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Bibliography

Genres

Buckley, Dan

Year: 1998
Complete Citation:
Dan Buckley. “Slatkin Speaks.” Stereophile (March 1998): 85--87.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
C. Interviews

Burkholder, J. Peter

Year: 1998
Complete Citation:
Burkholder, J. Peter. “What Yale Meant to Ives & What Ives Means for Yale [Keynote Address].” Paper presented at Ives & Yale: A Celebration of the Centenary of Charles Ives’s Gradua-tion from Yale. Yale University, New Haven, Connecticut, April 3-5, 1998.
Source: Conference paper
Reprints:

Burkholder, J. Peter. “What Yale Meant to Ives & What Ives Means for Yale.” <i>College Music Symposium</i> 39 (1999): 27--42.

VI. Topical Studies
O. Ives and Yale
Year: 1999
Complete Citation:
Burkholder, J. Peter. “Ives and Yale: The Enduring Influence of a College Experience.” College Music Symposium 39 (1999): 27-42.
Source: Journal
VI. Topical Studies
O. Ives and Yale

Deming, Clarence

Year: 1915
Complete Citation:
Deming, Clarence. Yale Yesterdays. New Haven, CT: Yale University Press, 1915.
Source: Book
VI. Topical Studies
O. Ives and Yale

Eatock, Colin

Year: 2013
Complete Citation:
Eatock, Colin. “Marc-Andre Hamelin on the Road Less Travelled.” Queen’s Quarterly 120, no. 2 (Summer 2013): 290.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
C. Interviews

Ives, Charles, Harmony Twitchell Ives, and Anton Rovinsky

Year: 1928, 1951
Complete Citation:
Correspondence from Charles and Harmony Twitchell Ives to Anton Rovinsky, 1928, 1951. General Manuscript Collection, Northwestern University Music Library, Evanston, Illinois.
Source: Manuscript Collection
II. Reference Materials
E. Correspondence

Jolly, James

Year: 2004
Complete Citation:
Jolly, James. Interview: “Aimard Flies Free with Concord [Interview].” Gramophone 82/980 (June 2004): 30--31.
Notes:

A discussion of Pierre -Laurent Aimard's performances and recording of Sonata No. 2, “Concord, Mass., 1840--1860,” for piano.

Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
C. Interviews

Milligan, Terry G.

Year: 1984
Complete Citation:
Milligan, Terry G. “Charles Ives: Musical Activity at Yale.” Journal of Band Research 19/2 (Spring 1984): 39-50.
Source: Journal
VI. Topical Studies
O. Ives and Yale

Morgan, Robert P., Jan Swafford, Gayle Sherwood, Tom C. Owens.

Year: 1998
Complete Citation:
Panel: Robert P. Morgan (chair), Jan Swafford, Gayle Sherwood, Tom C. Owens. Panel at Ives & Yale: A Celebration of the Centenary of Charles Ives’s Gradua-tion from Yale. Yale University, New Haven, Connecticut, April 3-5, 1998.
Source: Festival Panel
Reprints:

<i>College Music Symposium</i> 39 (1999) 39: 27--42.

VI. Topical Studies
O. Ives and Yale

Norman, Gertrude and Miriam Shrifte, eds.

Year: 2010
Complete Citation:
Norman, Gertrude and Miriam Shrifte, eds. “Charles Ives.” In Letters of composers: an anthology. Whitefish, Montana: Kessinger Legacy Reprints, 2010.
Source: Book
II. Reference Materials
E. Correspondence

Noss, Luther

Year: 1984
Complete Citation:
Noss, Luther. A History of the Yale School of Music, 1855--1970. New Haven, CT: Yale School of Music, 1984.
Source: Book
VI. Topical Studies
O. Ives and Yale

Ormandy, Eugene, David Ewen and F. Warren O’Reilly

Year: 1973
Complete Citation:
Ormandy, Eugene, David Ewen and F. Warren O’Reilly. Letters. “Correspondence: with Eugene Ormandy, 1973,” 1973, Eugene Ormandy Papers, Kislak Center for Special Collection, Rare Books and Manuscripts, University of Pennsylvania, Philadelphia, Pennsylvania.
Notes:

Correspondence related to Ives

Source: Archival Material
II. Reference Materials
E. Correspondence

Owens, Tom C., editor

Year: 2007
Complete Citation:
Owens, Tom C., ed. Selected Correspondence of Charles Ives. Berkeley: University of California Press, 2007.
Source: Book
II. Reference Materials
E. Correspondence

Price, Jonathan

Year: 1968
Complete Citation:
Price, Jonathan. “The Rough Way up the Mountain.” Yale Alumni Magazine (April 1968): 28-37.
Source: Journal
Reprints:

Price, Jonathan. “The Rough Way up the Mountain.” <i>Music Educator's Journal</i> 55/2 (October 1968): 38-45.

VI. Topical Studies
O. Ives and Yale

Seibert, Donald C.

Year: 2006
Complete Citation:
Seibert, Donald C. “In Conversation with Richard Burns: An Oral History & Discography of Overtone Records.” ARSC Journal 37, no. 1, 2006: 21-35.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
C. Interviews

Stepanich, Greg

Year: 2007
Complete Citation:
Stepanich, Greg. “Illumination from Letters of a Misunderstood Genius.” The Palm Beach Post, October 14, 2007, 7.
Source: Newspaper
II. Reference Materials
E. Correspondence

Stokowski, Leopold and Brooks Shepard

Year: 1964-1964
Complete Citation:
Stokowski, Leopold and Brooks Shepard. Lettters. “Correspondence with Leopold Stokowski, 1963-1964,” 1963-1964, Edwin A. Fleisher Music Collection, Irving S. Gilmore Music Library, Yale University, New Haven, Connecticut.
Notes:

Comprises 2 letters from Stokowski to Brooks Shepard, Librarian, concerning Charles Ives’ Fourth Symphony.

Source: Archival Material
II. Reference Materials
E. Correspondence

Wyatt, Judith

Year: 1985
Complete Citation:
Wyatt, Judith. “The Beaux Arts Trio: Experience Speaks: Fifth Edition.” The Morning Call, March 29, 1985.
Notes:

Book review for “The Beaux Arts Trio: A Portrait”

Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
C. Interviews

no author listed

Year: 1998
Complete Citation:
Ives & Yale: A Celebration of the Centenary of Charles Ives’s Gradua-tion from Yale. Yale University, New Haven, Connecticut, April 3-5, 1998.
Source: Festival
VI. Topical Studies
O. Ives and Yale
Year: 1998
Complete Citation:
“Ives and Yale: The Enduring Influence of a College Experience.” Paper presented at Ives & Yale: A Celebration of the Centenary of Charles Ives’s Gradua-tion from Yale. Yale University, New Haven, Connecticut, April 3-5, 1998.
Source: Conference paper
Reprints:

“Ives and Yale: The Enduring Influence of a College Experience.” <i>College Music Symposium</i> 39 (1999): 27--42.

VI. Topical Studies
O. Ives and Yale