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Bibliography

Budiansky, Stephen

Year: 2013
Complete Citation:
Budiansky, Stephen. “Ives, Diabetes, and His ‘Exhausted Vein’ of Composition.” American Music 31.1 (Spring 2013): 1-25.
Source: Journal
VI. Topical Studies
I. Compositional Process

Carlson, Michael

Year: 1996
Complete Citation:
Carlson, Michael. “The Discomposing Composer.” Specta-tor 277/8781 (November 2, 1996): 44.
Notes:

“[H]is marvelous 'From Hanover Square North' ranks with Nielsen's Fifth as the most moving reactions to the Great War.”

Source: Journal
VI. Topical Studies
I. Compositional Process

Cave II, Lawrence Harold

Year: 1984
Complete Citation:
Cave II, Lawrence Harold. “Abstract: The Role of the Organ in Ives’ Develop-ment as Composer.” Sonneck Society for American Music Bulletin 10 (Fall 1984): 62.
Source: Journal
VI. Topical Studies
I. Compositional Process

Denahan, Donal

Year: 1982
Complete Citation:
Henahan, Donal. “When the Music Ceases to Sound: Ego, Morale or Changing Times Can Cause Composers to Quit at Their Peak.” Kansas City Star. April 25, sec. K, 10.
Notes:

“In 1916 he finished Symphony No. 4, and that was it: for the next 40 years, until his death in 1954 at the age of 79, Ives sat silent in Con-necticut.”

Source: Newspaper
VI. Topical Studies
I. Compositional Process

Heister, Hanns-Werner

Year: 2004
Complete Citation:
Heister, Hanns-Werner. “Mimesis, Memoria, Montage: Uber einige Prinzipien des Komponisten Ives.” In Charles Ives 1874-1954: Amerikanischer Pionier der Neuen Musik, edited by Hanns-Werner Heister and Werner Kremp, 163-178. Atlantische Texte, Vol. 23. Trier, Germany: Wissenschaftlicher Verlag Trier, 2004.
Source: Chapter in Book
VI. Topical Studies
I. Compositional Process

Isham, Howard

Year: 1973
Complete Citation:
Isham, Howard. “The Musical Thinking of Charles Ives.” Journal of Aesthetics and Art Criticism 31 (1973): 395-404.
Source: Journal
VI. Topical Studies
I. Compositional Process

Ives, Charles, Harmony Twitchell Ives, and Anton Rovinsky

Year: 1928, 1951
Complete Citation:
Correspondence from Charles and Harmony Twitchell Ives to Anton Rovinsky, 1928, 1951. General Manuscript Collection, Northwestern University Music Library, Evanston, Illinois.
Source: Manuscript Collection
II. Reference Materials
E. Correspondence

Kolter, Horst

Year: 1972
Complete Citation:
Koller, Horst. “Zur Kompositionstechnik von Charles Edward Ives.” Neue Zeitschrift für Musik 133 (1972): 559-567.
Source: Journal
VI. Topical Studies
I. Compositional Process

Mellers, Wilfrid H.

Year: 1964
Complete Citation:
Mellers, Wilfrid H. “Jottings of Charles Ives” [Appendix I]. In Music in a New Found Land: Themes and Developments in the History of American Music, 441-443. London, United Kingdom: Barrie and Rockliff, 1964.
Source: Chapter in Book
VI. Topical Studies
I. Compositional Process

Milligan, Terry G.

Year: 1984
Complete Citation:
Milligan, Terry G. “Charles Ives: Musical Activity at Poverty Flat (1898-1908).” Journal of Band Research 20/1 (Fall 1984): 30-36.
Source: Journal
VI. Topical Studies
I. Compositional Process

Norman, Gertrude and Miriam Shrifte, eds.

Year: 2010
Complete Citation:
Norman, Gertrude and Miriam Shrifte, eds. “Charles Ives.” In Letters of composers: an anthology. Whitefish, Montana: Kessinger Legacy Reprints, 2010.
Source: Book
II. Reference Materials
E. Correspondence

Ormandy, Eugene, David Ewen and F. Warren O’Reilly

Year: 1973
Complete Citation:
Ormandy, Eugene, David Ewen and F. Warren O’Reilly. Letters. “Correspondence: with Eugene Ormandy, 1973,” 1973, Eugene Ormandy Papers, Kislak Center for Special Collection, Rare Books and Manuscripts, University of Pennsylvania, Philadelphia, Pennsylvania.
Notes:

Correspondence related to Ives

Source: Archival Material
II. Reference Materials
E. Correspondence

Owens, Tom C., editor

Year: 2007
Complete Citation:
Owens, Tom C., ed. Selected Correspondence of Charles Ives. Berkeley: University of California Press, 2007.
Source: Book
II. Reference Materials
E. Correspondence

Patterson, Frank

Year: 1922
Complete Citation:
Patterson, Frank. “The Perfect Modernist: A Little Primer of Basic Principles (Twelfth Installment).” Musical Courier, February 16, 1922, 7.
Source: Magazine/Journal
VI. Topical Studies
I. Compositional Process

Rathert, Wolfgang

Year: 1997
Complete Citation:
Rathert, Wolfgang. “The idea of potentiality in the music of Charles Ives.” In Ives Studies, edited by Philip Lambert, 105-132. Cambridge, United Kingdom: Cambridge University Press, 1997.
Source: Chapter in Book
VI. Topical Studies
I. Compositional Process

Stepanich, Greg

Year: 2007
Complete Citation:
Stepanich, Greg. “Illumination from Letters of a Misunderstood Genius.” The Palm Beach Post, October 14, 2007, 7.
Source: Newspaper
II. Reference Materials
E. Correspondence

Stokowski, Leopold and Brooks Shepard

Year: 1964-1964
Complete Citation:
Stokowski, Leopold and Brooks Shepard. Lettters. “Correspondence with Leopold Stokowski, 1963-1964,” 1963-1964, Edwin A. Fleisher Music Collection, Irving S. Gilmore Music Library, Yale University, New Haven, Connecticut.
Notes:

Comprises 2 letters from Stokowski to Brooks Shepard, Librarian, concerning Charles Ives’ Fourth Symphony.

Source: Archival Material
II. Reference Materials
E. Correspondence

Swados, Elizabeth

Year: 1988
Complete Citation:
Swados, Elizabeth. Listening Out Loud: Becoming a Composer, 23, 40-42, 102. New York, NY: Harper and Row, 1988.
Notes:

Several mentions of Ives, especially regarding The Unanswered Question that her teacher, Henry Brant, introduced to her.

Source: Book
VI. Topical Studies
I. Compositional Process

Ward, Charles

Year: 1974
Complete Citation:
Ward, Charles. “Charles Ives’s Concept of Music.” Current Musicology, no. 18 (1974): 114-19.
Source: Journal
VI. Topical Studies
I. Compositional Process

no author listed

Year: 1955
Complete Citation:
“Notes of the Day (Value of Technical Skill in Composing Music).” Monthly Musical Record 85/968 (July-August): 141-144.
Source: Journal
VI. Topical Studies
I. Compositional Process