decorative banner image

Bibliography

Genres

Show all
I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Anderson, Martin

Year: 2003
Complete Citation:
Anderson, Martin. “Obituary: Lou Harrison; Unconventional Composer Whose Music Fused East and West: FOREIGN Edition.” The Independent, February 5, 2003.
Source: Newspaper
VI. Topical Studies
P. Ives Collaborators and Colleagues

Barron, James

Year: 1991
Complete Citation:
Barron, James. “John Kirkpatrick is Dead at 86; A Pianist Who Popularized Ives.” The New York Times, November 11, 1991, B10.
Source: Newspaper
VI. Topical Studies
P. Ives Collaborators and Colleagues

Bellamann, Henry

Year: 1927
Complete Citation:
Bellamann, Henry. “The Music of Charles Ives.” Pro Musica Quarterly 5, No. 1 (March-April 1927): 16-22.
Source: Journal
VI. Topical Studies
P. Ives Collaborators and Colleagues
Year: 1932
Complete Citation:
Bellamann, Henry. “An American Composer.” State (Columbia, SC), May 22, 1932, 23.
Source: Newspaper
VI. Topical Studies
P. Ives Collaborators and Colleagues

Berger, Arthur

Year: 2002
Complete Citation:
Berger, Arthur. Reflections of an American Composer. Berkeley, CA: Uni-versity of California Press, 2002.
Notes:

Berger re-evaluates some of his earlier critiques of Ives's music (i.e., his published reviews).

Source: Book
VI. Topical Studies
P. Ives Collaborators and Colleagues

Bond, Victoria

Year: 1991
Complete Citation:
Bond, Victoria. “Towards Creating a Composer-Friendly Environment.” Journal of the Conductors' Guild 12/1-2 (Winter-Spring 1991): 64-70.
Source: Journal
VI. Topical Studies
R. Performance Approaches

Cohn, Arthur

Complete Citation:
Cohn, Arthur. “Charles Ives.” In Recorded Classical Music: A Critical Guide to Compositions and Performances, 902-927. New York, NY: Schirmer Books, 1981.
Source: Chapter in Book
II. Reference Materials
D. Discographies

Cowell, Henry

Year: 1927
Complete Citation:
Cowell, Henry. “Our inadequate notation.” Modern Music 4 (March-April 1927): 31.
Source: Journal
VI. Topical Studies
R. Performance Approaches
Year: 1930
Complete Citation:
Cowell, Henry. New Musical Resources. New York, New York: Alfred A. Knopf Co., 1930.
Source: Book
VI. Topical Studies
P. Ives Collaborators and Colleagues
Year: 1932
Complete Citation:
Cowell, Henry. “Charles E. Ives.” Disques, November 1932, 374-376.
Source: Magazine
Reprints:

Cowell, Henry. "Charles E. Ives.” In <i>Charles Ives and His World</i>, 368-372. Edited by J. Peter Burkholder. Princeton, NJ: Princeton University Press, 1996.

II. Reference Materials
D. Discographies

Darter, Tom

Year: 1996
Complete Citation:
Darter, Tom. “Conductor, Pianist, Composer: Michael Tilson Thomas on Contemporary Music, Notation vs. Interpretation, and the Keyboard as the Conduit for Musical Thought.” Keyboard, Vol. 22, No. 7 (1996): 62-68, 70, 72.
Source: Magazine
VI. Topical Studies
R. Performance Approaches

de Mare, Anthony

Year: 1999
Complete Citation:
de Mare, Anthony. “The Sound of the Performer Thinking.” Listen to Norway, Vol. 7, No. 2 (1999): 26-27.
Source: Journal
VI. Topical Studies
R. Performance Approaches

Dwinell, Paul

Year: 1964
Complete Citation:
Dwinell, Paul. “The Resurrection of Charles Edward Ives.” Listen 5 (Sep-tember-October 1964): 15-16.
Source: Journal
II. Reference Materials
D. Discographies

Glafcke, Patricia

Year: 2004
Complete Citation:
Glafcke, Patricia. “Auswahl—Diskographie.” In Charles Ives 1874-1954: Amerikanischer Pionier der Neuen Musik, edited by Hanns-Werner Heister and Werner Kremp, 204-206. Atlantische Texte, Vol. 23. Trier, Germany: Wissenschaftlicher Verlag Trier, 2004.
Source: Chapter in Book
II. Reference Materials
D. Discographies

Goldstein, Malcolm

Year: 2008
Complete Citation:
Goldstein, Malcolm. “Some Anecdotal Evidence.” American Music 26, no. 4 (Winter 2008): 499-513.
Source: Journal
VI. Topical Studies
R. Performance Approaches

Hall, David

Year: 1964
Complete Citation:
Hall, David. “Charles Ives: A Discography.” In three parts. HiFi/Stereo Review 13/4, October 1964, 142-45; 13/5, November 1964, 102-106; 13/6, December 1964, 92-96.
Source: Magazine
II. Reference Materials
D. Discographies

Haylock, Julian

Year: 2004
Complete Citation:
Haylock, Julian. “Has Cello, Will Travel.” The Strad, Vol. 115, (2004): 1282-1283, 1285-1286.
Source: Magazine
VI. Topical Studies
R. Performance Approaches

Henck, Herbert

Year: 1983
Complete Citation:
Henck, Herbert. “Literatur zu Charles Ives. 129 Neuaufnahmen.” In Neuland: Ansätze zur Musik der Gegenwart: Jahrbuch. Band 3. Cologne, Germany: Neuland Musikverlag, 1983.
Source: Chapter in Book
II. Reference Materials
D. Discographies
Year: 2004
Complete Citation:
Henck, Herbert. “Do whatever seems natural or best to you.” In Charles Ives, 1874-1954. Amerikanischer Pionier der Neuen Musik, edited by Haans-Werner Meister, 116-122. Trier, Germany: Wissenschaftlicher Verlag Trier, 2004.
Source: Book
VI. Topical Studies
R. Performance Approaches

Herrmann, Bernard

Year: 1932
Complete Citation:
Herrmann, Bernard. “Charles Ives.” Trend 1/3 (September-November, 1932): 99-101.
Source: Journal
Reprints:

<a target="_blank" href="http://www.uib.no/herrmann/articles/archive/trend/">Available online at “The Bernard Herrmann Society: Charles Ives” [www.uib.no/herrmann/articles/archive/trend/].</a&gt;

VI. Topical Studies
P. Ives Collaborators and Colleagues