Ives, Charles E.
    Year: 1935
Complete Citation: 
Ives, Charles E. New music: a quarterly of modern compositions, nineteen songs. New York, New York: New Music, 1935.Source: Journal
IV. Individual Studies by Genre
E. Songs
Ives, Charles; J. Bernlef, trans.
    Year: 1969
Complete Citation: 
Ives, Charles. “Text to ten songs with Dutch translations.” In Charles Ives, 115--119, 260--264. Amsterdam, Netherlands: De Bezige Bij, 1969.IV. Individual Studies by Genre
E. Songs
Year: 1969
Complete Citation: 
Ives, Charles. “Foreword to 114 Songs [l’Nawoord bij 114 Songs].” Translated to Dutch by J. Bernlef. In Charles Ives, 93--103. In Charles Ives, 52-92. Amsterdam, Netherlands: De Bezige Bij, 1969.IV. Individual Studies by Genre
E. Songs
Ivey, Donald
    Year: 1970
Complete Citation: 
Ivey, Donald. Song: Anatomy, Imagery, and Styles. New York, NY: Free Press, 1970.Notes: Numerous passing references; eleven songs mentioned, some with  examples: At the River, Charlie Rutlage, The Children's Hour, A  Christmas Carol, An Election, from “Lincoln, the Great Commoner.”  General William Booth Enters into Heaven, His Exaltation, Majority, On  the Counter, Serenity, and Tom Sails Away.
 Source: Book
IV. Individual Studies by Genre
E. Songs
James Sinclair, commentor
    Year: 1999
Complete Citation: 
James Sinclair, commentor. “Song Recital with Slides and Comments.” Lecture-recital presented at Ives the Commuter. Bloomfield Presbyterian Church, Bloomfield, NJ, February 1999.Notes: Performers include Theodore Huffman, bari-tone; Brenda Patterson,  mezzo-soprano; Lydia Brown, piano
 IV. Individual Studies by Genre
E. Songs
Jay, Maurice
    Year: 1964
Complete Citation: 
Jay, Maurice. “Original Sin, Existential Absurdity, and a Song by Charles Ives.” Prairie Schooner, vol. 38, no. 3 (1964): 265-266.Source: Journal
E. Songs
Johnson, Timothy A.
    Year: 1996
Complete Citation: 
Johnson, Timothy A. “Chromatic Quotations of Diatonic Tunes in Songs of Charles Ives.” Music Theory Spectrum 18 (1996): 236-2-61.Source: Journal
IV. Individual Studies by Genre
E. Songs
Kagen, Sergius
    Year: 1949
Complete Citation: 
Kargen, Sergius. Music for the Voice: A Descriptive List of Concert and Teaching Material, 330. New York, NY: Rinehart & Company, 1949.Notes: Reprint adds brief annotations for August, Autumn, Charlie Rutlage,  Evening, From "Lincoln, the Great Commoner," The Greatest  Man, and Walking.
 Source: Book
Reprints: Kargen, Sergius. <i>Music for the Voice: A Descriptive List of Concert and Teaching Material</i>.<i>  </i>Bloomington, IN: Indiana University Press, 1968: 506- 507.
 IV. Individual Studies by Genre
E. Songs
Kämper, Dietrich
    Year: 1987
Complete Citation: 
Kämper, Dietrich. “Die ‘114 Songs’ von Charles E. Ives.” In Amerikanische Musik seit Charles Ives: Interpretationen, Quellentexte, Komponistenmonographien, edited by Herbert Danuser, Dietrich Kämper, and Paul Terse. Laaber, Germany: Lauber-Verlag (1987): 135-148.Source: Chapter in Book
IV. Individual Studies by Genre
E. Songs
Year: 1987
Complete Citation: 
Kämper, Dietrich. “Die ‘114 Songs’ von Charles E. Ives.” In Amerikanische Musik seit Charles Ives: Interpretation, Quellentexte, Komponistenmonographien, 135-145. Laaber, Germany: Laaber Verlag, 1987.Source: Journal
IV. Individual Studies by Genre
E. Songs
Karp, T.
