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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Hitchcock, H. Wiley

Year: 1987
Complete Citation:
Hitchcock, H. Wiley. “Charles Ives und seine Zeit.” In Amerikanische Musik seit Charles Ives: Interpretationen, Quellentexte, Komponistenmonographien. Laaber, Germany: Lauber-Verlag (1987): 21-29.
Source: Chapter in Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Howard, John Tasker

Year: 1942
Complete Citation:
Howard, John Tasker. This Modern Music: A Guide for the Bewildered Listener, 131-133, 179, 194. New York, NY: Crowell, 1942.
Notes:

Ives is treated super-ficially in a chapter on polytonality, with Psalm 67 used as an example Howard comments on the polyrhythms of “Washington's Birthday” and Ives's use of tone clusters.

Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Ivashkin, Alexander

Year: 2016
Complete Citation:
Ivashkin, Alexander. “Symbols, Metaphors and Irrationalities in Twentieth-Century Music.” In Facets of Russian Irrationalism between Art and Life, 415-432. Amsterdam, Netherlands: Rodopi, 2016.
Source: Chapter in Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Ives, Charles

Year: 2004
Complete Citation:
Ives, Charles. “Charles Ives.” In Modernism and Music: An Anthology of Sources, edited by Daniel Albright, 155-162. New York, NY: Schirmer Books, 2004.
Notes:

Reprints excerpts from Ives’s writings: Essays Before a Sonata, Postface to 114 Songs, and Music and Its Future.

Source: Chapter in Book
II. Reference Materials
F. Selected Archival Materials

Iwaschkin, Aleksandr

Year: 1987
Complete Citation:
Iwaschkin, Aleksandr. “Das Paradoxon des Traditionellen in der Musik von Charles Ives.” Kunst und Literaturrichtung 35 (1987): 812-837.
Source: Journal
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Jensen, Jørgen I.

Year: 1969
Complete Citation:
Jensen, Jørgen I. “Charles Ives—En Musikalsk Modernist.” Dansk Musik Tidsskrift (1969): 13--19.
Source: Journal
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Johnson, H. Earle

Year: 1950
Complete Citation:
Johnson, H. Earle Johnson. Symphony Hall, Boston, 352. Boston, MA: Little Brown, 1950.
Source: Concert program
II. Reference Materials
F. Selected Archival Materials

Johnson, Russell I.

Year: 1970
Complete Citation:
Johnson, Russell I. “A View of 20th-century Expression.” Journal of Aes-thetics and Art Criticism 28/3 (Spring 1970): 361-368.
Source: Journal
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Year: 1970
Complete Citation:
Johnson, Russell I. “A View of Twentieth-Century Expression.” Journal of Aesthetics and Art Criticism 28 (1970): 361-368.
Source: Journal
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Johnson, Russell, I.

Year: 1970
Complete Citation:
Johnson, Russell I. “A View of Twentieth- Century Expression.” Journal of Aesthet-ics and Art Criticism 28 (Spring 1970): 361-368.
Source: Journal
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Kahn, Eve M.

Year: 2014
Complete Citation:
Kahn, Eve M. “Charles Ives’s Workroom, Pencil Shavings Preserved: Movies, Performing Arts/Weekend Desk.” The New York Times, February 28, 2014.
Source: Newspaper
II. Reference Materials
F. Selected Archival Materials

Keller, James M.

Year: 2001
Complete Citation:
Keller, James M. “Search for the Modern: Early 20th- Century Mavericks.” In American Mavericks: Musical Visionaries, Pioneers, Iconoclasts, edited by Susan Key and Larry Rothe, 21-22. Berkeley, CA: University of California Press, 2001.
Notes:

This book is a complement to the 2002 Festival of the same name presented by the San Francisco Symphony.

Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Kirkpatrick, John

Complete Citation:
Typescript for talk given July 4. John Kirkpatrick Papers. Mss. 56, folder 568, box 61. Irving S. Gilmore Music Library, Yale University. New Haven, Connecticut
Source: Talk transcript
II. Reference Materials
F. Selected Archival Materials
Year: ???
Complete Citation:
Kirkpatrick, John. “Chronology of the life and work of Charles Ives, 1874-1954.” Unpublished manuscript, microfilm. Irving S. Gilmore Music Library, Yale University Library, New Haven, Connecticut.
Source: Manuscript Collection
II. Reference Materials
F. Selected Archival Materials
Complete Citation:
Kirkpatrick, John. Ives’s Transcendental Achievement. John Kirkpatrick Papers. Mss. 56, Folder 568, Box 61. Irving S. Gilmore Music Library, Yale University. Unpublished typescript, July 4, 1958.
Notes:

Typescript for talk given at Tanglewood on July 4, 1958.

Source: Manuscript
II. Reference Materials
F. Selected Archival Materials
Year: 1936
Complete Citation:
Kirkpatrick, John. “Program Notes-Recital, Town Hail, New York.” January 8, 1936: 35-36.
Source: Program Notes
II. Reference Materials
F. Selected Archival Materials
Year: 1939
Complete Citation:
Kirkpatrick, John. Program Notes. Recital, Town Hall, New York.” January 20, 1939, 85-101.
Source: Program Notes
II. Reference Materials
F. Selected Archival Materials
Year: 1956
Complete Citation:
Kirkpatrick, John. Tentative Outline for 5 March 1956 of Hymns Used in Ives’s Third Symphony, the Camp Meeting (1901-1911). Cornell University Archives, Ithaca, NY. Unpublished typescript, March 5, 1956.
Source: Archive
II. Reference Materials
F. Selected Archival Materials
Year: 1958
Complete Citation:
Kirkpatrick, John. Charles E. Ives (1874-1954)—2nd String Quartet (1907-1913): A Tentative Comparison of Ives’s Autograph Pencil Sketch with the Published Small Score (New York: Peer International, 1954). Cornell University, Ithaca, NY, 1958.
Source: Unpublished Typescript
II. Reference Materials
F. Selected Archival Materials
Year: 1961
Complete Citation:
Kirkpatrick, John. 1961. “Ives, Transcendentalist in Music.” Typescript for talk given October 26. John Kirkpatrick Papers. Mss. 56, folder 568, box 61. Irving S.Gilmore Music Library. Yale University. New Haven, Connecticut.
Source: Talk transcript
II. Reference Materials
F. Selected Archival Materials