Albright, Valerie
Year: 1997
Complete Citation:
Albright, Valerie. “Contribuçiones de a Temporary Mimeographed Catalogue of the Music Manuscripts and Related Materials of Charles Edward Ives, 1874-1954 e Memos á nom eva de Pesquisa sobre Charles Ives.” Arte Unsep [Brazil] 13 (1997): 239--240.Source: Journal
II. Reference Materials
B. Catalogues
Bechert, Tilmann
Year: 1987
Complete Citation:
Bechert, Tilmann. “Charles Ives und die amerikanische Musik bis zur Gegenwart: Begleitschrift zur Ausstellung, Niederrheinisches Museum der Stadt Duisburg, 13. September bis 1. November 1987.”Source: Catalogue
II. Reference Materials
B. Catalogues
Bond, Victoria
Year: 1991
Complete Citation:
Bond, Victoria. “Towards Creating a Composer-Friendly Environment.” Journal of the Conductors' Guild 12/1-2 (Winter-Spring 1991): 64-70.Source: Journal
VI. Topical Studies
R. Performance Approaches
Campbell, Frank C.
Year: 1974
Complete Citation:
Campbell, Frank C. “Announcement of Kirkpatrick’s Temporary Mimeographed Catalogue: Notes for Notes.” Notes 30/3 (March 1974): 501--502.Notes: Announcement of Kirkpatrick’s Temporary Mimeographed Catalogue: Notes for Notes
Source: Journal
II. Reference Materials
B. Catalogues
Cowell, Henry
Year: 1927
Complete Citation:
Cowell, Henry. “Our inadequate notation.” Modern Music 4 (March-April 1927): 31.Source: Journal
VI. Topical Studies
R. Performance Approaches
Cowell, Sidney
Year: 1955
Complete Citation:
Cowell, Sidney. “Chronological Catalog of the Works of the American Composer Charles E. Ives.” Boletín de Música y Artes Visuales 65-66 (July- August): 35-43.Source: Journal
II. Reference Materials
B. Catalogues
Darter, Tom
Year: 1996
Complete Citation:
Darter, Tom. “Conductor, Pianist, Composer: Michael Tilson Thomas on Contemporary Music, Notation vs. Interpretation, and the Keyboard as the Conduit for Musical Thought.” Keyboard, Vol. 22, No. 7 (1996): 62-68, 70, 72.Source: Magazine
VI. Topical Studies
R. Performance Approaches
De Lerma, Dominique-René and James Elrod
Year: 1966
Complete Citation:
De Lerma, Dominique-René and James Elrod. A Checklist of Music by Charles Edward Ives, 1874-1974. Bloomington, IN: School of Music Library, Indiana University, 1966.Source: Book
II. Reference Materials
B. Catalogues
de Mare, Anthony
Year: 1999
Complete Citation:
de Mare, Anthony. “The Sound of the Performer Thinking.” Listen to Norway, Vol. 7, No. 2 (1999): 26-27.Source: Journal
VI. Topical Studies
R. Performance Approaches
Eagon, Angelo
Year: 1964
Complete Citation:
Eagon, Angelo. Catalog of Published Concert Music by American Composers. Second Edition. Washington, D.C.: United States Information Agency, 1964.Notes: A handy guide that provides basic information (29--33, et passim) for most of Ives’s published music (title, publisher, instrumentation, author of text, duration of orchestral works).
Source: Book
II. Reference Materials
B. Catalogues
Echols, Paul C., ed.
Year: 1988
Complete Citation:
Echols, Paul C., ed. Charles Ives: [Catalogue of the Works of Charles E. Ives]. New York, NY: BMI, 1988.Source: Book
II. Reference Materials
B. Catalogues
Glafcke, Patricia
Year: 2004
Complete Citation:
Glafcke, Patricia. “Kommentiertes Werkverzeichnis (Auswahl).” In Charles Ives 1874-1954: Amerikanischer Pionier der Neuen Musik, edited by Hanns-Werner Heister and Werner Kremp, 188-200. Atlantische Texte, Vol. 23. Trier, Germany: Wissenschaftlicher Verlag Trier, 2004.Source: Chapter in Book
II. Reference Materials
B. Catalogues
Goldstein, Malcolm
Year: 2008
Complete Citation:
Goldstein, Malcolm. “Some Anecdotal Evidence.” American Music 26, no. 4 (Winter 2008): 499-513.Source: Journal
VI. Topical Studies
R. Performance Approaches
Haylock, Julian
Year: 2004
Complete Citation:
Haylock, Julian. “Has Cello, Will Travel.” The Strad, Vol. 115, (2004): 1282-1283, 1285-1286.Source: Magazine
VI. Topical Studies
R. Performance Approaches
Henck, Herbert
Year: 2004
Complete Citation:
Henck, Herbert. “Do whatever seems natural or best to you.” In Charles Ives, 1874-1954. Amerikanischer Pionier der Neuen Musik, edited by Haans-Werner Meister, 116-122. Trier, Germany: Wissenschaftlicher Verlag Trier, 2004.Source: Book
VI. Topical Studies
R. Performance Approaches
Keough, James
Year: 2004
Complete Citation:
Keough, James. “Are My Ears on Wrong?” Strings, vol. 19, no. 3 (October 2004): 122.Source: Magazine
VI. Topical Studies
R. Performance Approaches
Kirkpatrick, John, ed.
Year: 1960
Complete Citation:
Kirkpatrick, John, ed. A Temporary Mimeographed Catalogue of the Music Manuscripts and Related Materials of Charles Edward Ives, 1874-1954: given by Mrs. Ives to the Library of the Yale School of Music, September 1955. New Haven: Library of the Yale School of Music, 1960.Source: Book
II. Reference Materials
B. Catalogues
Kuhn, Clemens
Year: 1976
Complete Citation:
Kuhn, Clemens. “Charles Ives: eine Bestandsaufnahme.” Musik und Bildung 8/2 (February 1976): 61-67.Source: Journal
II. Reference Materials
B. Catalogues
Mauceri, John, moderator
Year: 1977
Complete Citation:
Mauceri, John, moderator. “Conductors’ Experiences (Discussion with John Mauceri, Gunther Schuller, Lehman Engel, Nicolas Slonimsky, Arthur Weisberg, James Sinclair, Gregg Smith, Roque Cordero.” In An Ives Celebration. Papers and Panels of the Charles Ives Centennial Festival Conference. Music in American Life. Urbana, Illinois: University of Illinois Press, 113-126.Source: Chapter in Book
VI. Topical Studies
R. Performance Approaches
Mead, Andrew
Year: 2007
Complete Citation:
Mead, Andrew. “On Tempo Relations.” Perspectives of New Music 45, no. 1 (Winter 2007): 64-108.Source: Journal
VI. Topical Studies
R. Performance Approaches
