Freedman, Frederick
Year: Year unlisted
Complete Citation:
Freedman, Frederick. Charles E. Ives: A Preliminary Bibliography of the Literature. Bibliographies in American Music. Detroit, MI: Information Coordinators, Inc., for the College Music Society.Source: Book
II. Reference Materials
A. Bibliographies
Garrett, Charles Hiroshi
Year: 2008
Complete Citation:
Garrett, Charles Hiroshi. “Charles Ives's Four Ragtime Dances and "True American Music.”” In American music and the twentieth century. CA: University of California Press: John Wiley and Sons Ltd., 2008.Source: Chapter in Book
VI. Topical Studies
B. Musical Quotation or Borrowing
Year: 2008
Complete Citation:
Garrett, Charles Hiroshi. “Chinatown, Whose Chinatown?: Defining America’s Borders with Musical Orientalism.” In Struggling to Define a Nation: American Music and the Twentieth Century, 1st ed., 121-164. Berkeley, CA: University of California Press, 2008.Source: Chapter in Book
VI. Topical Studies
B. Musical Quotation or Borrowing
Gibbons, William
Year: 2008
Complete Citation:
Gibbons, William. “‘Yankee Doodle’ and Nationalism, 1780-1920.” American Music 26/2 (2008): 246-274.Source: Journal
VI. Topical Studies
B. Musical Quotation or Borrowing
Glafcke, Patricia
Year: 2004
Complete Citation:
Glafcke, Patricia. “Answahl—Bibliographic.” In Charles Ives 1874-1954: Amerikanischer Pionier der Neuen Musik, edited by Hanns-Werner Heister and Werner Kremp, 201-203. Atlantische Texte, Vol. 23. Trier, Germany: Wissenschaftlicher Verlag Trier, 2004.Source: Chapter in Book
II. Reference Materials
A. Bibliographies
Harrison, Lou
Year: 1946
Complete Citation:
Harrison, Lou. “On Quotation,” Modern Music, Vol. 23, No. 3 (Summer 1946).Source: Journal
VI. Topical Studies
B. Musical Quotation or Borrowing
Heintze, James R.
Year: 1984
Complete Citation:
Heintze, James R. American Music Studies: A Classified Bibliography of Master’s Theses. Bibliographies in American Music, 8. Detroit, MI: Information Coordinators, 1984.Notes: Cites forty theses regarding Ives.
Source: Book
A. Bibliographies
Henck, Herbert
Year: 1980
Complete Citation:
Henck, Herbert. “Bibliographie zu Charles Ives (299 Titel).” Neuland 1 (1980): 25-27, 46 52; Neuland 2 (1981/82): 208 and 268; Neuland 3 (1982/83): 243-246.Source: Journal
II. Reference Materials
A. Bibliographies
Year: 1980, 1981-82, 1983-84
Complete Citation:
Henck, Herbert. “Literatur zu Charles Ives.” Neuland 1 (1980): 25-27, 46, and 52; 2 (1981-1982): 208 and 268-69; 3 (1983-1984): 243-46.Source: Journal
II. Reference Materials
A. Bibliographies
Henderson, Clayton W.
Year: 1974
Complete Citation:
Henderson, Clayton W. “Ives’ Use of Quotation.” Music Educators Journal 61/2 (October 1974): 24-28.Source: Journal
VI. Topical Studies
B. Musical Quotation or Borrowing
Henerson, Clayton Wilson
Year: 1974
Complete Citation:
Henerson, Clayton Wilson. “Structural Importance of Borrowed Music in the Works of Charles Ives: A Preliminary Assessment.” In Report of the Eleventh Congress of the International Musicological Society held at Copenhagen, 1972, ed. Henrik Glahn et al., Vol. 1, 437-46. Copenhagen: Edition W. Hansen, 1974.Source: Chapter in Book
VI. Topical Studies
B. Musical Quotation or Borrowing
Hitchcock, H. Wiley
Year: 1992
Complete Citation:
Hitchcock, H. Wiley. “Charles Ives and the spiritual “In the morning”/Give me Jesus.” In New Perspectives on Music: Essays in Honor of Eileen Southern, edited by Josephine Wright with Samuel Floyd, Jr. Warren MI: Harmonie Park Press, 1992, 163-71.VI. Topical Studies
B. Musical Quotation or Borrowing
Iverson, Jennifer
Year: 2011
Complete Citation:
Iverson, Jennifer. “Creating Space: Perception and Structure in Charles Ives’s Collages.” Music Theory Online 17.2 (July 2011).Source: Journal
VI. Topical Studies
B. Musical Quotation or Borrowing
Kalk, Thomas
Year: 1994
Complete Citation:
Kalk, Thomas. Charles E. Ives: 1874-1954, ein Verzeichnis der in öffentlichen Musikbibliotheken der Bundesrepublik Deutschland vorhandenen Werke. Düsseldorf, Germany: Musikbibliothek der Stadtbüchereien, 1994.Source: Book
II. Reference Materials
A. Bibliographies
Mack Burk, James and Michael J. Budds
Year: 2008
Complete Citation:
Mack Burk, James and Michael J. Budds. A Charles Ives Omnibus. Hillsdale, New York: Pendragon Press, 2008.Source: Book
II. Reference Materials
A. Bibliographies
MacLeod, Lynne L.
Year: 1993
Complete Citation:
MacLeod, Lynne L. “Ragtime and Classical Keyboard.” Mississippi Rag 20 (October 1993): 10-11.Notes: Discusses works by Ives, Debussy, Gruen- berg, Hindemith, Satie, Sousa, and Stravinsky.
Source: Journal
VI. Topical Studies
B. Musical Quotation or Borrowing
Magee, Gayle Sherwood
Year: 2010
Complete Citation:
Magee, Gayle Sherwood. Charles Ives: A Research and Information Guide. New York, NY: Routledge, 2002.Source: Book
Reprints: Magee, Gayle Sherwood. <i>Charles Ives: A Research and Information Guide</i>. 2nd ed. New York, NY: Routledge, 2010.
II. Reference Materials
A. Bibliographies
Malone, Andrew Lindemann
Year: 2005
Complete Citation:
Malone, Andrew Lindemann. “Opening Chorus: Hearsay - Jamie Baum.” JazzTimes: America’s Jazz Magazine, Vol. 35, No. 1 (2005): 37.Source: Magazine
VI. Topical Studies
B. Musical Quotation or Borrowing
Marshall, Dennis
Complete Citation:
Boatwright, Howard. “Charles Ives' Quotations: Manner or Substance?.” In Perspectives on American Composers, edited by Benjamin Boretz and Edward T. Cone, 13-24. New York, NY: W.W. Norton, 1971.VI. Topical Studies
B. Musical Quotation or Borrowing
Year: 1971
Complete Citation:
Marshall, Dennis. “Charles Ives’ Quotations: Manner or Substance?” In Perspectives on American Composers, edited by Benjamin Boretz and Edward T. Cone. New York, NY: W.W. Norton, 1971.Source: Chapter in Book
VI. Topical Studies
B. Musical Quotation or Borrowing