Addiss, Stephen
    Year: 1957
Complete Citation: 
Addiss, Stephen. “The vocal music of Charles Ives.” B.A. thesis,  Harvard University, 1957.Source: B.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
C. Baccalaureate Essays
Baron, Carol K.
    Year: 1991
Complete Citation: 
Baron, Carol K. “Ives and the Concord Transcendentalists.” Paper presented at Charles Ives: A Yankee Genius or Musical Fraud. Charles Ives Center, Danbury, Connecticut, October 1991.Source: Conference paper
VI. Topical Studies
A. Transcendentalism or Philosophy
Becker, Dr. John H.
    Year: 1933
Complete Citation: 
Becker, John H. “Charles E. Ives: Musical Philosopher.” Northwest Musical Herald (January 1933): 5-6.Notes: Available at the Yale University Music Library Archival Collection.  “Charles Ives Papers” Mss. 14/41; 14/56/2; 41/112.
 Source: Journal
VI. Topical Studies
A. Transcendentalism or Philosophy
Blanding, Thomas
    Year: 1994
Complete Citation: 
Blanding, Thomas. “Music of the Higher Spheres: The Philoso-phy and Influence of New England Transcendentalists.” In American Transcendentalists [Program Booklet]. Brooklyn Philharmonic Orchestra, Brooklyn Academy of Music, Brooklyn, New York, November 11-13, 1994. Da Camera of Houston, The Menil Collection, Houston, Texas, November 21-22, 1994.Source: Program Booklet
VI. Topical Studies
A. Transcendentalism or Philosophy
Bloom, Harold
    Complete Citation: 
Bloom, Harold. A Map of Misreading. New York: Oxford University Press, 1975: 162.Notes: Only one reference to Ives: "The war of American poets against  influence is part of our Emersonian heritage, manifested first in the  great triad of 'The Divinity School Address,' 'The  American Schol-ar,' and ‘Self--Reliance.' This heritage can be  traced in Thoreau, Whit-man, Dickinson and quite directly again in  Robinson and Frost, in the architectural writings of Sullivan and  Wright, in the Essays Before a Sonata of Charles Ives. The less direct  heritage is more relevant to any brooding on the negative aspects of  poetic influence, centering partly on Pound and Williams (where it is  refracted through Whitman) and partly on Stevens, who disliked the  very idea of influence."
 Source: Chapter in Book
VI. Topical Studies
A. Transcendentalism or Philosophy
Boardman, Katherine R.
    Year: 1969
Complete Citation: 
Boardman, Katherine R. “Ives in Performance: 1900-1950.” Term paper,  Yale University, 1969.Notes: Copy in the Charles Ives Papers, Irving S. Gilmore Library, Yale  University, New Haven, CT.
 Source: Term paper
VIII. Dissertations, Theses, and Baccalaureate Essays
C. Baccalaureate Essays
Bohlman, Philip V.