    Complete Citation: 
Karp, T. “Charles Ives’s Book of 114 songs.” In A Musical offering: essays in honor of Martin Bernstein, edited by Edward H. Clinkscale and Claire Brook. New York: Pendragon Press, 1977.IV. Individual Studies by Genre
E. Songs
Kimball, Carol
    Year: 2006
Complete Citation: 
Kimball, Carol. “Charles Ives (1874-1954).” In A guide to art song style and literature. Milwaukee, WI: Hal Leonard, 2006.Source: Chapter in Book
IV. Individual Studies by Genre
E. Songs
Kirkpatrick, John
    Year: 1968
Complete Citation: 
Kirkpatrick, John, ed. “Preface.” In Eleven Songs and Two Harmonizations. New York, NY: Associated Music, 1968.Source: Score
IV. Individual Studies by Genre
E. Songs
Year: 1970
Complete Citation: 
Kirkpatrick, John. “Words and Music: Ives.” Lecture, Ives at  Minnesota, University of Minnesota, Minneapolis, Minnesota, April 8,  1970.Notes: Tape version in the Ives Collection (Yale University, New Haven, CT).  Kirkpatrick also spoke at Helen Boatwright’s recital.
 Source: Lecture
IV. Individual Studies by Genre
E. Songs
Kraft, Leo
    Year: 1990
Complete Citation: 
Kraft, Leo. “Afterglow / Charles Ives.” In Gradus: the second year and after: an integrated approach to harmony, counterpoint, and analysis. New York, NY: W.W. Norton, 1990.Source: Book
IV. Individual Studies by Genre
E. Songs
Lerch, Louise
    Year: 1996
Complete Citation: 
Lerch, Louise. “Music “Reviews: “Forty Earlier Songs,” by Charles E. Ives, edited by John Kirkpatrick.”” Journal of Singing: The Official Journal of the National Association of Teachers of Singing, Vol. 53, No. 1 (1996): 55.Source: Journal
IV. Individual Studies by Genre
E. Songs
Lyons, James
    Year: 1954
Complete Citation: 
Lyons, James. “A Prophet Passes.” American Record Guide 20/10, June 1954, 312, 313-15, 343.Source: Magazine
II. Reference Materials
D. Discographies
Meine, Sabine
    Year: 1992
Complete Citation: 
Meine, Sabine. “Scenes from My Childhood Are with Me...Biographische Momente in den 114 Songs von Charles E. Ives.” Musik und Bildung: Praxis Musikerzeitung 24/3 (May-June 1992): 9-13.Source: Journal
IV. Individual Studies by Genre
E. Songs
Meister, Barbara
    Year: 1980
Complete Citation: 
Meister, Barbara. An Introduction to the Art Song, 189-191. New York, NY: Taplinger Publishing Company, 1980.Notes: Discusses When General William Booth Enters into Heaven, “probably the  most representative of the lot” (i.e., the songs], 190 (considers The  Chil-dren's Hour, The Circus Band, The Greatest Man, The  Housatonic at Stockbridge (“One of Ives's most evocative  songs...an atmospheric, moody piece of simple serenity. One senses  reverie, time suspended, peace.”), In Flanders Fields, The Last  Reader, Maple Leaves, The Side- Show, They Are There!,The Things Our  Fathers Loved, Tom Sails Away, Two Little Flowers), 191 (“He was the  first major thoroughly American composer”).
 Source: Book
IV. Individual Studies by Genre
E. Songs
Meyer, Felix
    Year: 2000
Complete Citation: 
Meyer, Felix. “Transformation and adaptation: the evolution of Charles Ives's song “From ‘Paracelsus.’” In The Rosaleen Moldenhauer memorial: music history from primary sources: a guide to the Moldenhauer Archives. Washington, D.C.: Library of Congress, 2000.Source: Chapter in Book
IV. Individual Studies by Genre
E. Songs