Henry, Derrick
Year: 1997
Complete Citation:
Henry, Derrick. “Atlanta Ballet Performing ‘Carmina Burana’ and ‘Prisma.’” Atlanta Constitution, May 8, 1997, sec. G, 2.Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
B. Dance
Jacobson, Robert
Year: 1973
Complete Citation:
Prf: 1973 January 17: New York; City Center; Alexander Horvath, violin; Howard Baer, piano.
Lar Lubovitch, choreographer. Three Essays (1974); ballet; American Ballet Theater.
Music: Orchestral Set No. 2.
Prf: 1974 January 15: New York; City Center.Source: Performance (ballet)
XII. Interdisciplinary Performances with Ives’s Music
B. Dance
Kalk, Thomas
Year: 1994
Complete Citation:
Kalk, Thomas. “Charles Ives (1874-1954). Bestandsverzeichnisse. Ein verzeichnis der in öffentlichen Musikbibliotheken der Bundesrepublik Deutchland vorhandenen Werke.” Forum Musik Bibliothek 1 (1994): 51-72.Source: Journal
II. Reference Materials
C. Library and Institutional Collections
Keller, James M.
Year: 2015
Complete Citation:
Keller, James M. “Studio Portrait: Composer Charles Ives.” TCA Regional News, 2015, March 6.Source: Newspaper
II. Reference Materials
C. Library and Institutional Collections
Kerwin, Bud, choreographer
Year: 1974
Complete Citation:
Bud Kerwin, choreographer. The Subjective Man (1974); choreographic setting. Music: From the Swimmers', Like a Sick Eagle', Walt Whitman', The Cage', The Indians. Prf: 1974 October 20: Indianapolis; Clowes Memorial Hall, Butler University; Charles Ives Celebration Program; Dina Korta,
Cheryl Palonis. Gathering: A Choreographic Tribute to Charles Ives (1976). M.F.A.; Department of Ballet and Modern Dance; University of Utah.Source: Performance (ballet)
XII. Interdisciplinary Performances with Ives’s Music
B. Dance
Kisselgoff, Anna
Year: 1978
Complete Citation:
Kisselgoff, Anna. “City Ballet Offers ‘Calcium Light Night.’” The New York Times, January 21, 1978, 26.Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
B. Dance
Year: 1999
Complete Citation:
Kisselgoff, Anna. “The Divergent Progeny of Granddaddy Ives.” The New York Times, June 18, 1999, sec. E, 28.Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
B. Dance
Year: 1999
Complete Citation:
Kisselgoff, Anna. “The Stage Turned into a Circus, with Tricycle.” New York Times. June 19, 1999, sec. B: 15.Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
B. Dance
Year: 2000
Complete Citation:
Kisselgoff, Anna. “On Pulling Teeth, and ‘Degenerate Art’ Brought to Life.” The New York Times. January 8, 2000, sec. B, 17.Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
B. Dance
Mackrell, Judith
Year: 2000
Complete Citation:
Mackrell, Judith. “Witching Hour: Black Magic and Slapstick Are an Unlikely Mix for a Night of American-Themed Ballet.” The Guardian, April 15, 2000, 5.Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
B. Dance
Manton, Jonathan
Year: 2018
Complete Citation:
Manton, Jonathan. “Digital Project Update: Rare Charles Ives Recordings Now Available for Streaming.” Music Reference Services Quarterly, vol. 21, no. 4 (2018): 219-220.Source: Journal
II. Reference Materials
C. Library and Institutional Collections
Year: 2019
Complete Citation:
Manton, Jonathan. “Yale University’s Irving S. Gilmore Music Library.” Notes 75, no. 3 (2019): 479.II. Reference Materials
C. Library and Institutional Collections
Martins, Peter, choreographer
Year: 1978
Complete Citation:
Peter Martins, choreographer. Calcium Light Night (1977); ballet; New York City Ballet.
Music: The See'r, The New River, Incantation-, At Sea, Ann Street; Gyp the Blood or Hearst! Which is Worst?-, Hallowe'en-, Calcium Light Night. Prf: 1977 November 15: Spokane, WA. 1978 January 19: New York.
Source: Performance (ballet)
XII. Interdisciplinary Performances with Ives’s Music
B. Dance
Morris, William J.
Year: 1966
Complete Citation:
Morris, William J. “The Danbury Scott-Fanton Museum and Historical Society.” History News, vol. 21, no. 6 (1966): 128-131.Source: Magazine
II. Reference Materials
C. Library and Institutional Collections
Perlis, Vivian, comp.
Year: 1983
Complete Citation:
Perlis, Vivian, comp. Charles Ives Papers, Mss. 14, 1983, Irving S. Gilmore Music Library, Yale University. Unpublished: compiled at the Yale Music Library.Source: Unpublished
II. Reference Materials
C. Library and Institutional Collections
Perlis, Vivian, compiler
Year: 1983
Complete Citation:
Perlis, Vivian, compiler. Register to the Charles Ives Papers. Mss. 14- Irving S. Gilmore Music Library, Yale University. New Haven, 1983.Source: Archive
II. Reference Materials
C. Library and Institutional Collections
Phillips, A.
Year: 1993
Complete Citation:
Phillips, A. “Blankert: ‘Charles Ives.’” Dance Theatre Journal 11/1 (Winter 1993): 37.Source: Journal
XII. Interdisciplinary Performances with Ives’s Music
B. Dance
Robbins, Jerome, choreographer
Year: 1988
Complete Citation:
Jerome Robbins, choreographer. Ives, Songs (1988); New York City Ballet. Arranged in a manner evoking Thornton Wilder's Our Town with a "narrator" dressed as Ives. 1989 February 12: New York; New York State Theater; David Evitts, singer; Gordon Boelmer, piano.Notes: Music: The Children's Hour, Memories: Part A: "Very Pleasant"; Waltz', The Cage; The Se'er, Two Little Flowers', At the River, Serenity, He Is There!', Tom Sails Away, White Gulls; Songs My Mother Taught Me; There Is a Lane; In Summer Fields; from The Incantation; Autumn; Like a Sick Eagle; Elegie. <br><br>Prf: 1988 February 4: New York.
Source: Performance (ballet)
XII. Interdisciplinary Performances with Ives’s Music
B. Dance
Rudhyar, Dane
Year: 1938
Complete Citation:
Rudhyar, Dane. “The Birth of the Transcendental Movement and Its Manifestations in Music and the Modern Dance.” New Mexico Daily Examiner, August 21, 1938, 195-196.Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
B. Dance
Schwarz, K. Robert
Year: 1988
Complete Citation:
Schwarz, K. Robert. “As American as Robbins & Ives: The New Ballet Choreographed by Jerome Robbins to Songs by Charles Ives Reflects the Composer's Life.” The New York Times, January 31, 1988, H10.Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
B. Dance