Baron, Carol K.
Year: 1992
Complete Citation:
Baron, Carol K. “George Ives’s Essay in Music Theory: An Introduction and Annotated Edition.” American Music 10/3 (Fall 1992): 239-288.Source: Journal
II. Reference Materials
F. Selected Archival Materials
Year: 2000
Complete Citation:
Baron, Carol K. “New Ives Sources.” Institute for Studies in American Music Newsletter 29/2 (Spring 2000).Source: Journal
II. Reference Materials
F. Selected Archival Materials
Bellamann, Henry
Year: 1927
Complete Citation:
Bellamann, Henry. 1927. “Program Notes.” Pro Musica Concert, January 29. Charles Ives Pa-pers, Mss.14, folder 2, Box 50. Irving S. Gilmore Music Library, Yale University. New Haven.Source: Program Notes
II. Reference Materials
F. Selected Archival Materials
Berger, Arthur
Year: 1933
Complete Citation:
Berger, Arthur. “Charles Ives,” June 4, 1933. Typescript for Pan American Concert. Charles Ives Papers. Mss. 14, folder 2, box 56. Irving S. Gilmore Music Library, Yale University. New Haven.Source: Journal
II. Reference Materials
F. Selected Archival Materials
Bernstein, Leonard
Year: 1958
Complete Citation:
Bernstein, Leonard. “Thursday Evening Preview Scripts: Opening of the New York Philharmonic Season of 1958-1959,” October 2, 1958. Leonard Bernstein Collection, folder 13, box 75. Music Division, Library of Congress, Washington D.C.Source: Preview Script
II. Reference Materials
F. Selected Archival Materials
Year: 1967
Complete Citation:
Bernstein, Leonard. “Young People’s Concerts Scripts: Charles Ives: American Pioneer,” 1967. February 23. Leonard Bernstein Collection, folder 04, box 111. Music Division, Library of Congress, Washington D.C.Source: Program Script
II. Reference Materials
F. Selected Archival Materials
Brooks, William and Burkholder, J. Peter
Year: 1982
Complete Citation:
Brooks, William, and Burkholder, J. Peter. Typescript. “Books in Bigelow Ives’ Library and Identified by Him as Belonging to Charles Ives or His family.” Spring 1982, revised March 1984.Source: Unpublished, 1982
II. Reference Materials
F. Selected Archival Materials
Cowell, Henry and Nicolas Slonimsky
Year: 1931
Complete Citation:
Cowell, Henry and Nicolas Slonimsky. Program Notes. Pan American Concert, Paris, June 6, 1931.Source: Program Notes
II. Reference Materials
F. Selected Archival Materials
Gibbens, John Jeffrey
Year: 1989
Complete Citation:
Gibbens, John Jeffrey. “Debussy, counterpart and rejected model: an essay on Charles Ives.” Unpublished Manuscript, 1989.Notes: Originally commissioned for a collection of essays edited by Geoffrey Block
Source: Unpublished Manuscript
II. Reference Materials
F. Selected Archival Materials
Ives, Charles
Year: 2004
Complete Citation:
Ives, Charles. “Charles Ives.” In Modernism and Music: An Anthology of Sources, edited by Daniel Albright, 155-162. New York, NY: Schirmer Books, 2004.Notes: Reprints excerpts from Ives’s writings: Essays Before a Sonata, Postface to 114 Songs, and Music and Its Future.
Source: Chapter in Book
II. Reference Materials
F. Selected Archival Materials
Ives, Charles, Harmony Twitchell Ives, and Anton Rovinsky
Year: 1928, 1951
Complete Citation:
Correspondence from Charles and Harmony Twitchell Ives to Anton Rovinsky, 1928, 1951. General Manuscript Collection, Northwestern University Music Library, Evanston, Illinois.Source: Manuscript Collection
II. Reference Materials
E. Correspondence
Johnson, H. Earle
Year: 1950
Complete Citation:
Johnson, H. Earle Johnson. Symphony Hall, Boston, 352. Boston, MA: Little Brown, 1950.Source: Concert program
II. Reference Materials
F. Selected Archival Materials
Kahn, Eve M.
Year: 2014
Complete Citation:
Kahn, Eve M. “Charles Ives’s Workroom, Pencil Shavings Preserved: Movies, Performing Arts/Weekend Desk.” The New York Times, February 28, 2014.Source: Newspaper
II. Reference Materials
F. Selected Archival Materials
Kirkpatrick, John
Year: ???
Complete Citation:
Kirkpatrick, John. “Chronology of the life and work of Charles Ives, 1874-1954.” Unpublished manuscript, microfilm. Irving S. Gilmore Music Library, Yale University Library, New Haven, Connecticut.Source: Manuscript Collection
II. Reference Materials
F. Selected Archival Materials
Complete Citation:
Typescript for talk given July 4. John Kirkpatrick Papers. Mss. 56, folder 568, box 61. Irving S. Gilmore Music Library, Yale University. New Haven, ConnecticutSource: Talk transcript
II. Reference Materials
F. Selected Archival Materials
Complete Citation:
Kirkpatrick, John. Ives’s Transcendental Achievement. John Kirkpatrick Papers. Mss. 56, Folder 568, Box 61. Irving S. Gilmore Music Library, Yale University. Unpublished typescript, July 4, 1958.Notes: Typescript for talk given at Tanglewood on July 4, 1958.
Source: Manuscript
II. Reference Materials
F. Selected Archival Materials
Year: 1936
Complete Citation:
Kirkpatrick, John. “Program Notes-Recital, Town Hail, New York.” January 8, 1936: 35-36.Source: Program Notes
II. Reference Materials
F. Selected Archival Materials
Year: 1939
Complete Citation:
Kirkpatrick, John. Program Notes. Recital, Town Hall, New York.” January 20, 1939, 85-101.Source: Program Notes
II. Reference Materials
F. Selected Archival Materials
Year: 1956
Complete Citation:
Kirkpatrick, John. Tentative Outline for 5 March 1956 of Hymns Used in Ives’s Third Symphony, the Camp Meeting (1901-1911). Cornell University Archives, Ithaca, NY. Unpublished typescript, March 5, 1956.Source: Archive
II. Reference Materials
F. Selected Archival Materials
Year: 1958
Complete Citation:
Kirkpatrick, John. Charles E. Ives (1874-1954)—2nd String Quartet (1907-1913): A Tentative Comparison of Ives’s Autograph Pencil Sketch with the Published Small Score (New York: Peer International, 1954). Cornell University, Ithaca, NY, 1958.Source: Unpublished Typescript
II. Reference Materials
F. Selected Archival Materials