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Bibliography

Adams, John

Year: 1994
Complete Citation:
Adams, John. “Ives: The Amount to Carry.” In American Transcendentalists [Program Booklet]. Brooklyn Philharmonic Orchestra, Brooklyn Academy of Music, Brooklyn, New York, November 11-13, 1994. Da Camera of Houston, The Menil Collection, Houston, Texas, November 21-22, 1994.
Source: Program Booklet
VI. Topical Studies
D. Insurance

Albright, Valerie

Year: 1997
Complete Citation:
Albright, Valerie. “Contribuçiones de a Temporary Mimeographed Catalogue of the Music Manuscripts and Related Materials of Charles Edward Ives, 1874-1954 e Memos á nom eva de Pesquisa sobre Charles Ives.” Arte Unsep [Brazil] 13 (1997): 239--240.
Source: Journal
II. Reference Materials
B. Catalogues

Ashbee, Andrew

Year: 2016
Complete Citation:
Ashbee, Andrew. “James Shirley’s The Triumph of Peace Revisited.” The Consort: European Journal of Early Music, Vol. 72 (2016): 31-48.
Source: Journal
VI. Topical Studies
K. Stylistic Influences on Ives

Atlas, Allan W.

Year: 1996
Complete Citation:
Atlas, Allan W. The Wheatstone English Concertina in Victorian England. Oxford, United Kingdom: Clarendon Press, 1996.
Source: Book
VI. Topical Studies
K. Stylistic Influences on Ives

Bechert, Tilmann

Year: 1987
Complete Citation:
Bechert, Tilmann. “Charles Ives und die amerikanische Musik bis zur Gegenwart: Begleitschrift zur Ausstellung, Niederrheinisches Museum der Stadt Duisburg, 13. September bis 1. November 1987.”
Source: Catalogue
II. Reference Materials
B. Catalogues

Bernstein, Leonard

Year: 1982
Complete Citation:
Bernstein, Leonard. “The Absorption of Race Elements into American Music.” In Findings: Fifty Years of Meditations on Music, 36-99. New York, NY: Doubleday, 1982.
Source: Book
VI. Topical Studies
K. Stylistic Influences on Ives

Block, Geoffrey

Year: 1996
Complete Citation:
Block, Geoffrey. “Ives and the ‘Sounds that Beethoven Didn't Have.’” In Charles Ives and the Classical Tradition, edited by Geoffrey Block and J. Peter Burkholder, 34-50. New Haven, CT: Yale University Press, 1996.
Source: Chapter in Book
VI. Topical Studies
K. Stylistic Influences on Ives

Bolcolm, William

Year: 1988
Complete Citation:
Bolcolm, William. “Of Ives, Music and Insurance.” The New York Times, March 13, 1988.
Source: Newspaper
VI. Topical Studies
D. Insurance

Burkholder, J. Peter

Complete Citation:
Burkholder, J. Peter. “Introduction: “A Continuing Spirit.”” In Charles Ives and the Classical Tradition, edited by Geoffrey Block and J. Peter Burkholder, 1-8. New Haven, CT: Yale University Press, 1996.
Source: Chapter in Book
VI. Topical Studies
K. Stylistic Influences on Ives
Year: 1996
Complete Citation:
Burkholder, J. Peter. “Ives and the Four Musical Traditions.” In Charles Ives and His World, 3-34. Edited by J. Peter Burkholder. Princeton, NJ: Princeton University Press, 1996.
Source: Chapter in Book
VI. Topical Studies
K. Stylistic Influences on Ives

Campbell, Frank C.

Year: 1974
Complete Citation:
Campbell, Frank C. “Announcement of Kirkpatrick’s Temporary Mimeographed Catalogue: Notes for Notes.” Notes 30/3 (March 1974): 501--502.
Notes:

Announcement of Kirkpatrick’s Temporary Mimeographed Catalogue: Notes for Notes

Source: Journal
II. Reference Materials
B. Catalogues

Clough, Stephen B.

Year: 1946
Complete Citation:
Clough, Stephen B. A Century of American Life Insurance, A History of The Mutual Life Insurance Company of New York, 1843-1943, 282. New York, NY: Columbia University Press, 1946.
Source: Book
VI. Topical Studies
D. Insurance

Copland, Aaron

Year: 1960
Complete Citation:
Copland, Aaron. “A Businessman Who Wrote Music on Sundays.” Music and Musicians 9/18 (November 1960).
Source: Journal
VI. Topical Studies
D. Insurance

Cowell, Henry

Year: 1925
Complete Citation:
Cowell, Henry. “The Value of Eclecticism.” Sackbut 5, no. 9 (1925): 264--265.
Source: Journal
VI. Topical Studies
K. Stylistic Influences on Ives

Cowell, Sidney

Year: 1955
Complete Citation:
Cowell, Sidney. “Chronological Catalog of the Works of the American Composer Charles E. Ives.” Boletín de Música y Artes Visuales 65-66 (July- August): 35-43.
Source: Journal
II. Reference Materials
B. Catalogues

De Lerma, Dominique-René and James Elrod

Year: 1966
Complete Citation:
De Lerma, Dominique-René and James Elrod. A Checklist of Music by Charles Edward Ives, 1874-1974. Bloomington, IN: School of Music Library, Indiana University, 1966.
Source: Book
II. Reference Materials
B. Catalogues

DeVenney, David P.

Year: 1999
Complete Citation:
DeVenney, David P. “The End of the Century: Impressionism and the Flowering of Roman-ticism.” In Varied Carols: A Survey of American Choral Literature, 105-109. Westport, CT: Greenwood Press, 1999.
Notes:

In Chapter 5, “The End of the Century: Impressionism and the Flowering of Roman-ticism,” some details are given about General William Booth Enters into Heaven, Psalm 90, Psalm 24, Psalm 54, Psalm 135, The Celestial Country, and Three Harvest Home Chorales.

Source: Chapter in Book
VI. Topical Studies
K. Stylistic Influences on Ives

Duane, Ben

Year: 2013
Complete Citation:
Duane, Ben. “Auditory Streaming Cues in Eighteenth- and Early Nineteenth-Century String Quartets: A Corpus-Based Study.” Music Perception: An Interdisciplinary Journal 31/1 (2013): 46-58.
Source: Journal
VI. Topical Studies
K. Stylistic Influences on Ives

Duke, Vernon

Year: 1937
Complete Citation:
Duke, Vernon. “Musicalantics and Antiques.” Stage (March 1937): 78.
Source: Journal
VI. Topical Studies
K. Stylistic Influences on Ives

Eagon, Angelo

Year: 1964
Complete Citation:
Eagon, Angelo. Catalog of Published Concert Music by American Composers. Second Edition. Washington, D.C.: United States Information Agency, 1964.
Notes:

A handy guide that provides basic information (29--33, et passim) for most of Ives’s published music (title, publisher, instrumentation, author of text, duration of orchestral works).

Source: Book
II. Reference Materials
B. Catalogues