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Bibliography

Hall, David

Year: 1964
Complete Citation:
Hall, David. “Charles Ives: A Discography.” In three parts. HiFi/Stereo Review 13/4, October 1964, 142-45; 13/5, November 1964, 102-106; 13/6, December 1964, 92-96.
Source: Magazine
II. Reference Materials
D. Discographies

Harrison, Lou

Year: 1946
Complete Citation:
Harrison, Lou. “On Quotation,” Modern Music, Vol. 23, No. 3 (Summer 1946).
Source: Journal
VI. Topical Studies
B. Musical Quotation or Borrowing

Henck, Herbert

Year: 1983
Complete Citation:
Henck, Herbert. “Literatur zu Charles Ives. 129 Neuaufnahmen.” In Neuland: Ansätze zur Musik der Gegenwart: Jahrbuch. Band 3. Cologne, Germany: Neuland Musikverlag, 1983.
Source: Chapter in Book
II. Reference Materials
D. Discographies

Henderson, Clayton W.

Year: 1974
Complete Citation:
Henderson, Clayton W. “Ives’ Use of Quotation.” Music Educators Journal 61/2 (October 1974): 24-28.
Source: Journal
VI. Topical Studies
B. Musical Quotation or Borrowing

Henerson, Clayton Wilson

Year: 1974
Complete Citation:
Henerson, Clayton Wilson. “Structural Importance of Borrowed Music in the Works of Charles Ives: A Preliminary Assessment.” In Report of the Eleventh Congress of the International Musicological Society held at Copenhagen, 1972, ed. Henrik Glahn et al., Vol. 1, 437-46. Copenhagen: Edition W. Hansen, 1974.
Source: Chapter in Book
VI. Topical Studies
B. Musical Quotation or Borrowing

Hitchcock, H. Wiley

Year: 1992
Complete Citation:
Hitchcock, H. Wiley. “Charles Ives and the spiritual “In the morning”/Give me Jesus.” In New Perspectives on Music: Essays in Honor of Eileen Southern, edited by Josephine Wright with Samuel Floyd, Jr. Warren MI: Harmonie Park Press, 1992, 163-71.
VI. Topical Studies
B. Musical Quotation or Borrowing

Iverson, Jennifer

Year: 2011
Complete Citation:
Iverson, Jennifer. “Creating Space: Perception and Structure in Charles Ives’s Collages.” Music Theory Online 17.2 (July 2011).
Source: Journal
VI. Topical Studies
B. Musical Quotation or Borrowing

Lyons, James

Year: 1954
Complete Citation:
Lyons, James. “A Prophet Passes.” American Record Guide 20/10, June 1954, 312, 313-15, 343.
Source: Magazine
II. Reference Materials
D. Discographies

MacLeod, Lynne L.

Year: 1993
Complete Citation:
MacLeod, Lynne L. “Ragtime and Classical Keyboard.” Mississippi Rag 20 (October 1993): 10-11.
Notes:

Discusses works by Ives, Debussy, Gruen- berg, Hindemith, Satie, Sousa, and Stravinsky.

Source: Journal
VI. Topical Studies
B. Musical Quotation or Borrowing

Malone, Andrew Lindemann

Year: 2005
Complete Citation:
Malone, Andrew Lindemann. “Opening Chorus: Hearsay - Jamie Baum.” JazzTimes: America’s Jazz Magazine, Vol. 35, No. 1 (2005): 37.
Source: Magazine
VI. Topical Studies
B. Musical Quotation or Borrowing

Marshall, Dennis

Complete Citation:
Boatwright, Howard. “Charles Ives' Quotations: Manner or Substance?.” In Perspectives on American Composers, edited by Benjamin Boretz and Edward T. Cone, 13-24. New York, NY: W.W. Norton, 1971.
VI. Topical Studies
B. Musical Quotation or Borrowing
Year: 1971
Complete Citation:
Marshall, Dennis. “Charles Ives’ Quotations: Manner or Substance?” In Perspectives on American Composers, edited by Benjamin Boretz and Edward T. Cone. New York, NY: W.W. Norton, 1971.
Source: Chapter in Book
VI. Topical Studies
B. Musical Quotation or Borrowing

Metzer, David Joel

Year: 2007
Complete Citation:
Metzer, David Joel. Quotation and cultural meaning in twentieth-century music. Cambridge, United Kingdom: Cambridge University Press, 2007.
Source: Book
VI. Topical Studies
B. Musical Quotation or Borrowing

Morgan, Robert P.

Year: 1974
Complete Citation:
Morgan, Robert P. “The Recordings of Charles Ives’s Music.” High Fidelity 24/10, October 1974, 70-76.
Source: Magazine
II. Reference Materials
D. Discographies
Year: 1976
Complete Citation:
Morgan, Robert P. “American Music and the Hand-Me-Down Habit.” High Fidel-ity, June 1976, 70-72.
Source: Magazine
VI. Topical Studies
B. Musical Quotation or Borrowing

Myers, Kurtz

Year: 1978
Complete Citation:
Myers, Kurtz. Index to Record Reviews, 74-78. Vol. 2. Boston, MA: G. K. Hall, 1978.
Notes:

Later Supplements include idem, <i>Index to Record Reviews, 1978-1983</i>, 165. Boston, MA: G.K. Hall and Co., 1985; and idem, <i>Index to Record Reviews,</i> <i>1984-1987</i>, 98. Boston, MA: G.K. Hall and Co., 1989.

Source: Book
II. Reference Materials
D. Discographies

Nancy Mandel, Alan Mandel, Eugene Gratovich, Regis Benoit, Daniel Stepner, and John Kirkpatrick

Year: 1977
Complete Citation:
“On performing the Violin Sonatas (Diskussion with Nancy Mandel, Alan Mandel, Eugene Gratovich, Regis Benoit, Daniel Stepner, John Kirkpatrick).” In An Ives Celebration: Papers and Panels of the Charles Ives Centennial Festival-Conference, edited by H. Wiley Hitchcock and Vivian Perlis, 127-140. Music in American Life. Urbana, Illinois: University of Illinois Press, 1977.
Source: Chapter in Book
VI. Topical Studies
B. Musical Quotation or Borrowing

Newman, Ron

Year: 1985
Complete Citation:
Newman, Ron. “Ragtime Influences in the Music of Charles Ives.” Jazz Research Papers 5 (1985): 145-156.
Source: Journal
VI. Topical Studies
B. Musical Quotation or Borrowing

Oja, Carol J. (editor)

Year: 1982
Complete Citation:
Oja, Carol J., ed. “Charles Ives.” In American Music Recordings: A Discography of 20th-Century U.S. Composers, 171-180. Institute for Studies in American Music. Brooklyn, NY: Brooklyn College of the City University of New York, 1982.
Source: Chapter in Book
II. Reference Materials
D. Discographies

Ostendorf, Berndt

Year: 1998
Complete Citation:
Ostendorf, Berndt. “Das amerikanische Folksong Revival: Ein Rückblick.” Jahrbuch für Volksliedforschung 43 (1998): 93-99.
Source: Journal
VI. Topical Studies
B. Musical Quotation or Borrowing