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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Lambert, J. Philip

Year: 1991
Complete Citation:
Lambert, J. Philip. “Ives and Counterpoint.” American Music 9, No. 2 (Summer 1991).
Source: Journal
VI. Topical Studies
G. Music Theory Analyses
Year: 1993
Complete Citation:
Lambert, J. Philip. “Toward a Theory of Chord Structure for the Music of Charles Ives.” Journal of Music Theory 37/1 (Spring 1993): 55-83.
Source: Journal
VI. Topical Studies
G. Music Theory Analyses

Mesquita, Marcos

Year: 2015
Complete Citation:
Mesquita, Marcos. “Charles Ives and the Superposition Technique.” Musurgia, vol. XXII, no. 2 (2015): 71.
Source: Journal
VI. Topical Studies
G. Music Theory Analyses

Perison, Harry

Year: 1974
Complete Citation:
Perison, Harry. “The Quarter-Tone System of Charles Ives.” Current Musicology, no. 18 (1974): 96-104.
Source: Journal
VI. Topical Studies
G. Music Theory Analyses

Reinhard, Johnny

Year: 2005
Complete Citation:
“Extended Pythagorean Tuning.” New Music Box. New Music USA, December 21, 2005. www.nmbx.newmusicusa.org.
Notes:

Reinhard cites writings in which Ives identifies usual enharmonic notes [e.g., C# and Db) as being different.

Source: Online article
VI. Topical Studies
G. Music Theory Analyses

Sakae, Yoneda

Year: 1988
Complete Citation:
Sakae, Yoneda. “Charles Ives no ongakukozo ni okeru de-composition.” Ongakugaku 34/2 (1988): 97-111.
Source: Journal
VI. Topical Studies
G. Music Theory Analyses

Saltonstall, Cecilia Drinker and Hannah Coffin Smith

Year: 1947
Complete Citation:
Saltonstall, Cecilia Drinker and Hannah Coffin Smith. Catalogue of Music for Small Orchestra, edited by Otto E. Albrecht, 103-104. Washington, D.C.: Music Library Association, 1947.
Source: Score
II. Reference Materials
B. Catalogues

Schoffman, Nachum

Year: 1981
Complete Citation:
Schoffman, Nachum. “Serialism in the Works of Charles Ives.” Tempo: A Quarterly Review of Modern Music, no. 138 (September 1981): 21-32.
Source: Journal
VI. Topical Studies
G. Music Theory Analyses
Year: 1986
Complete Citation:
Schoffman, Nachum. “Ives: un exemple de polyphonie complexe.” Contrechamps 7 (1986): 155-171.
Source: Journal
VI. Topical Studies
G. Music Theory Analyses

Schuller, Gunther

Year: 1986
Complete Citation:
Schuller, Gunther. “Form, Content, and Symbol.” In Musings: The Musical Worlds of Gunther Schuller, 275-276. New York, NY: Oxford University Press, 1986.
Notes:

Discusses absolute music and program music.

Source: Chapter in Book
VI. Topical Studies
G. Music Theory Analyses

Scott, Ann Besser

Year: 1994
Complete Citation:
Scott, Ann Besser. “Medieval and Renaissance Techniques in the Music of Charles Ives: Horatio at the Bridge?” Musical Quarterly 78/3 (Fall 1994): 448-478.
Source: Journal
VI. Topical Studies
G. Music Theory Analyses

Searle, Humphrey

Year: 1954
Complete Citation:
Searle, Humphrey. Twentieth Century Counterpoint, 124-126, 133. London, United Kingdom: Ernest Benn Limited, 1954.
Source: Book
VI. Topical Studies
G. Music Theory Analyses

Shirley, Wayne D., comp.

Year: 1976
Complete Citation:
Shirley, Wayne D., comp. Modern Music, Published by the League of Composers, 1924-1946: An Analytic Index, edited by William and Carolyn Lichtenwanger. New York, NY: AMS Press, 1976.
Source: Book
II. Reference Materials
B. Catalogues

Sinclair, James

Year: 1999
Complete Citation:
Sinclair, James. A Descriptive Catalogue of the Music of Charles Ives. New Haven, CT: Yale University Press, 1999.
Source: Book
II. Reference Materials
B. Catalogues

Sinclair, James and John Kirkpatrick

Year: 1976
Complete Citation:
Sinclair, James and John Kirkpatrick. Microfilm. “Microfilm concordance to JK catalogue,” Charles Ives Collection, 1976, Yale University, New Haven, Connecticut.
Source: Book
II. Reference Materials
B. Catalogues

Sinclair, James B.

Year: 2000
Complete Citation:
Sinclair, James B. Ives: Charles Ives Society 2000 Catalog. Bloomington, IN: The Charles Ives Society, Inc., 2000.
Source: Book
II. Reference Materials
B. Catalogues

Sinclair, James B. and Jan Swafford

Year: 2003
Complete Citation:
Sinclair, James B. and Jan Swafford. Charles Ives + 50: Catalog. Bloomington, IN: Charles Ives Society, 2003.
Source: Book
II. Reference Materials
B. Catalogues

Sinclair, James B., comp.

Year: 1993
Complete Citation:
Sinclair, James B., comp. The John Kirkpatrick Papers. MSS 56. Yale University Music Library Archival Collection, Yale University, New Haven, Connecticut.
Notes:

Register of Kirkpatrick’s correspondence, programs, reviews, date books, music, research materials, and writings. Many entries apply to Kirkpatrick’s work with Ives’s music.

Source: Archive Collection
II. Reference Materials
B. Catalogues

Sites, Michael

Year: 1993
Complete Citation:
Sites, Michael. “Spatiality Revisited in the Music of Charles Ives.” Paper presented at Ives-Copland Festival. University of Northern Colorado, Hensel-Phelps Auditorium and Theater, Greeley, Colorado, October 28-30, 1993.
Source: Conference paper
VI. Topical Studies
G. Music Theory Analyses

Smith, Kenneth M.

Year: 2011
Complete Citation:
Smith, Kenneth M. “The Tonic Chord and Lacan's Object a in Selected Songs by Charles Ives.” Journal of the Royal Musical Association, vol. 136, no. 2 (2011): 353-398.
Source: Journal
VI. Topical Studies
G. Music Theory Analyses