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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Bond, Victoria

Year: 1991
Complete Citation:
Bond, Victoria. “Towards Creating a Composer-Friendly Environment.” Journal of the Conductors' Guild 12/1-2 (Winter-Spring 1991): 64-70.
Source: Journal
VI. Topical Studies
R. Performance Approaches

Cowell, Henry

Year: 1927
Complete Citation:
Cowell, Henry. “Our inadequate notation.” Modern Music 4 (March-April 1927): 31.
Source: Journal
VI. Topical Studies
R. Performance Approaches

Darter, Tom

Year: 1996
Complete Citation:
Darter, Tom. “Conductor, Pianist, Composer: Michael Tilson Thomas on Contemporary Music, Notation vs. Interpretation, and the Keyboard as the Conduit for Musical Thought.” Keyboard, Vol. 22, No. 7 (1996): 62-68, 70, 72.
Source: Magazine
VI. Topical Studies
R. Performance Approaches

de Mare, Anthony

Year: 1999
Complete Citation:
de Mare, Anthony. “The Sound of the Performer Thinking.” Listen to Norway, Vol. 7, No. 2 (1999): 26-27.
Source: Journal
VI. Topical Studies
R. Performance Approaches

Glass, Herbert

Year: 1974
Complete Citation:
Glass, Herbert. “Currying Charles Ives, a Centenary Canonization.” Los Angeles Times, November 17, 1974, P54.
Source: Newspaper
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
E. Centenary

Goldstein, Malcolm

Year: 2008
Complete Citation:
Goldstein, Malcolm. “Some Anecdotal Evidence.” American Music 26, no. 4 (Winter 2008): 499-513.
Source: Journal
VI. Topical Studies
R. Performance Approaches

Harrison, Max

Year: 1974
Complete Citation:
Harrison, Max. “The Heroic Sweep of Charles Ives.” The Times, October 26, 1974, 11.
Source: Newspaper
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
E. Centenary

Haylock, Julian

Year: 2004
Complete Citation:
Haylock, Julian. “Has Cello, Will Travel.” The Strad, Vol. 115, (2004): 1282-1283, 1285-1286.
Source: Magazine
VI. Topical Studies
R. Performance Approaches

Henck, Herbert

Year: 2004
Complete Citation:
Henck, Herbert. “Do whatever seems natural or best to you.” In Charles Ives, 1874-1954. Amerikanischer Pionier der Neuen Musik, edited by Haans-Werner Meister, 116-122. Trier, Germany: Wissenschaftlicher Verlag Trier, 2004.
Source: Book
VI. Topical Studies
R. Performance Approaches

Hume, Paul

Year: 1974
Complete Citation:
Hume, Paul. “Ives Centenary: First, the Good News.” Los Angeles Times, 1974, W50.
Source: Newspaper
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
E. Centenary
Year: 1974
Complete Citation:
Hume, Paul. “Ives Centenary: First, the Good News.” Los Angeles Times, July 14, 1974, W50.
Source: Newspaper
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
E. Centenary
Year: 1974
Complete Citation:
Hume, Paul. “Ives and Uncle Ed: Of Charles Ives and Uncle Ed.” The Washington Post, May 19, 1974, M1.
Source: Newspaper
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
E. Centenary
Year: 1974
Complete Citation:
Hume, Paul. “Ives Comes of Age: Celebrating 100 Years of Charles Ives.” The Washington Post, October 20, 1974, E1.
Source: Newspaper
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
E. Centenary

Ives, Charles, Harmony Twitchell Ives, and Anton Rovinsky

Year: 1928, 1951
Complete Citation:
Correspondence from Charles and Harmony Twitchell Ives to Anton Rovinsky, 1928, 1951. General Manuscript Collection, Northwestern University Music Library, Evanston, Illinois.
Source: Manuscript Collection
II. Reference Materials
E. Correspondence

Keough, James

Year: 2004
Complete Citation:
Keough, James. “Are My Ears on Wrong?” Strings, vol. 19, no. 3 (October 2004): 122.
Notes:

<a target="_blank" href="http://www.stringsmagazine.com/issues">A look at the Ives legacy, especially in “Decoration Day.” Available online at www.stringsmagazine.com/issues.</a&gt;

Source: Magazine
VI. Topical Studies
R. Performance Approaches

Mauceri, John, moderator

Year: 1977
Complete Citation:
Mauceri, John, moderator. “Conductors’ Experiences (Discussion with John Mauceri, Gunther Schuller, Lehman Engel, Nicolas Slonimsky, Arthur Weisberg, James Sinclair, Gregg Smith, Roque Cordero.” In An Ives Celebration. Papers and Panels of the Charles Ives Centennial Festival Conference. Music in American Life. Urbana, Illinois: University of Illinois Press, 113-126.
Source: Chapter in Book
VI. Topical Studies
R. Performance Approaches

McLellan, Joseph

Year: 1974
Complete Citation:
McLellan, Joseph. “Unanswered Questions: Abounding Unanswered Questions about Charles Ives.” The Washington Post, October 20, 1974, E1.
Source: Newspaper
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
E. Centenary
Year: 1975
Complete Citation:
McLellan, Joseph. “Centennial: Schoenberg and Ives: Recordings Two Record Centennials: Schoenberg and Ives.” The Washington Post, August 24, 1975, 145.
Source: Newspaper
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
E. Centenary

Mead, Andrew

Year: 2007
Complete Citation:
Mead, Andrew. “On Tempo Relations.” Perspectives of New Music 45, no. 1 (Winter 2007): 64-108.
Source: Journal
VI. Topical Studies
R. Performance Approaches

Nardi, Gregorio

Year: 2004
Complete Citation:
Nardi, Gregorio. “Interpretare Ie Interpretazione.” Musica 21/60 (October 2004): 39--42.
Source: Journal
VI. Topical Studies
R. Performance Approaches