadine. The Queer Composition of America's Sound: Gay Mod-ernists, American Music and National Identity. Berkeley, CA: University of California Press, 2004.
Notes:

In subchapter, "Ives, American Music and Mutating Manliness," the author points out Ives's desire for American composers to write strong music to define Americanism and for audiences to listen most intensely.

Source: Chapter in Book
VI. Topical Studies
L. Ives and America
Year: 2019
Complete Citation:
Hubbs, Nadine. “Being Musical: Gender, Sexuality, and Musical Identity in Twentieth-Century America.” In The Queer Composition of America's Sound: Gay Modernists, American Music, and National Identity. Berkeley, CA: University of California Press, 2004.
Source: Newsletter
VI. Topical Studies
S. Reception Studies and Related Scholarship

Hüppe, Eberhard

Year: 2012
Complete Citation:
Hüppe, Eberhard. “Charles Ives’ Entkoppelung von Europa.” In Urbanisierte Musik: eine Studie über gesellschaftliche Determinanten musikalischer Raumproduktion und Raumaneignung. Münster, Germany: Verlagshaus Monsenstein und Vannerdat, 2012.
Source: Book
VI. Topical Studies
K. Stylistic Influences on Ives
Year: 2012
Complete Citation:
Hüppe, Eberhard. “Dvořák, Ives: Mahler: New York im Konnex europäischer Städte.” In Urbanisierte Musik: eine Studie über gesellschaftliche Determinanten musikalischer Raumproduktion und Raumaneignung. Münster, Germany: Verlagshaus Monsenstein und Vannerdat, 2012.
Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Hurley, Frank H.

Year: 1969
Complete Citation:
Hurley, Frank H. “Freedom: Enterprise and Charles Ives.” Lecture, Music and the American Heritage, Cleveland Institute of Music, Cleveland, Ohio, November 14, 1969.
Notes:

Musical illustrations were per-formed by Donald Payne, piano, Mary Michael Earl, soprano, and the Cleveland Quartet.

Source: Lecture
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions

Hutton, Edna Rait

Year: 1955
Complete Citation:
Hutton, Edna Rait. “Charles Ives-America's Musical Prophet.” Pan Pipes 46/2 (January 1955): 20-21.
Notes:

An obituary.

Source: Journal
VI. Topical Studies
W. Obituaries
Year: 1963
Complete Citation:
Hutton, Edna Rait. “The Legacy of Charles Ives.” Pan Pipes 55/2 (January 1963): 13-14, 30.
Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship
Year: 1965
Complete Citation:
Hutton, Edna Rait. “Years Add Luster to Ives Legacy.” Pan Pipes 57/3 (March 1965): 35.
Source: Journal
VI. Topical Studies
U. Institutions and Ives’ Legacy

Hwang, Mi Kyung

Year: 2010
Complete Citation:
Hwang, Mi Kyung. “Charles Ives’s Variations on “America”: A Musical Analysis Based upon Jazz Elements.” The Organ, Vol. 89 (2010): 26-35.
Source: Magazine
VI. Topical Studies
G. Music Theory Analyses

Isham, Howard

Year: 1973
Complete Citation:
Isham, Howard. “The Musical Thinking of Charles Ives.” Journal of Aesthetics and Art Criticism 31 (1973): 395-404.
Source: Journal
VI. Topical Studies
I. Compositional Process

Ivashkin, Alexander

Year: 2013
Complete Citation:
Ivashkin, Alexander and John Cage. “John Cage in Soviet Russia.” Tempo, vol. 67, no. 266 (2013): 18-27.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 2016
Complete Citation:
Ivashkin, Alexander. “Symbols, Metaphors and Irrationalities in Twentieth-Century Music.” In Facets of Russian Irrationalism between Art and Life, 415-432. Amsterdam, Netherlands: Rodopi, 2016.
Source: Chapter in Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Ives, Charles

Year: 1920
Complete Citation:
Ives, Charles. How to Read the Rate Book. New York, NY: Ives & Myrick, 1920.
Source: Book
VI. Topical Studies
D. Insurance
Year: 1968
Complete Citation:
Ives, Charles. “Charles Ives.” In The bitch-goddess success: variations on an American theme by… (Katz, Leslie George, editor). New York, NY: Eakins Press, 1968.
Source: Chapter in Book
VI. Topical Studies
L. Ives and America
Year: 1971
Complete Citation:
Ives, Charles. “Thoreau.” In Henry David Thoreau: a profile. New York, NY: Hill and Wang, 1971.
Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Iverson, Jennifer

Year: 2002
Complete Citation:
Iverson, Jennifer. “Ives Reworks Thoreau: Charles Ives’ Interpretation of Thoreau in 114 Songs and Essays before a Sonata.” Publications of the Missouri Philological Association, vol. 27 (2002): 66.
Source: Journal
VI. Topical Studies
A. Transcendentalism or Philosophy
Year: 2011
Complete Citation:
Iverson, Jennifer. “Creating Space: Perception and Structure in Charles Ives’ Collages.” Music Theory Online, Vol. 17 (2011).
Source: Journal (online)
VI. Topical Studies
G. Music Theory Analyses
Year: 2011
Complete Citation:
Iverson, Jennifer. “Creating Space: Perception and Structure in Charles Ives’s Collages.” Music Theory Online 17.2 (July 2011).
Source: Journal
VI. Topical Studies
B. Musical Quotation or Borrowing