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Bibliography

Nimczik, Ortwin

Year: 1996
Complete Citation:
Nimczik, Ortwin. “Bibliothek: “Visionen und Aufbrüche, Zur Krise der modernen Musik 1908-1933,” Hrsg. von Günther Metz.” Musik & Bildung: Praxis Musikerziehung, Vol. 28, No. 6 (1996): 58-59.
Source: Journal (book review)
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

O’Grady, Terence J.

Year: 1993
Complete Citation:
O’Grady, Terence J. “Critical Perspectives in Early 20th-century American Avant-Garde Composers.” Journal of Aesthetic Education 27/2 (Summer 1993): 15-28.
Source: Journal
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Obert, Simon

Year: 2008
Complete Citation:
Obert, Simon. Musikalische Kürze zu Beginn des 20. Jahrhunderts. Stuttgart, Germany: Franz Steiner, 2008.
Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Oja, Carol J.

Year: 2001
Complete Citation:
Oja, Carol J. Making Music Modern: New York in the 1920s. Oxford, United Kingdom: Oxford University Press, 2001.
Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Overmyer, Grace

Year: 1827
Complete Citation:
Overmyer, Grace. “Quarter -Tones and Less.” American Mercury- 12/46 (Octo-ber 1927): 207-210.
Notes:

An article dealing with infinite tunings (1/4, 1/8, 1/16 tones); cites concert of 1925 February 14 for the Franco-American Musical Society (music by Hans Barth and Ives; Barth and Sigmund Klein, pianos). States that Ives is “a New York business man and an enthusiastic musical amateur.”

Source: Journal
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Owens, Tom (editor)

Year: 1996
Complete Citation:
Owens, Tom, ed. “Selected Correspondence 1881-1954.” In Charles Ives and His World, 199-270. Princeton, NJ: Princeton University Press, 1996.
Source: Chapter in Book
II. Reference Materials
F. Selected Archival Materials

Perlis, Vivian

Year: 1972
Complete Citation:
Perlis, Vivian. “Ives and Oral History.” Notes 28 (1972): 629-642.
Source: Journal
II. Reference Materials
F. Selected Archival Materials
Year: 1991
Complete Citation:
Perlis, Vivian. “Charles Ives and Oral History.” Paper presented at Contemporary Music Festival: The Life and Works of Charles Ives. Longwood College, Department of Music, Farmville, Virginia, October 24-25, 1991.

Source: Conference paper
II. Reference Materials
F. Selected Archival Materials

Perlis, Vivian and Libby Van Cleve

Year: 2005
Complete Citation:
Perlis, Vivian and Libby Van Cleve. Voices of America’s Musical Cen-tury. New Haven, CT: Yale University Press, 2005.
Notes:

Volume 1 has an accompany ing compact disc from the Yale Oral History Archives with Ives -related interviews.

Source: Book
II. Reference Materials
F. Selected Archival Materials
Year: 2005
Complete Citation:
Perlis, Vivian and Libby Van Cleve. “Charles Ives: 1874-1954.” In Composer's voices from Ives to Ellington: an oral history of American music, 8-21. New Haven, CT: Yale University Press, 2005.
Source: Book
II. Reference Materials
F. Selected Archival Materials

Perlis, Vivian, and Libby Van Cleve

Year: 2005
Complete Citation:
Perlis, Vivian, and Libby Van Cleve. Composers' Voices from Ives to Ellington: An Oral History of American Music. New Haven, CT: Yale University Press, 2005.
Source: Book
VI. Topical Studies
F. Selected Archival Materials

Peyser, Joan

Year: 1971
Complete Citation:
Joan Peyser. The New Music: The Sense behind the Sound. New York, NY: Delacorte, 1971.
Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Phelps, William Lyon

Year: 1922
Complete Citation:
William Lyon Phelps, “The Glorious Year Nineteen-Twenty.” Yale Alumni Weekly (December 17, 1922): 308.
Source: Magazine
II. Reference Materials
F. Selected Archival Materials

Piekut, Benjamin

Year: 2019
Complete Citation:
Piekut, Benjamin. “Introduction: What Was Experimentalism?” In Experimentalism Otherwise. Berkeley, California: University of California Press, 2019.
Source: Newsletter
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Pleasants, Henry

Year: 1955
Complete Citation:
Pleasants, Henry. The Agony of Modern Music. New York, NY: Simon and Schuster.
Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Porter, David Gray

Year: 1996
Complete Citation:
Porter, David Gray. Typescript of article. “Six articles on the works of American composer Charles Edward Ives,” 1996, University of California, Los Angeles Library, Los Angeles, California.
Source: Archival Material
II. Reference Materials
F. Selected Archival Materials

Prendergast, Mark J.

Year: 2003
Complete Citation:
Prendergast, Mark J. “Charles Ives.” In The Ambient Century: from Mahler to Moby: the Evolution of Sound in the Electronic Age. New York, NY: Bloomsbury, 2003.
Source: Chapter in Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Rebner, Wolfgang Edward

Year: 1954
Complete Citation:
Rebner, Wolfgang Edward. “American Experimental Music.” Lecture at Internationale Ferienkurse für Neue Musik, Darm-stadt, Germany, 1954.
Source: Lecture
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Rosenfeld, Paul

Year: 1932, 1996
Complete Citation:
Rosenfeld, Paul. “Charles E. Ives, Pioneer Atonalist.” New Republic 71 (20 July 1932): 262-64.
Source: Magazine, Book
Reprints:

Rosenfeld, Paul. “Charles E. Ives, Pioneer Atonalist.” In <i>Charles Ives and His World</i>, edited by J. Peter Burkholder 363-367. Princeton, NJ: Princeton University Press, 1996.

VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Ross, Alex

Year: 2004
Complete Citation:
Ross, Alex. “Pandemonium: Charles Ives.” The Rest is Noise. May 31, 2004.
Source: Web Content/Blog
Reprints:

Ross, Alex. “Pandemonium: Charles Ives.” <i>New Yorker</i> (June 7, 2004).

VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles