Avila, Joseph D.
    Year: 2012
Complete Citation: 
Avila, Joseph D. “Property: Sale of Ives Home Ends on Sad Note for Fans --- Grandson of Famed Composer in Handshake Deal with Private Buyer; Plans to Preserve Connecticut Property are Stymied.” The Wall Street Journal, September 18, 2012.Source: Newspaper
VI. Topical Studies
U. Institutions and Ives’ Legacy
Year: 2012
Complete Citation: 
Avila, Joseph D. “Seeking to Save Composer’s Retreat.” The Wall Street Journal, August 31, 2012.Source: Newspaper
VI. Topical Studies
U. Institutions and Ives’ Legacy
Cahill, Greg
    Year: 2012
Complete Citation: 
Cahill, Greg. “Matheson Awarded Ives Composer Prize.” Strings, Vol. 26, No. 9 (2012): 13.Source: Magazine
VI. Topical Studies
U. Institutions and Ives’ Legacy
Charles, Eleanor
    Year: 1979
Complete Citation: 
Charles, Eleanor. “Connecticut Guide: School Finance Forum A Charles Ives Center.” The New York Times, March 11, 1979, 7.Source: Newspaper
VI. Topical Studies
U. Institutions and Ives’ Legacy
Eichler, Jeremy
    Year: 2012
Complete Citation: 
Eichler, Jeremy. “Losing the Home of America’s Great Composer: Third Ear.” The Boston Globe, September 30, 2012.Source: Newspaper
VI. Topical Studies
U. Institutions and Ives’ Legacy
Hartke, Stephen
    Year: 2004
Complete Citation: 
Hartke, Stephen. “Center Stage: Ives: Our Musical Grandfather.” In Charles Ives: An American Original in Context, 22, 24, 26. Program booklet [Playbill]. New York, NY: Avery Fischer Hall, May 11-29, 2004.Source: Program Booklet
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
D. Program Notes
Hutton, Edna Rait
    Year: 1965
Complete Citation: 
Hutton, Edna Rait. “Years Add Luster to Ives Legacy.” Pan Pipes 57/3 (March 1965): 35.Source: Journal
VI. Topical Studies
U. Institutions and Ives’ Legacy
Ives, Charles, Harmony Twitchell Ives, and Anton Rovinsky
    Year: 1928, 1951
Complete Citation: 
Correspondence from Charles and Harmony Twitchell Ives to Anton  Rovinsky, 1928, 1951. General Manuscript Collection, Northwestern  University Music Library, Evanston, Illinois.Source: Manuscript Collection
II. Reference Materials
E. Correspondence
Keller, James M.
    Year: 2004
Complete Citation: 
Keller, James M. “Notes on the Program.” May 12 (35--38); May 15, 19-20 (45--49); May 11, 13 (35--39); May 21-22, 25 (35--40, 40D, 40E); May 27--29 (38, 45-48). In Charles Ives: An American Original in Context. Program booklet [Playbill]. New York, NY: Avery Fischer Hall, May 11-29, 2004.Source: Program Booklet
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
D. Program Notes
Leeuw, Reinbert de
    Year: 1968
Complete Citation: 
Leeuw, Reinbert de. “Charles Ives Society Founded in Holland.” Sonorum Speculum no. 35 (Summer 1968): 13-16.Source: Journal
VI. Topical Studies
U. Institutions and Ives’ Legacy
Norman, Gertrude and Miriam Shrifte, eds.
    Year: 2010
Complete Citation: 
Norman, Gertrude and Miriam Shrifte, eds. “Charles Ives.” In Letters of composers: an anthology. Whitefish, Montana: Kessinger Legacy Reprints, 2010.Source: Book
II. Reference Materials
E. Correspondence
Noroa, Daniel Quiroga
    Year: 1996
Complete Citation: 
Noroa, Daniel Quiroga. “Creadon Musical Chilena: Encargo ‘Charles Ives’ para Compositores.” Revista musical chilena 50  (July-December 1996): 85-85.Source: Magazine
VI. Topical Studies
U. Institutions and Ives’ Legacy
Ormandy, Eugene, David Ewen and F. Warren O’Reilly
    Year: 1973
Complete Citation: 
Ormandy, Eugene, David Ewen and F. Warren O’Reilly. Letters.  “Correspondence: with Eugene Ormandy, 1973,” 1973, Eugene Ormandy  Papers, Kislak Center for Special Collection, Rare Books and  Manuscripts, University of Pennsylvania, Philadelphia, Pennsylvania.Notes: Correspondence related to Ives
 Source: Archival Material
II. Reference Materials
E. Correspondence
Owens, Tom C., editor
    Year: 2007
Complete Citation: 
Owens, Tom C., ed. Selected Correspondence of Charles Ives. Berkeley:  University of California Press, 2007.Source: Book
II. Reference Materials
E. Correspondence
Ross, Alex
    Year: 1993
Complete Citation: 
Ross, Alex. “A Battleground for Iconoclasts: A Piano Series shows American Composers at War for the New.” The New York Times, November 14, 1993, 79.Source: Newspaper
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
D. Program Notes
Rothstein, Edward
    Year: 1980
Complete Citation: 
Rothstein, Edward. “Ives Country.” The New York Times, August 22, 1980, sec. C, 8.Source: Newspaper
VI. Topical Studies
U. Institutions and Ives’ Legacy
Sachs, Joel
    Year: 2004
Complete Citation: 
Sachs, Joel. “All About Ives—Half a Century Later.” Program notes for  seven programs. Lincoln Center, Juilliard School of Music, New York,  New York, January 23-30, 2004.Source: Program Notes
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
D. Program Notes
Sanders, Donald
    Year: 1976
Complete Citation: 
Sanders, Donald. “Plaques Mark Homes of Ives, Ellington.” Boston Globe, August 17, 1976, 20.Source: Newspaper
VI. Topical Studies
U. Institutions and Ives’ Legacy
Schuman, William
    Year: 1940-1941
Complete Citation: 
Schuman, William. “A Brief Study of Music Organizations Founded in the Interest of the Living Composer.” Twice a Year (Fall-Winter 1940 and Spring-Summer 1941) 5-6: 361--367.Notes: A brief but worthwhile sur-vey, especially of “The League of  Composers” (365): “The Arrow Music Press is a cooperative venture. The  composer pays all, or a portion of, the expense of publishing his  compositions and in return receives all but a small fraction of the  return. A very interesting catalogue has al-ready been issued by the  press, which appears to be increasing its acti-vities.” With the Arrow  Press imprint and its subsidiary Cos Cob Press, the following works of  Ives were published: Sonata [No. 4] for violin and piano; Serenity;  Sixty--Seventh Psalm; Charlie Rutlage; Evening; The Greatest Man',  Walking; Seven Songs’, Third Symphony (“The Camp Meeting”) [CI 87);  Sonata No. 2, “Concord, Mass., 1840--1860,” for piano; and Where the  Eagle (in the Cos Cob Song Volume). The Cos Cob Press was later  absorbed by the Arrow Music Press that in turn was merged into  Associated Music Publishers. Ives and Walter Piston had the most  titles in this catalogue. The article re-prints “Prologue” from Essays  Before a Sonata.
 Source: Journal
VI. Topical Studies
U. Institutions and Ives’ Legacy
Sherman, R.
    Year: 1981
Complete Citation: 
Sherman, R. “Ives Center Draws Young Composers.” The New York Times, July 26, 1981, CN16.Source: Newspaper
VI. Topical Studies
U. Institutions and Ives’ Legacy