    Year: 2005
Complete Citation: 
Bohlman, Philip V. “Introduction.” In Music in American Religious Experience, edited by Bohlman, Philip V., Edith L. Blumhofer, and Maria M. Chow. Oxford, United Kingdom: Oxford University Press, 2005.Source: Newsletter
VI. Topical Studies
A. Transcendentalism or Philosophy
Bounds, Charles Evans
    Year: 1951
Complete Citation: 
Bounds, Charles Evans. “A study of the solo songs of Charles Ives.”  M.M. Thesis, North Texas State College, 1951.Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
C. Baccalaureate Essays
Bourne, Patricia Gerald
    Year: 1961
Complete Citation: 
Bourne, Patricia Gerald. “An American meets Euterpe: Charles Edward  Ives.” A.B. thesis, Radcliffe College, 1961.Source: A.B. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
C. Baccalaureate Essays
Broyles, Michael
    Year: 2004
Complete Citation: 
Broyles, Michael. “Looking Back: Puritanism, Geography, and the Myth of American Individualism.” In Mavericks and Other Traditions in American Music, 271-296. New Haven, CT: Yale University Press, 2004.Source: Chapter in Book
VI. Topical Studies
A. Transcendentalism or Philosophy
Broyles, Michael and Denise Von Glahn
    Year: 1999
Complete Citation: 
Broyles, Michael, and Denise Von Glahn. 1999. “Later Manifestations of Concord: Charles Ives and the Transcendentalist Tradition.” In Transient and Permanent: The Transcendentalist Movement and its Contexts, edited by Charles Capper and Conrad Edick Wright, 574-604. Studies in American History and Culture, No. 5. Boston, MA: Massachusetts Historical Society.Source: Book
VI. Topical Studies
A. Transcendentalism or Philosophy
Bruhn, Christopher
    Year: 2004
Complete Citation: 
Bruhn, Christopher. “Refracting History: Ives and Emerson and the German Romantic Tradition in American Music.” Paper presented at A Century of Composing in America: 1820-1920. The City University of New York, The Graduate Center, New York, New York, October, 2004.Source: Conference Paper
VI. Topical Studies
A. Transcendentalism or Philosophy
Buk, False
    Year: 2007
Complete Citation: 
Buk, False. “A outra América (do Norte): Ives, Cage e os transcendentalistas 1.” Claves, no. 4 (November 2007): 91-96.VI. Topical Studies
A. Transcendentalism or Philosophy
Cameron, Janet
    Year: Year unlisted
Complete Citation: 
Cameron, Janet. “An Analysis of the First Movement of the First Piano  Sonata by Charles Ives.” Seminar paper, University of Illinois, year  unlisted.Source: Seminar paper
VIII. Dissertations, Theses, and Baccalaureate Essays
C. Baccalaureate Essays
Catmull, Joan Carol
    Complete Citation: 
Catmull, Joan Carol. “The Transcendentalism of Charles E. Ives.” B.A.  thesis, Brigham Young University, 1969.Source: B.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
C. Baccalaureate Essays
Cavell, Stanley, Barbara Packer, Thomas Dumm, Elizabeth Johns, James  Conant, and Ann Lauterbach [participants]
    Year: 1996
Complete Citation: 
Cavell, Stanley, Barbara Packer, Thomas Dumm, Elizabeth Johns, James Conant, and Ann Lauterbach [participants]. “Transcendentalism and American Culture.” In Charles Ives and His World Festival, edited by J. Peter Burkholder, 38-39. Annandale-on-Hudson, New York; Bard College, August 9-11, 16-18, 1996.Source: Chapter in Festival Publication
VI. Topical Studies
A. Transcendentalism or Philosophy
Charles, Daniel
    Year: 1992
Complete Citation: 
Charles, Daniel. “Emerson Selon Charles Ives.” Critique: Revue Générale Des Publications Françaises Et Étrangères (1992): 513.Source: Journal
VI. Topical Studies
A. Transcendentalism or Philosophy
Chmaj, Betty E.
    Year: 1983
Complete Citation: 
Chmaj, Betty E.. “Abstract: How Charles Ives Put Down the Concord Bards.” Sonneck Society for American Music Bulletin (Summer 1983) 9: 39.Notes: Regarding Sonata No. 2, “Concord, Mass., 1840-1860,” for piano.
 Source: Journal
VI. Topical Studies
A. Transcendentalism or Philosophy
Year: 1984
Complete Citation: 
Chmaj, Betty E. “Abstract: ‘As I Was Saying’: Charles Ives and the Concord Connection.” Sonneck Society for American Music Bulletin (Fall 1984) 10: 63-64.Notes: Regarding the Concord Sonata.
 Source: Journal
VI. Topical Studies
A. Transcendentalism or Philosophy
Year: 1986
Complete Citation: 
Chmaj, Betty E. “The Journey and the Mirror: Emerson and the American Arts.” In Prospects 10: An Annual of American Culture Studies, edited by Jack Salzman, 353-408. Cambridge, United Kingdom: Cambridge University Press, 1985.Source: Chapter in Book
VI. Topical Studies
A. Transcendentalism or Philosophy