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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Owens, Tom (editor)

Year: 1996
Complete Citation:
Owens, Tom, ed. “Selected Correspondence 1881-1954.” In Charles Ives and His World, 199-270. Princeton, NJ: Princeton University Press, 1996.
Source: Chapter in Book
II. Reference Materials
F. Selected Archival Materials

Perlis, Vivian

Year: 1972
Complete Citation:
Perlis, Vivian. “Ives and Oral History.” Notes 28 (1972): 629-642.
Source: Journal
II. Reference Materials
F. Selected Archival Materials
Year: 1991
Complete Citation:
Perlis, Vivian. “Charles Ives and Oral History.” Paper presented at Contemporary Music Festival: The Life and Works of Charles Ives. Longwood College, Department of Music, Farmville, Virginia, October 24-25, 1991.

Source: Conference paper
II. Reference Materials
F. Selected Archival Materials

Perlis, Vivian, and Libby Van Cleve

Year: 2005
Complete Citation:
Perlis, Vivian, and Libby Van Cleve. Composers' Voices from Ives to Ellington: An Oral History of American Music. New Haven, CT: Yale University Press, 2005.
Source: Book
VI. Topical Studies
F. Selected Archival Materials

Perlis, Vivian and Libby Van Cleve

Year: 2005
Complete Citation:
Perlis, Vivian and Libby Van Cleve. Voices of America’s Musical Cen-tury. New Haven, CT: Yale University Press, 2005.
Notes:

Volume 1 has an accompany ing compact disc from the Yale Oral History Archives with Ives -related interviews.

Source: Book
II. Reference Materials
F. Selected Archival Materials
Year: 2005
Complete Citation:
Perlis, Vivian and Libby Van Cleve. “Charles Ives: 1874-1954.” In Composer's voices from Ives to Ellington: an oral history of American music, 8-21. New Haven, CT: Yale University Press, 2005.
Source: Book
II. Reference Materials
F. Selected Archival Materials

Perison, Harry

Year: 1974
Complete Citation:
Perison, Harry. “The Quarter-Tone System of Charles Ives.” Current Musicology, no. 18 (1974): 96-104.
Source: Journal
VI. Topical Studies
G. Music Theory Analyses

Phelps, William Lyon

Year: 1922
Complete Citation:
William Lyon Phelps, “The Glorious Year Nineteen-Twenty.” Yale Alumni Weekly (December 17, 1922): 308.
Source: Magazine
II. Reference Materials
F. Selected Archival Materials

Porter, David Gray

Year: 1996
Complete Citation:
Porter, David Gray. Typescript of article. “Six articles on the works of American composer Charles Edward Ives,” 1996, University of California, Los Angeles Library, Los Angeles, California.
Source: Archival Material
II. Reference Materials
F. Selected Archival Materials

Reinhard, Johnny

Year: 2005
Complete Citation:
“Extended Pythagorean Tuning.” New Music Box. New Music USA, December 21, 2005. www.nmbx.newmusicusa.org.
Notes:

Reinhard cites writings in which Ives identifies usual enharmonic notes [e.g., C# and Db) as being different.

Source: Online article
VI. Topical Studies
G. Music Theory Analyses

Sakae, Yoneda

Year: 1988
Complete Citation:
Sakae, Yoneda. “Charles Ives no ongakukozo ni okeru de-composition.” Ongakugaku 34/2 (1988): 97-111.
Source: Journal
VI. Topical Studies
G. Music Theory Analyses

Schoffman, Nachum

Year: 1981
Complete Citation:
Schoffman, Nachum. “Serialism in the Works of Charles Ives.” Tempo: A Quarterly Review of Modern Music, no. 138 (September 1981): 21-32.
Source: Journal
VI. Topical Studies
G. Music Theory Analyses
Year: 1986
Complete Citation:
Schoffman, Nachum. “Ives: un exemple de polyphonie complexe.” Contrechamps 7 (1986): 155-171.
Source: Journal
VI. Topical Studies
G. Music Theory Analyses

Schuller, Gunther

Year: 1986
Complete Citation:
Schuller, Gunther. “Form, Content, and Symbol.” In Musings: The Musical Worlds of Gunther Schuller, 275-276. New York, NY: Oxford University Press, 1986.
Notes:

Discusses absolute music and program music.

Source: Chapter in Book
VI. Topical Studies
G. Music Theory Analyses

Scott, Ann Besser

Year: 1994
Complete Citation:
Scott, Ann Besser. “Medieval and Renaissance Techniques in the Music of Charles Ives: Horatio at the Bridge?” Musical Quarterly 78/3 (Fall 1994): 448-478.
Source: Journal
VI. Topical Studies
G. Music Theory Analyses

Searle, Humphrey

Year: 1954
Complete Citation:
Searle, Humphrey. Twentieth Century Counterpoint, 124-126, 133. London, United Kingdom: Ernest Benn Limited, 1954.
Source: Book
VI. Topical Studies
G. Music Theory Analyses

Sites, Michael

Year: 1993
Complete Citation:
Sites, Michael. “Spatiality Revisited in the Music of Charles Ives.” Paper presented at Ives-Copland Festival. University of Northern Colorado, Hensel-Phelps Auditorium and Theater, Greeley, Colorado, October 28-30, 1993.
Source: Conference paper
VI. Topical Studies
G. Music Theory Analyses

Slominsky, Nicolas and Thomas Bertonneau

Year: 1979
Complete Citation:
Slominsky, Nicolas and Thomas Bertonneau. Muses and lexicons. Oral history transcript. Oral History Program, University of California, Los Angeles, Los Angeles, California, 1979.
Source: Book
II. Reference Materials
F. Selected Archival Materials

Slonimsky, Nicolas

Year: 1931
Complete Citation:
Slonimsky, Nicolas. Program Notes. New Music Society Concert. September 3, 1931.
Source: Program Notes
II. Reference Materials
F. Selected Archival Materials

Smith, Kenneth M.

Year: 2011
Complete Citation:
Smith, Kenneth M. “The Tonic Chord and Lacan's Object a in Selected Songs by Charles Ives.” Journal of the Royal Musical Association, vol. 136, no. 2 (2011): 353-398.
Source: Journal
VI. Topical Studies
G. Music Theory Analyses