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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Anonymous

Year: 2008
Complete Citation:
“Yale University Library Announces Grant from Andrew W. Mellon Foundation to Support Oral History American Music Project.” The Bulletin of the Society for American Music 34, no. 3 (Fall 2008): 59.
Source: Journal
II. Reference Materials
C. Library and Institutional Collections

Bond, Victoria

Year: 1991
Complete Citation:
Bond, Victoria. “Towards Creating a Composer-Friendly Environment.” Journal of the Conductors' Guild 12/1-2 (Winter-Spring 1991): 64-70.
Source: Journal
VI. Topical Studies
R. Performance Approaches

Cowell, Henry

Year: 1927
Complete Citation:
Cowell, Henry. “Our inadequate notation.” Modern Music 4 (March-April 1927): 31.
Source: Journal
VI. Topical Studies
R. Performance Approaches

Darter, Tom

Year: 1996
Complete Citation:
Darter, Tom. “Conductor, Pianist, Composer: Michael Tilson Thomas on Contemporary Music, Notation vs. Interpretation, and the Keyboard as the Conduit for Musical Thought.” Keyboard, Vol. 22, No. 7 (1996): 62-68, 70, 72.
Source: Magazine
VI. Topical Studies
R. Performance Approaches

de Mare, Anthony

Year: 1999
Complete Citation:
de Mare, Anthony. “The Sound of the Performer Thinking.” Listen to Norway, Vol. 7, No. 2 (1999): 26-27.
Source: Journal
VI. Topical Studies
R. Performance Approaches

Downes, Olin

Year: 1955
Complete Citation:
Downes, Olin. “Ives Memorial: His Scores and Papers Given to Yale.” The New York Times. June 5, 1955, sec. 2: 9.
Source: Newspaper
II. Reference Materials
C. Library and Institutional Collections

Goldstein, Malcolm

Year: 2008
Complete Citation:
Goldstein, Malcolm. “Some Anecdotal Evidence.” American Music 26, no. 4 (Winter 2008): 499-513.
Source: Journal
VI. Topical Studies
R. Performance Approaches

Haylock, Julian

Year: 2004
Complete Citation:
Haylock, Julian. “Has Cello, Will Travel.” The Strad, Vol. 115, (2004): 1282-1283, 1285-1286.
Source: Magazine
VI. Topical Studies
R. Performance Approaches

Henck, Herbert

Year: 2004
Complete Citation:
Henck, Herbert. “Do whatever seems natural or best to you.” In Charles Ives, 1874-1954. Amerikanischer Pionier der Neuen Musik, edited by Haans-Werner Meister, 116-122. Trier, Germany: Wissenschaftlicher Verlag Trier, 2004.
Source: Book
VI. Topical Studies
R. Performance Approaches

Kalk, Thomas

Year: 1994
Complete Citation:
Kalk, Thomas. “Charles Ives (1874-1954). Bestandsverzeichnisse. Ein verzeichnis der in öffentlichen Musikbibliotheken der Bundesrepublik Deutchland vorhandenen Werke.” Forum Musik Bibliothek 1 (1994): 51-72.
Source: Journal
II. Reference Materials
C. Library and Institutional Collections

Keller, James M.

Year: 2015
Complete Citation:
Keller, James M. “Studio Portrait: Composer Charles Ives.” TCA Regional News, 2015, March 6.
Source: Newspaper
II. Reference Materials
C. Library and Institutional Collections

Keough, James

Year: 2004
Complete Citation:
Keough, James. “Are My Ears on Wrong?” Strings, vol. 19, no. 3 (October 2004): 122.
Notes:

<a target="_blank" href="http://www.stringsmagazine.com/issues">A look at the Ives legacy, especially in “Decoration Day.” Available online at www.stringsmagazine.com/issues.</a&gt;

Source: Magazine
VI. Topical Studies
R. Performance Approaches

Manton, Jonathan

Year: 2018
Complete Citation:
Manton, Jonathan. “Digital Project Update: Rare Charles Ives Recordings Now Available for Streaming.” Music Reference Services Quarterly, vol. 21, no. 4 (2018): 219-220.
Source: Journal
II. Reference Materials
C. Library and Institutional Collections
Year: 2019
Complete Citation:
Manton, Jonathan. “Yale University’s Irving S. Gilmore Music Library.” Notes 75, no. 3 (2019): 479.
II. Reference Materials
C. Library and Institutional Collections

Mauceri, John, moderator

Year: 1977
Complete Citation:
Mauceri, John, moderator. “Conductors’ Experiences (Discussion with John Mauceri, Gunther Schuller, Lehman Engel, Nicolas Slonimsky, Arthur Weisberg, James Sinclair, Gregg Smith, Roque Cordero.” In An Ives Celebration. Papers and Panels of the Charles Ives Centennial Festival Conference. Music in American Life. Urbana, Illinois: University of Illinois Press, 113-126.
Source: Chapter in Book
VI. Topical Studies
R. Performance Approaches

Mead, Andrew

Year: 2007
Complete Citation:
Mead, Andrew. “On Tempo Relations.” Perspectives of New Music 45, no. 1 (Winter 2007): 64-108.
Source: Journal
VI. Topical Studies
R. Performance Approaches

Morris, William J.

Year: 1966
Complete Citation:
Morris, William J. “The Danbury Scott-Fanton Museum and Historical Society.” History News, vol. 21, no. 6 (1966): 128-131.
Source: Magazine
II. Reference Materials
C. Library and Institutional Collections

Nardi, Gregorio

Year: 2004
Complete Citation:
Nardi, Gregorio. “Interpretare Ie Interpretazione.” Musica 21/60 (October 2004): 39--42.
Source: Journal
VI. Topical Studies
R. Performance Approaches

Pearsall, Ronald

Year: 1986-87
Complete Citation:
Pearsall, Ronald. “Ives in Performance.” Music Review 47/1 (1986-87): 24-28.
Source: Journal
VI. Topical Studies
R. Performance Approaches

Perlis, Vivian, comp.

Year: 1983
Complete Citation:
Perlis, Vivian, comp. Charles Ives Papers, Mss. 14, 1983, Irving S. Gilmore Music Library, Yale University. Unpublished: compiled at the Yale Music Library.
Source: Unpublished
II. Reference Materials
C. Library and Institutional Collections