Image
Complete Citation:
Ewen, David. The World of Twentieth-Century Music. Englewood Cliffs, NJ: Prentice-Hall, 1968.
Bibliography
Genres
Ewen, David
Year: 1968
Source: Book
V. General Music Studies
C. Other
C. Other
Ferris, Jean
Year: 2010
Complete Citation:
Ferris, Jean. America’s Musical Landscape. Boston, MA: McGraw-Hill, 2010.Source: Book
V. General Music Studies
C. Other
C. Other
Helm, Everett
Year: 1963
Complete Citation:
Helm, Everett. “Three Hits and a Miss.” Musical America 83/2 (February 1963): 52.Source: Journal
V. General Music Studies
C. Other
C. Other
Helms, Hans G., Stefan Fricke and Achim Huber
Year: 2016
Complete Citation:
Helms, Hans G., Stefan Fricke and Achim Huber. Konstruktionen: Texte zur Musik und Kunst, 1954-2010. Büdingen, Germany: Pfau, 2016.Source: Book
V. General Music Studies
C. Other
C. Other
Highet, Gilbert
Year: 1957
Complete Citation:
Highet, Gilbert. Talent and Geniuses: The Pleasures of Appreciation. New York, New York: Oxford University Press, 1957.Source: Book
V. General Music Studies
C. Other
C. Other
Hitchcock, H. Wiley
Year: 1975
Complete Citation:
Hitchcock, H. Wiley. “Sources for the Study of American Music.” American Studies International 14/2 (1975): 3-9.Source: Journal
V. General Music Studies
C. Other
C. Other
Hitchcock, H. Wiley, and Vivian Perlis, eds.
Year: 1977
Complete Citation:
Hitchcock, H. Wiley, and Vivian Perlis, eds. “Appendix 1: Essays by For-eign Participants.” In An Ives Celebration: Papers and Panels of the Charles Ives Centennial Festival-Conference, edited by H. Wiley Hitchcock and Vivian Perlis, 227-256. Urbana, Illinois: University of Illinois Press, 1977.Source: Chapter in Book
V. General Music Studies
C. Other
C. Other
Hodier, André
Year: 1961
Complete Citation:
Hodier, André. Since Debussy: A View of Contemporary Music, trans-lated from French by Noel Burch. New York, NY: Grove Press, 1961.Source: Book
V. General Music Studies
C. Other
C. Other
Hornsby, Bruce R.
Year: 1986
Complete Citation:
Hornsby, Bruce R. Every Little Kiss (1986); rock composition. Recording: RCA PCDI 5904 (CD 1986; cassette 1986; no notes) The Way It Is.Notes:
Bruce Hornsby, lead vocals, piano, accordian, synthe-sizer, hammered dulcimer; and the Range (David Mansfield, gui-tar, mandolin, violin; George Marinelli, electric and acoustic gui-tars, vocals; Joe Puerta, bass, vocals; John Molo, drums, percus-sion). Begins with excerpt from beginning of "The Alcotts" move- ment of the Concord Sonata. Neither Concord nor Ives is identi-fied on the recording.
Source: Rock Composition
XII. Interdisciplinary Performances with Ives’s Music
C. Other
C. Other
Howard, John Tasker and James Lyons
Year: 1962
Complete Citation:
Howard, John Tasker and James Lyons. Modern music: a popular guide to greater musical enjoyment. New York, NY: New American Library, 1962.Source: Book
V. General Music Studies
C. Other
C. Other
Kalk, Thomas
Year: 1994
Complete Citation:
Kalk, Thomas. “Charles Ives (1874-1954). Bestandsverzeichnisse. Ein verzeichnis der in öffentlichen Musikbibliotheken der Bundesrepublik Deutchland vorhandenen Werke.” Forum Musik Bibliothek 1 (1994): 51-72.Source: Journal
II. Reference Materials
C. Library and Institutional Collections
C. Library and Institutional Collections
Keller, James M.
Year: 2015
Complete Citation:
Keller, James M. “Studio Portrait: Composer Charles Ives.” TCA Regional News, 2015, March 6.Source: Newspaper
II. Reference Materials
C. Library and Institutional Collections
C. Library and Institutional Collections
Kerner, Leighton
Year: 1995
Complete Citation:
Kerner, Leighton. “Brave New World.” Village Voice 40. June 6, 1995: 72.Notes:
Regarding The Unanswered Question.
Source: Newspaper
V. General Music Studies
C. Other
C. Other
Kisselgoff, Anna
Year: 1983
Complete Citation:
Kisselgoff, Anna. “Ballet: Martin’s ‘Calcium Light Night’: Review.” The New York Times, November 24, 1983.Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
C. Other
C. Other
Year: 1999
Complete Citation:
Kisselgoff, Anna. “The Divergent Progeny of Granddaddy Ives.” The New York Times, June 18, 1999, sec. E, 28.Notes:
Claims that Ives is the “granddaddy of American music's 20th century experimentalists.”
Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
C. Other
C. Other
Knapp, David
Year: 2013
Complete Citation:
Knapp, David. “Music Received.” Notes 69/4 (2013): 817-827.Source: Journal
V. General Music Studies
C. Other
C. Other
Lang, Paul Henry and Bettmann, Otto
Year: 1960
Complete Citation:
Lang, Paul Henry and Otto Bettmann. A Pictorial History of Music, 232-233. New York, NY: W.W. Norton, 1960.Notes:
A brief statement. Includes a photograph by Frank Gerratana.
Source: Book
V. General Music Studies
C. Other
C. Other
Mainieri, Mike
Complete Citation:
Mainieri, Mike. “In the Universe of Ives.” Jazz composition. An American Diary.NYC Records, 6015, 1995, CD.
Notes:
Based on Universe Symphony concepts, quotes trumpet part for The Unanswered Question. <br>Joe Lovano, tenor and soprano saxophones, alto clarinet; Mike Maini- eri, xylophones, bass marimba, gongs, chimes, and midi vibes; Eddie Gomez, bass; Peter Erskine, drums, percussion. Notes by Howard Mandel.<br><br>
Source: Jazz Composition
XII. Interdisciplinary Performances with Ives’s Music
C. Other
C. Other
Manton, Jonathan
Year: 2018
Complete Citation:
Manton, Jonathan. “Digital Project Update: Rare Charles Ives Recordings Now Available for Streaming.” Music Reference Services Quarterly, vol. 21, no. 4 (2018): 219-220.Source: Journal
II. Reference Materials
C. Library and Institutional Collections
C. Library and Institutional Collections
Year: 2019
Complete Citation:
Manton, Jonathan. “Yale University’s Irving S. Gilmore Music Library.” Notes 75, no. 3 (2019): 479.II. Reference Materials
C. Library and Institutional Collections
C. Library and Institutional Collections