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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
(-) VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Levy, Alan Howard

Year: 1983
Complete Citation:
Levy, Alan Howard. Musical Nationalism: American Composers’ Search for Identity. Westport, CT: Greenwood Press, 1983.
Source: Book
VI. Topical Studies
L. Ives and America

Levine, Lawrence W.

Year: 1988
Complete Citation:
Levine, Lawrence W. Highbrow/Lowbrow: The Emergence of Cultural Hierarchy in America, 141, 143 and passim. Cambridge, MA: Harvard University Press, 1988.
Source: Book
VI. Topical Studies
L. Ives and America

Levin, Monroe

Year: 1992
Complete Citation:
Levin, Monroe. “The Years 1900-1929: A Rugged Genius and a Profusion of Pop: Finding a New Voice.” In Clues to American Music, 20-21. Washington D.C.: Starrhill Press, 1992.
Source: Chapter in Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Liebenau, Horst

Year: 1993
Complete Citation:
Liebenau, Horst. “Bernhard Herrmanns Filmmusik fur Psycho.” Musikpädagogische Forschungsherichte 1993: 356-369.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Lieberson, Goddard

Year: 1939
Complete Citation:
Lieberson, Goddard. “An American Innovator, Charles Ives.” Musical America 59/3 (February 10, 1939): 22, 322-323
Source: Journal
Reprints:

Lieberson, Goddard. “An American Innovator, Charles Ives.” In <i>Charles Ives and His World</i>, edited by J. Peter Burkholder, 377-389. Princeton, NJ: Princeton University Press, 1996.

VI. Topical Studies
L. Ives and America

Lipkis, Laurence Alan

Year: 1984
Complete Citation:
Lipkis, Laurence Alan. “Aspects of temporality in Debussy's Jeux and Ive's Symphony no. 4, fourth movement.” Ph.D. Diss., University of California, Santa Barbara, 1984.
Source: Ph.D. Dissertation
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

List, Kurt

Year: 1944
Complete Citation:
List, Kurt. “Ode to Napoleon (Schoenberg).” Modern Music 21/3 (March--April 1944): 144.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Losh, Seibert

Year: 1979
Complete Citation:
Losh, Seibert. “Ivesiana: Department of Quarter-Tones and Sex.” Newsletter - Institute for Studies in American Music 9, no. 2 (Spring 1980): 8.
Source: Journal
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Love, Andrew

Year: 2006
Complete Citation:
Andrew Love. “Improvising Their Future: Shamanic Hope in Ives, Schoenberg, Cage, Cardew, Rzewski and Messiaen.” Tempo, vol. 60, no. 237 (2006): 24-32.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Low, Ruth

Year: 1961
Complete Citation:
Low, Ruth. “Ives Not Appreciated Until End of His Life.” Danbury News-Times, April 15, 1961, 1.
Source: Newspaper
VI. Topical Studies
S. Reception Studies and Related Scholarship
Year: 1961
Complete Citation:
Low, Ruth. “Danbury Boyhood Marks Music of Charles Ives.” Danbury News-Times, April 14, 1961, 8.
Source: Newspaper
VI. Topical Studies
N. Ives’ Childhood

Lucier, Alvin

Year: 2012
Complete Citation:
Lucier, Alvin. “Music 109: notes on experimental music.” Middletown, Connecticut: Wesleyan University Press, 2012.
Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Lück, Hartmut

Year: 1980
Complete Citation:
Luck, Hartmut. “Provokation und Utopie: ein Portrat des amerikanischen Komponisten Charles Edward Ives.” Neuland 1 (1980): 3-15.
Source: Journal
VI. Topical Studies
A. Transcendentalism or Philosophy

Lyles, Jean Caffey

Year: 1976
Complete Citation:
Lyles, Jean Caffey. “Charles Ives’s America.” Christian Century 93 (June 23, 1976): 589-591.
Source: Newspaper
VI. Topical Studies
L. Ives and America

Lyons, Len

Year: 1983
Complete Citation:
Lyons, Len. The Great Jazz Pianists: Speaking of Their Lives and Music, 298. New York, NY: William Morrow, 1983.
Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

MacClendon, James W.

Year: 2002
Complete Citation:
MacClendon, James W. “Expanding the Theory: Charles Edward Ives—Theologian in Music.” In Biography as theology: how life stories can remake today's theology. Eugene, OR: Wipf and Stock Publishers, 2002.
Source: Book
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions

MacDonald, Calum

Year: 1996
Complete Citation:
MacDonald, Calum. “Memos and Premonitions and Chronology.” The Unanswered Question Festival; January 19 to 21: London.
Source: Festival Lecture
VI. Topical Studies
C. Chronology

Mack Burk, James and Michael J. Budds

Year: 2008
Complete Citation:
Mack Burk, James and Michael J. Budds. A Charles Ives Omnibus. Hillsdale, New York: Pendragon Press, 2008.
Source: Book
II. Reference Materials
A. Bibliographies

Mackerness, Eric

Year: 1949
Complete Citation:
Mackerness, Eric. “Aspects of American Life.” Music Survey (Autumn 1949) 2/2: 91-95.
Source: Journal
VI. Topical Studies
L. Ives and America

MacLeod, Lynne L.

Year: 1993
Complete Citation:
MacLeod, Lynne L. “Ragtime and Classical Keyboard.” Mississippi Rag 20 (October 1993): 10-11.
Notes:

Discusses works by Ives, Debussy, Gruen- berg, Hindemith, Satie, Sousa, and Stravinsky.

Source: Journal
VI. Topical Studies
B. Musical Quotation or Borrowing