Image
Complete Citation:
Bond, Victoria. “Towards Creating a Composer-Friendly Environment.” Journal of the Conductors' Guild 12/1-2 (Winter-Spring 1991): 64-70.
Bibliography
Genres
Bond, Victoria
Year: 1991
Source: Journal
VI. Topical Studies
R. Performance Approaches
R. Performance Approaches
Cohn, Arthur
Complete Citation:
Cohn, Arthur. “Charles Ives.” In Recorded Classical Music: A Critical Guide to Compositions and Performances, 902-927. New York, NY: Schirmer Books, 1981.Source: Chapter in Book
II. Reference Materials
D. Discographies
D. Discographies
Cowell, Henry
Year: 1927
Complete Citation:
Cowell, Henry. “Our inadequate notation.” Modern Music 4 (March-April 1927): 31.Source: Journal
VI. Topical Studies
R. Performance Approaches
R. Performance Approaches
Year: 1932
Complete Citation:
Cowell, Henry. “Charles E. Ives.” Disques, November 1932, 374-376.Source: Magazine
Reprints:
Cowell, Henry. "Charles E. Ives.” In <i>Charles Ives and His World</i>, 368-372. Edited by J. Peter Burkholder. Princeton, NJ: Princeton University Press, 1996.
II. Reference Materials
D. Discographies
D. Discographies
Darter, Tom
Year: 1996
Complete Citation:
Darter, Tom. “Conductor, Pianist, Composer: Michael Tilson Thomas on Contemporary Music, Notation vs. Interpretation, and the Keyboard as the Conduit for Musical Thought.” Keyboard, Vol. 22, No. 7 (1996): 62-68, 70, 72.Source: Magazine
VI. Topical Studies
R. Performance Approaches
R. Performance Approaches
de Mare, Anthony
Year: 1999
Complete Citation:
de Mare, Anthony. “The Sound of the Performer Thinking.” Listen to Norway, Vol. 7, No. 2 (1999): 26-27.Source: Journal
VI. Topical Studies
R. Performance Approaches
R. Performance Approaches
Dwinell, Paul
Year: 1964
Complete Citation:
Dwinell, Paul. “The Resurrection of Charles Edward Ives.” Listen 5 (Sep-tember-October 1964): 15-16.Source: Journal
II. Reference Materials
D. Discographies
D. Discographies
Glafcke, Patricia
Year: 2004
Complete Citation:
Glafcke, Patricia. “Auswahl—Diskographie.” In Charles Ives 1874-1954: Amerikanischer Pionier der Neuen Musik, edited by Hanns-Werner Heister and Werner Kremp, 204-206. Atlantische Texte, Vol. 23. Trier, Germany: Wissenschaftlicher Verlag Trier, 2004.Source: Chapter in Book
II. Reference Materials
D. Discographies
D. Discographies
Goldstein, Malcolm
Year: 2008
Complete Citation:
Goldstein, Malcolm. “Some Anecdotal Evidence.” American Music 26, no. 4 (Winter 2008): 499-513.Source: Journal
VI. Topical Studies
R. Performance Approaches
R. Performance Approaches
Hall, David
Year: 1964
Complete Citation:
Hall, David. “Charles Ives: A Discography.” In three parts. HiFi/Stereo Review 13/4, October 1964, 142-45; 13/5, November 1964, 102-106; 13/6, December 1964, 92-96.Source: Magazine
II. Reference Materials
D. Discographies
D. Discographies
Haylock, Julian
Year: 2004
Complete Citation:
Haylock, Julian. “Has Cello, Will Travel.” The Strad, Vol. 115, (2004): 1282-1283, 1285-1286.Source: Magazine
VI. Topical Studies
R. Performance Approaches
R. Performance Approaches
Henck, Herbert
Year: 1983
Complete Citation:
Henck, Herbert. “Literatur zu Charles Ives. 129 Neuaufnahmen.” In Neuland: Ansätze zur Musik der Gegenwart: Jahrbuch. Band 3. Cologne, Germany: Neuland Musikverlag, 1983.Source: Chapter in Book
II. Reference Materials
D. Discographies
D. Discographies
Year: 2004
Complete Citation:
Henck, Herbert. “Do whatever seems natural or best to you.” In Charles Ives, 1874-1954. Amerikanischer Pionier der Neuen Musik, edited by Haans-Werner Meister, 116-122. Trier, Germany: Wissenschaftlicher Verlag Trier, 2004.Source: Book
VI. Topical Studies
R. Performance Approaches
R. Performance Approaches
Keough, James
Year: 2004
Complete Citation:
Keough, James. “Are My Ears on Wrong?” Strings, vol. 19, no. 3 (October 2004): 122.Notes:
<a target="_blank" href="http://www.stringsmagazine.com/issues">A look at the Ives legacy, especially in “Decoration Day.” Available online at www.stringsmagazine.com/issues.</a>
Source: Magazine
VI. Topical Studies
R. Performance Approaches
R. Performance Approaches
Lyons, James
Year: 1954
Complete Citation:
Lyons, James. “A Prophet Passes.” American Record Guide 20/10, June 1954, 312, 313-15, 343.Source: Magazine
II. Reference Materials
D. Discographies
D. Discographies
Mauceri, John, moderator
Year: 1977
Complete Citation:
Mauceri, John, moderator. “Conductors’ Experiences (Discussion with John Mauceri, Gunther Schuller, Lehman Engel, Nicolas Slonimsky, Arthur Weisberg, James Sinclair, Gregg Smith, Roque Cordero.” In An Ives Celebration. Papers and Panels of the Charles Ives Centennial Festival Conference. Music in American Life. Urbana, Illinois: University of Illinois Press, 113-126.Source: Chapter in Book
VI. Topical Studies
R. Performance Approaches
R. Performance Approaches
Mead, Andrew
Year: 2007
Complete Citation:
Mead, Andrew. “On Tempo Relations.” Perspectives of New Music 45, no. 1 (Winter 2007): 64-108.Source: Journal
VI. Topical Studies
R. Performance Approaches
R. Performance Approaches
Morgan, Robert P.
Year: 1974
Complete Citation:
Morgan, Robert P. “The Recordings of Charles Ives’s Music.” High Fidelity 24/10, October 1974, 70-76.Source: Magazine
II. Reference Materials
D. Discographies
D. Discographies
Myers, Kurtz
Year: 1978
Complete Citation:
Myers, Kurtz. Index to Record Reviews, 74-78. Vol. 2. Boston, MA: G. K. Hall, 1978.Notes:
Later Supplements include idem, <i>Index to Record Reviews, 1978-1983</i>, 165. Boston, MA: G.K. Hall and Co., 1985; and idem, <i>Index to Record Reviews,</i> <i>1984-1987</i>, 98. Boston, MA: G.K. Hall and Co., 1989.
Source: Book
II. Reference Materials
D. Discographies
D. Discographies
Nardi, Gregorio
Year: 2004
Complete Citation:
Nardi, Gregorio. “Interpretare Ie Interpretazione.” Musica 21/60 (October 2004): 39--42.Source: Journal
VI. Topical Studies
R. Performance Approaches
R. Performance Approaches